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The Lame Devil (film)
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Wikipedia article
'The Lame Devil' (UK: 'The Devil Who Limped';Tertiary sources: BFI, 'The Lame Devil'. original title: ', French for "the devil with a limp") is a 1948 French black-and-white historical film written and directed by Sacha Guitry. A biography of the titular French diplomat Talleyrand (17541838), it stars Guitry in the lead role. Originally forbidden by the French censor and turned into a play, the film went on to be released into six languages.
Film
Description
The film is a 125-minute, black-and-white biography of French priest and diplomat Charles Maurice de Talleyrand-Prigord (17541838), who served for 50 years under five different French regimes: the Absolute Monarchy, the Revolution, the Consulate, the Empire, and the Constitutional Monarchy. Its title comes from one of the main historical nicknames for Talleyrand, that he shares with demon king Asmodeus and English poet Lord Byron.The movie is often noted for its opening sequence: after showing the birthplace of Talleyrand as it became in then-contemporary 1948 Paris, it moves to a bookstore window showcasing his main biographies, including a copy of Guitry's own 'Le Diable boiteux' that creates a 'mise en abyme'.
The film then sketches Talleyrand through a dozen episodes and anecdotes, both from his public life as a politician and his private side as a womanizer. Guitry explained that he peppered the dialogues with "a very great number"Primary sources: Guitry 1948, 'Le Diable boiteux'. of quotes from most historical figures depicted.
Production
Under French law, a film has to be presented to the Censorship Board (') in order to obtain a French film-license . During the French Fourth Republic (19461958), post-war regulations mandated that a movie script be submitted for approval even before filming.As explained by Guitry in 1948, his synopsis was originally rejected by the Board: they underlined various dialogues in the script as being liable to cause public outrage. Guitry scoffed that all of them were actual quotes he had lifted from Talleyrand, Napoleon, and other historical figures, but his film being in effect forbidden, he immediately adapted it into a play, 'Talleyrand' (1948). He then leveraged the fact that his play had received success and caused no trouble to re-submit his script to the Board, who granted its license though "without any good grace".
Reception
'Le Diable boiteux' was originally released on 29 September 1948 in two theaters (the Marignan and the Marivaux) in Paris, France. It has since been released (dubbed or subtitled) into at least 5 other languages, being alphabetically: English ('The Lame Devil'), Finnish ('Rampa paholainen'), Greek ('Pringips talleyrandos'), Italian ('Il diavolo zoppo'), and Portuguese ('Um Homem Diablico').Positive or negative, critics have often considered Guitry's movie to be as much a historical biography as a plea for himself or a self-defense.Secondary sources: Cited in Savia, 'Le Diable boiteux'. Because Guitry didn't stop writing and playing during the Nazi occupation of France, he had been accused of collaboration with the enemy and imprisoned two months in 1944 by a self-appointed militia; released by the new government and fully discharged in 1947, he had expressed regret at the absence of a formal trial. Thus, rehabilitating the controversial Talleyrand (often considered a traitor for serving five different regimes) was seen as Guitry also trying to rehabilitate himself and strike back at those who had criticised him: on the movie's release, both a negative review by author (in 'L'Ordre', 1948) and a positive one by author Ren Barjavel (in 'France Hebdomadaire', 1948) commented on it from that standpoint. Various later reviews have discussed that aspect of the movie, from TV listings magazine 'Tlrama' (1978) to author in 'Cahiers du cinma' (1988), long after the events.
According to French stage director and stage historian in his 800-page monography 'Sacha Guitry. Cent ans de thtre et d'esprit' (1985), translated: "The time has come to do justice to this excellent film (very coldly received, of course, by the politicized press of the time), almost always fascinating, that rehabilitates a historical figure too often maligned and brings us back the great Sacha Guitry at the top of his game as an actor and director, if not author."
Data
Credits
;Main creditsTertiary sources: IMDB, 'The Lame Devil'.Tertiary sources: DVDT, 'The Lame Devil'.
