Home | Movies By Year | Movies from 1943


Sanshiro Sugata

Buy Sanshiro Sugata now from Amazon

First, read the Wikipedia article. Then, scroll down to see what other TopShelfReviews readers thought about the movie. And once you've experienced the movie, tell everyone what you thought about it.

Wikipedia article




is a 1943 Japanese martial arts drama film and the directorial debut of the Japanese film director Akira Kurosawa. First released in Japan on 25 March 1943 by Toho film studios, the film was eventually released in the United States on 28 April 1974. The film is based on the novel of the same name written by Tsuneo Tomita, the son of prominent judoka Tsunejir Tomita. It follows the story of Sanshiro, a talented though willful youth, who travels to the city in order to learn Jujutsu. However, upon his arrival he discovers a new form of self-defence: Judo. The main character is based on Saig Shir.

The film is seen as an early example of Kurosawa's immediate grasp of the film-making process, and includes many of his directorial trademarks, such as the use of wipes, weather patterns as reflections of character moods, and abruptly changing camera speeds. The film itself was quite influential at the time, and has been remade on no fewer than five occasions. It spawned a sequel, 'Sanshiro Sugata Part II', which was released in 1945 and also directed by Kurosawa.

Plot



In 1883, Sanshiro is a talented though willful youth who wishes to become a jujutsu master by becoming a student at one of the city's martial arts schools. His first attempts to find a suitable instructor fail, until he finally finds an accomplished master, Shogoro Yano from the Shudokan Judo school, who he sees defending himself against a group of jujutsu bullies near a river. Initially, Sanshiro is physically capable, but he lacks any type of poise or reflection concerning his self-control and demeanor, even getting into merry fights at a village festival. His master believes him to be talented but lacking in discipline, describing teaching him judo as "like giving a knife to a madman". After being told about his lack of care about life, Sanshio jumps into a lotus pond to prove his strength and loyalty. Clinging to a stake in the pond, he stays the whole day and night before he sees the opening of a lotus bottom that makes him find self-realization. Leaping out of the pond, he goes to Yano to ask for his forgiveness. He starts to appreciate that there is more to his life and to his art than simple muscle and brawl and soon becomes a leading student in his school.

The city is looking to employ one of the local martial arts schools to guide the training of its local police force, and the school of Sanshiro becomes a leading candidate along with its rival, the local school of Ryi Shint-ry jujutsu led by Hansuke Murai. He first faces Kodama, a jujutsu tough that had tried to take out Shogoro in the river. The ensuing match leads to the death of Kodama after a move by Sanshiro leaves him crashing into a corner. In a scheduled competition between the two schools, Sanshiro is chosen to represent his school in a public match against Murai himself to determine which school is best to train the local police in the martial arts. The scheduled bout gets off to a slow start, but Sanshiro soon comes into his own and begins executing devastating throws which cause internal physical damage to his opponent. Although Murai tries to stand every time, energized by the memory of his daughter Sayo, he is forced to give up after the third time he is violently sent to the ground by Sanshiro.

After the match, Sanshiro makes friends with his defeated opponent and is attracted to Sayo. Sayo is a local beauty, and another Ryi Shint-ry jujutsu master, Higaki, competes with Sanshiro for her affections. When he challenges Sanshiro to a duel to the death, Sanshiro accepts and defeats him by inflicting permanent crippling damage to Higaki. After emerging victorious from his duel, Sanshiro prepares for his next assignment in Yokohama while being escorted on the local train by Sayo. He promises to return to her after he finishes his journey.

Cast



played the female lead in 'Sanshiro Sugata' who would win the heart of Sanshiro in Kurosawa's early film. Contemporaneous photograph from 1937.

