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Zimzalabim
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Wikipedia article
{{Infobox song
| name = Zimzalabim
| cover =
| alt =
| type = single
| artist = Red Velvet
| EP = The ReVe Festival: Day 1
| language = Korean
| released = June 19, 2019
| recorded = 2019
| studio = SM Studio Center, Seoul, South Korea
| genre = *EDM
*electropop
*avant-pop
| length = 3:10
| label = *SM
*Dreamus
| writer =
| producer =
| prev_title = Close To Me (Remix)
| prev_year = 2019
| next_title = Umpah Umpah
| next_year = 2019
| misc =
}}
"'Zimzalabim'" is a song recorded by South Korean girl group Red Velvet for their sixth Korean extended play 'The ReVe Festival: Day 1', which acts as the first installment of the group's 'The ReVe Festival' trilogy. Primarily an EDM-influenced electropop track that resembles a "colorful parade" and showcases an extravagant soundscape, the song was composed by production duo Caesar & Loui, Ollipop and Hayley Aitken with Korean lyrics adaptation by lyricist Lee Seu-ran, which tells the listeners to "unfold a dream" that is "held deeply" in their heart. Accompanied by an amusement park-themed music video, it was released on June 19, 2019 by SM Entertainment as the lead single for 'Day 1', and subsequently the first single from 'The ReVe Festival' trilogy.
Upon its release, "Zimzalabim" polarized music critics over its "genre-hopping" composition. While some felt the song was a "downhill" from the group's previous experimenting tunes, others saw the song as a sonic roller coaster ride and praised its "energetic, anthemic" sound. It also attained moderate success, becoming their first lead single to miss the top ten on Gaon Digital Chart, peaking at number eleven, while earning Red Velvet their fourteenth consecutive top-ten entry on 'Billboard's World Digital Songs chart. The song also marked the group's first chart appearance in Oceania, peaking at number thirty-nine on 'New Zealand' Hot Singles Chart.
Background and release
Following the release of their second Japanese extended play 'Sappy' on May, SM Entertainment shared the first preview of 'The ReVe Festival' through social media accounts on June 4, 2019 The word "Zimzalabim" was revealed on June 8 to 9 through the videos posted on Red Velvet's official social media accounts. The group released a trailer video on June 10 which announced the full-scale start of 'The ReVe Festival' through their YouTube and V Live channels. It was revealed that SM Entertainment chief producer Lee Soo-man has been holding the song for a while, but strongly suggested that the group was ready to pull the track off as a title song. The song had its official digital release on June 19, 2019, along with 'The ReVe Festival: Day 1'.
Composition
"Zimzalabim" was composed by Olof Lindskog, Daniel Caesar, Ludwig Lindell and Hayley Aitken. In an email interview with 'The Korea Herald', Daniel Caesar and Ludwig Lindell under the name of Caesar & Loui revealed that the song was inspired by Girls' Generation's "I Got a Boy".
Musically, Tamar Herman of 'Billboard' characterized "Zimzalabim" as an electropop song with "funky percussive melodies, tinny hip-hop chants, EDM dance breaks, and chill, groovy moments". It is composed in the key of F major, with a tempo of 128 beat-per-minute. Choi Young-joo of 'No Cut News' noted the "rhythmic drumming and cool melodies". In addition, Lee Jung-ho of 'Star News' noted the song's unconventional style and frequent changes in genre. Lyrically, "Zimzalabim" talks about "breaking convention, reaching for your dreams, and letting a little bit of 'magic' back into your life".
Music video
Background
On June 10, 2019, the trailer video titled "Special Competition: RVF D-10", was uploaded through the Red Velvet's official YouTube channel. On June 17, 2019, a 17-second video teaser for "Zimzalabim" was uploaded on the official SM Town channel. A final 19-second video teaser was uploaded the next day, and the music video for "Zimzalabim" was released on June 19, 2019.