* Director: Sacha Guitry
* Script, adaptation, dialogues: Sacha Guitry (after his play 'Talleyrand', 1948)
* Cinematography : Nicolas Toporkoff
* Music: Louis Beydts
* Production manager:
;Other credits
* Assistant directors: , Jeanne Etivant
* Editing: Jeannette Berton
* Film sets: Ren Renoux
* Cameraman: Marcel Franchi
* Sound:
* Production company: Union Cinmatographique Lyonnaise (UCIL)
* Distributor: Compagnie Parisienne de Location de Films (CPLF) and Gaumont
Cast
;Main cast, in credits order
* Sacha Guitry as Talleyrand
* Lana Marconi as Madame Grand (Talleyrand's wife)
* mile Drain as Napoleon I of France (and one lackey)
* Henry Laverne (billed "Henry-Laverne") as Louis XVIII of France (and one lackey)
* Maurice Teynac as Charles X of France (and one lackey)
* Philippe Richard (billed "Philippe-Richard") as Louis Philippe I (and one lackey)
* Georges Spanelly as Count of Montrond
* Robert Dartois as Count of Rmusat
* Rene Devillers as Duchess of Dino
* Georges Grey as General Caulaincourt
* Jeanne Fusier-Gir as Marie-Thrse Champignon (the female conspirator)
* Jos Noguero as Duke of San Carlos
* Maurice Escande as Prince of Metternich
* Jean Debucourt as Baron of Humboldt
* Pierre Bertin as Baron Nesselrode (later Count)
* as Lord Castelreagh
* Andr Randall (billed "Randall") as Lord Grey
* Howard Vernon as Lord Palmerston
* Jacques Varennes as General Lafayette
* Maurice Schutz as Voltaire
* Jos Torres (billed "Jos Torrs") as Don Juan d'Azcona
* Pauline Carton as the female chiromancer
* Denis d'Ins as Don Basilio (in 'The Barber of Seville')
* Jean Piat as Figaro (in 'The Barber of Seville')
* Andr Brunot as Dr. Bartolo (in 'The Barber of Seville')
;Uncredited cast, alphabetically
* Rene Bouzy as (unspecified)
* Georges Brhat as (unspecified)
* Jean-Claude Briet as a lackey
* Anne Campion as Pauline de Dino (Talleyrand's great-niece)
* Daniel Ceccaldi as (unspecified)
* Jane Daury as a Spanish woman
* Dominique Davray as (unspecified)
* as a cop
* Philippe Derevel as (unspecified)
* Bernard Dhran as Almaviva (in 'The Barber of Seville')
* as Rosine
* Robert Favart as abbot Dupanloup
* Catherine Fonteney as Princess of Chalais
* as the lady's companion
* Robert Hossein as a guest dressed in white
* Pierre Lecocq as Count Roederer
* Michel Lemoine as Prince of Asturias (later Ferdinand VII of Spain)
* Simone Logeart as (unspecified)
* Sophie Mallet as the maid
* Michel Nastorg as a lackey
* Georges Rivire as Marquis de la Tour de Bournac
* Robert Seller as Prince of Polignac
* Lon Walther as Dr. Cruveilhier
Release
;Release
* Original title: 'Le Diable boiteux'
* Genre: historical film
* Country of origin: France
* Language: French
* Released: 29 September 1948 (France), 1948 (World)
;Specifications
* Runtime: 125 minutes
* Photography: black-and-white
* Film: 35 mm
* Image ratio: 1.37:1
* Sound mix: mono
References
Sources
;Primary sources* Guitry, Sacha (1948). 'Le Diable boiteux. Scnes de la vie de Talleyrand' (play script), Paris: ditions de l'lan, Preface ([https://web.archive.org/web/20110720203729/http://www.amis-talleyrand.fr/fr/bibliographie/ficheart.php?num=79 text] at Amis-Talleyrand.fr; also reprinted in some of his other books, including: 'Le Cinma et Moi', 1977, Ramsay, p. 186187) Narrates the film's genesis and censorship.
;Secondary sources
* Savia, Roberto, ed. (online). , in 'Sacha Guitry, l'ironie d'un Matre, un Matre de l'ironie' (website), at RobySavia.chez.com Film data, compilation of 6 critics from 1948 to 1988.
;Tertiary sources
* (as 'Le Diable Boiteux') UK title.
* [http://dvdtoile.com/Film.php?id=8231 'The Lame Devil'] at DVD Toile (as 'Le Diable Boiteux') Complements to credits, cast, release.
* Most credits, cast, release.
Notes
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