*Susumu Fujita as Sanshiro Sugata

*Denjir kchi as Shgor Yano

*Yukiko Todoroki as Sayo Murai

*Rynosuke Tsukigata as Gennosuke Higaki

*Takashi Shimura as Hansuke Murai

*Ranko Hanai as Osumi Kodana

*Sugisaku Aoyama as Tsunetami Iimura

*Ichiro Sugai as Police Chief Michitsune Mishima

*Yoshio Kosugi as Master Sabur Kodama

*Kokuten Kd as Buddhist Priest

*Michisabur Segawa as Wada

*Akitake Kno as Yoshima Dan

*Shji Kiyokawa as Yjir Toda

*Kunio Mita as Khei Tsuzaki

*Akira Nakamura as Toranosuki Niiseki

*Eisabur Sakauchi as Nemeto

*Hajime Hikari as Torakichi

Production



Following five years of second unit director work on films such as 'Uma' and 'Roppa's Honeymoon', Kurosawa was finally given the go-ahead to direct his first film, even though he himself claimed that, in films like 'Uma', "I had been so much in charge of production I had felt like the director". After hearing of a new novel from the writer Tomita Tsuneo in an advertisement, Kurosawa decided the project was for him and asked film producer Iwao Mori to buy the rights for him. Kurosawa, told that Toho wouldn't be able to buy the rights until it was published, eagerly awaited its release, to the point where he stalked bookstores night and day until he found a copy; he quickly read the book and wrote an screenplay for it. Despite his enthusiasm, Masahiro Makino was first asked to direct, but he declined.

According to Japanese cinema scholar Donald Richie, the reason Kurosawa was allowed to direct the film was because he had had two film scripts printed, including one of which had won the education minister's prize. However, his work was too far away from the government requirements for a wartime film. Tomita's novel, on the other hand, was considered "safe", dealing, as it did, with a Japanese subject such as the martial rivalry between judo and jujitsu; being a period piece; and having a popular subject. Kurosawa deliberately went out to make a "movie-like movie", as he knew he would not be able to insert any particularly didactic qualities in the film.

When he went to the board of censors (which he likened to being on trial), the film passed on the basis of recommendation by Yasujiro Ozu, who called it an important artistic achievement despite other voices claiming it was too "British-American". After the initial release, Japanese censors reportedly trimmed the film by 17 minutes. Some of this footage was later recovered and added to a DVD release, and the original script with the missing material still exists; intertitles are included in the release that describe what occurred in the missing parts. The 1952 re-release (from which the 2009 Criterion DVD is made) opens with (translated from the original Japanese text):

Paul Anderer emphasized Kurosawa's attention to the character of Gennosuke Higaki in the film. Higaki, created by Tsuneo Tomita for the novel and inspired by real life jujutsu master Mataemon Tanabe, is the film's central villain. Anderer stated:

Themes



The central theme of the film is the education and initiation of Sugata and the way in which, whilst learning the ways of Judo, he also learns about himself. The film's central scene concerning this theme is when, after being accosted by Yano for getting involved in a streetfight, Sugata leaps into the cold waters near Yano's temple and stays there in order to show his master his dedication, and the fact that he is neither afraid to live nor to die. However, the resident monk chides him for this self-serving display, and he emerges from the pond a humbler man after witnessing the blooming of a lotus blossom, a Buddhist symbol of purity.Conrad, David A. (2022). 'Akira Kurosawa and Modern Japan', p12-13, McFarland & Co.

Remakes



Films

'Sanshiro Sugata' has been remade five times since it was initially released, although these versions are even harder to find in the west than the original. The 1955 and 1965 versions share the script of the original versions, whereas the subsequent three releases are all based on the novel rather than Kurosawa's screenplay.

* 'Sugata Sanshir' (1955) - Directed by Shigeo Tanaka

* 'Sugata Sanshir' (1965) - Directed by Seiichir Uchikawa

* 'Ninky Yawara Ichidai' (1966) - Directed by Sadao Nakajima

* 'Sugata Sanshir' (1970) - Directed by Kunio Watanabe

* 'Sugata Sanshir' (1977) - Directed by Kihachi Okamoto

Television

* 'Sugata Sanshir' (1970) was aired on NTV, started by Muga Takewaki.

* 'Sugata Sanshir' (1978-79) was aired on NTV, started by Hiroshi Katsuno and Masaya Oki.

See also



*List of incomplete or partially lost films

*Segata Sanshiro

References




Buy Sanshiro Sugata now from Amazon

<-- Return to movies from 1943



This work is released under CC-BY-SA. Some or all of this content attributed to http://en.wikipedia.org/w/index.php?oldid=1103734766.