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Diez segundos
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Wikipedia article
'Diez segundos' ('Ten Seconds') is a 1949 Argentine film directed by Alejandro Wehner, produced by Emelco studios. The film is a boxing drama starring Ricardo Duggan, Mara Esther Buschiazzo, Patricia Castell, Carlos D'Agostino (voice), Delfy de Ortega, Mara Rosa Gallo, Oscar Valicelli and Oscar Villa. It premiered on November 23, 1949 in Buenos Aires. The film was distributed by Interamericana. Castell and Rosa Gallo would later star alongside each other in several films and television series over several decades including 'Perla Negra and 'Zngara' (1996).
Plot
laying a hand on the chest of Raul del Valle on the right holding the towel.
The film is loosely based on Horacio Estol's 1946 'Vida y combates de Luis Angel Firpo', a biography of the Argentine boxer Luis ngel Firpo who came close to beating Jack Dempsey in 1923.
In the film, a humble lad starts to learn to box to defend himself, then goes on to become a professional boxer. He is trained heavily by Oscar Villa. Duggan's love interest in the film is played by Patrica Castell.
Cast
* Mara Esther Buschiazzo
* Patricia Castell
* Carlos D'Agostino
* Delfy de Ortega
* Ricardo Duggan
* Mara Rosa Gallo
* Oscar Valicelli
*Raul del Valle
* Oscar Villa
Reception
The book which the film was based on, Estol's 'Vida y combates de Luis Angel Firpo' (1946) was received quite poorly and Wehner was inexperienced as a director, resulting in a disappointing film.
A critic of the newspaper 'Noticias Grficas' said (in English): "They have used a narrative method that disappoints the viewer" and compared it to the delirium a boxer experiences when being knocked out. 'Diario Critica' newspaper said (in English) "Some secrets of the technique get some interesting effects, but it reveals absolute nullity in the management of the interpreter."Manrupe, Ral y Portela, Mara Alejandra: 'Un diccionario de films argentinos (1930-1995)' pg. 178 Buenos Aires 2001 Editorial Corregidor
The authors of a 2009 analysis of the role of sports in Juan Perons government see the film as an example of the governments pursuit of national advancement and social mobility through sporting achievement. Its MALBA entry describes it as a classic Argentinian B movie and as a faithful, almost anthropological, representation of life in a Buenos Aires neighborhood of the time.
References
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