Synopsis and reception
The music video is set in a fantastical amusement park, where they ride roller coasters through the skies, throw a tea party in a spinning teacup and perform the song alongside sentient instruments. Following the music video's release, writer Tamar Herman of 'Billboard' described it as "a bright music video", further praising the video for "the song's mesmerizing choreography". Writer Puah Ziwei of 'NME' noted the "energetic" music video. Emlyn Travis of Buzzfeed noted the video as "magical" referring to its "carnival rides, floating instruments, tea cups, and a hefty dose of fantasy".Live performances
Red Velvet promoted the song on several music programs in South Korea including 'Show! Music Core', 'Music Bank' and 'Inkigayo'. The group received five music show trophies for the song.
On June 22, 2019, Red Velvet has released methods of applying for the global dance cover campaign, "Zimzalabim In Public" through various official SNS accounts, as well as a focus cam by members with the highlight choreography of the new song, and the group dance shooting site. On June 25, 2019, a flash mob performance video, titled "ZIP.CODE : SEOUL" was uploaded to the SM Town official YouTube channel. About 500 people, including famous YouTube creators Na Ha-eun and Go Toe-kyung were part of the performance.
Commercial performance
"Zimzalabim" debuted at number 14 on the Gaon Digital Chart and peaked at number 11 the following week. The song debuted at number 8 on the 'Billboard' K-pop Hot 100 before reaching number 4 in its second week. It was later ranked at number 169 on the year-end Gaon Digital Chart for 2019. It became the group's fourteenth consecutive top-ten single on the World Digital Song Sales chart, reaching number 10 three weeks after its release. Moreover, "Zimzalabim" reached the weekly chart in New Zealand, becoming their first entry on the latter chart.
Critical reception
Following its initial release, "Zimzalabim" was met with mixed reviews from music critics. Tamar Herman of 'Billboard' magazine viewed the track as an "extravagant soundscape", adding it as a "genre-hopping song, which incorporates an addicting chorus". Writer Kim Do-hyun of 'IZM' described the track as "neither a meaningful experiment nor a significant point in Red Velvet's career".
The music video was placed atop 'BuzzFeed's list of "Best K-pop Music Videos of 2019", where it claimed that the video showcased everything "from dancing crystalline animals to boots that march on their own", labelling it as "a perfect example of how Red Velvet boldly pushes creative boundaries with grace, style, and a sprinkle of magic."
Accolades
"Zimzalabim" received nominations for the 2019 Mnet Asian Music Awards and the 9th Gaon Chart Music Awards. The song managed to receive five music program wins. The song also achieved two consecutive Melon Weekly Popularity Awards.
Awards
Usage in media
On January 15, 2020, 'Trolls World Tour' used "Zimzalabim" in a trailer that was released by Thailand film distributor Major Group marking the appearance of Red Velvet in the film. On April 8, 2020 the film also used the song in the trailer released by South Korean Universal Pictures.
Credits and personnel
Credits adapted from the liner notes of 'The ReVe Festival: Day 1'.
'Studio'
* Recorded at SM Blue Cup Studio
* Digital edited and engineered for mix at SM LYVIN Studio
* Mixed at SM Blue Ocean Studio
'Personnel'
* Red Velvet (Irene, Seulgi, Wendy, Joy, Yeri) vocals, background vocals
* Lee Seu-ran Korean lyrics
* Olof Lindskog original writer, composition, arrangement
* Daniel Caesar original writer, composition, arrangement
* Ludwig Lindell original writer, composition, arrangement
* Hayley Aitken original writer, composition, background vocals
* Kenzie vocal director
* Jeong Eui-seok recording
* Lee Ji-hong digital editing, mixing engineer
* Kim Chul-soon mixing
Charts
Weekly charts
Monthly charts
Year-end charts
Release history
See also
* List of 'M Countdown' Chart winners (2019)
*List of 'Inkigayo' Chart winners (2019)
References
Category:2019 singles
Category:2019 songs
Category:Korean-language songs
Category:Red Velvet (group) songs
Category:SM Entertainment singles
Category:Songs written by Hayley Aitken
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