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Don't Blame Me (Taylor Swift song)
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Wikipedia article
{{Infobox song
| name = Don't Blame Me
| artist = Taylor Swift
| album = Reputation
| released =
| studio = MXM (Stockholm and Los Angeles)
| genre =
* Electropop
* EDM
* gospel
| length = 3:56
| label = Big Machine
| writer =
* Taylor Swift
* Max Martin
* Shellback
| producer =
* Max Martin
* Shellback
| misc =
}}
"'Don't Blame Me'" is a song by American singer-songwriter Taylor Swift, taken from her sixth studio album, 'Reputation' (2017). The song was written by Swift and its producers, Max Martin and Shellback. "Don't Blame Me" features a dark and moody production combining electropop, EDM, and gospel, with heavy bass, synthesizers and manipulated vocals. The lyrics are about Swift's unapologetic attitude reflecting her reputation as a songwriter who mostly wrote about love and past relationships.
"Don't Blame Me" received mixed reviews from music critics, who either praised the production or found it unappealing. In 2022, "Don't Blame Me" gained traction on TikTok and charted on the official singles charts of several countries including Australia at number 46, Austria at number 49, Norway at number 18, the Czech Republic and Greece at number 33, and the United Kingdom at number 77. The track was certified silver by the British Phonographic Industry (BPI) and gold by the Australian Recording Industry Association (ARIA). Swift included the song on the set list of her Reputation Stadium Tour (2018).
Background
Taylor Swift released her fifth studio album, '1989', in October 2014 to commercial success. The album sold over six million copies in the U.S. and spawned three 'Billboard' Hot 100 number-one singles: "Shake It Off", "Blank Space", and "Bad Blood". Swift continued to be a major target of tabloid gossip during the promotion of '1989'. She had short-lived romantic relationships with Scottish producer Calvin Harris and English actor Tom Hiddleston. Her reputation was blemished from publicized disputes with other celebrities, including rapper Kanye West, media personality Kim Kardashian, and singer Katy Perry. Swift became increasingly reticent on social media, having maintained an active presence with a large following, and avoided interactions with the press amidst the tumultuous affairs.
She conceived her sixth studio album, 'Reputation', as an answer to the media commotion surrounding her celebrity. Describing the album as "cathartic", Swift followed the songwriting for her 2014 single "Blank Space", on which she satirized her perceived image. She said: "I took that template of, OK, this is what you're all saying about me. Let me just write from this character for a second." The final cut of 'Reputation' consists of 15 tracks, all of which Swift co-wrote.
Composition
"Don't Blame Me" was written by Swift, Max Martin, and Shellback. It was produced by the latter two, who also played the keyboards, with Shellback also playing the guitars. Swift and Martin provided the background vocals. Sam Holland and Michael Ilbert, with engineering assistants Cory Bice and Jeremy Lertola, engineered the track at MXM Studios in Los Angeles and Stockholm. It was mixed by Serban Ghenea at MixStar Studios in Virginia Beach, Virginia, and mastered by Randy Merrill at Sterling Sound Studios in New York City.
"Don't Blame Me" was described by 'Time' as an electropop song. It is also an EDM and "gospel pop" track. 'Rolling Stone' critic Rob Sheffield characterized it as "moody 'bad girl goes to church', a sound that recalls Madonna's "Like a Prayer" (1989). Hannah Mylrae from 'NME', meanwhile, called it a "thundering, foot-stomping, fist-pumping moment". The song is accompanied by a dark, moody electronic production and a "church-y sound" for the refrain. Its instrumentation includes "pulsing drums", "surging keyboards", "heavy bass", and distorted, multitracked vocals. 'Spin' Monique Mendelez compared its "thunderous gothic church soundscape" to the sound of Hozier's "Take Me to Church" (2013).
For the lyrics, media publications interpreted "Don't Blame Me" as Swift's unapologetic attitude reflecting her reputation as a songwriter who mostly wrote about love and past relationships. Swift hints at "how crazy her newest lover made her". In the song, she also replies to the criticism she endured for singing about her relationships. She understands the concept of consequence as she declares her love. She uses religious imagery, "I would fall from grace / Just to touch your face" and makes references to addiction ("Oh, lord save me, my drug is baby"). Neil McCormick from 'The Daily Telegraph' interpreted the song as a contemplation on whether love can survive in the presence of media scrutiny. In the South African edition of 'GQ', Bernd Fischer thought the song shows a more vulnerable side of Swift despite its title suggesting otherwise. The track also contains a reference to 'The Great Gatsby' where Swift refers to herself as "your Daisy".
Critical reception
"Don't Blame Me" received mixed to positive reviews. Melendez opined that "Don't Blame Me" was the song that represented 'Reputation', praising the production and lyrics. 'Pitchfork's Jamieson Cox called the song a "glittering [monster] held together by Swift's presence at their center". Writing for 'PopMatters', Evan Sawdy deemed the track a highlight on the album. In other reviews, Alexis Petridis from 'The Guardian', Ellen Peirson-Hagger from 'Under the Radar', and McCormick picked it as an album highlight. Petridis praised its chord progression comparing it to Britney Spears's "...Baby, One More Time" (1998). Peirson-Hagger and McCormick also shared a similar view. The former noticed its "warming, singalong, confessional style intriguingly dark", while the latter highlighted its "pithy observations, insidious melodies and intimately conversational vocals".
In a review for 'Atwood Magazine', Nicole Almeida found the drug metaphor in the lyrics clichd. On a less positive note, Eleanor Graham from 'The Line of Best Fit' and Uppy Chatterjee from 'The Music' found the EDM-influenced production bland and unappealing, partly because the sound had already been hugely popular on the charts. Rudy K. from 'Sputnikmusic' commented that the track "begs for a more nimble voice than Swift can give".
Release and commercial performance
"Don't Blame Me" is track number four on 'Reputation', which was released in various countries on November 10, 2017, by Big Machine Records. Swift included the song on the set list of her Reputation Stadium Tour (2018).
In MayJune 2022, "Don't Blame Me" gained traction on the video-sharing app TikTok, which led it to enter various charts. The song peaked at number 18 in Norway, and number 33 in Greece and Czech Republic. "Don't Blame Me" also debuted and peaked at number 31 in Hungary's Stream Top 40, number 49 in Austria, and 52 in Slovakia. It debuted at number 46 in Australia and at number 77 in the United Kingdom. The track was certified silver by the British Phonographic Industry (BPI) and platinum by the Australian Recording Industry Association (ARIA). The song also charted on the 'Billboard' Global 200 chart at number 124.
Personnel
Credits adapted from the liner notes of 'Reputation'.
* Taylor Swift lead vocals, backing vocals
* Max Martin producing, keyboards, backing vocals
* Shellback producing, guitars, keyboards
* Sam Holland engineering
* Michael Ilbert engineering
* Cory Bice assistant engineering
* Jeremy Lertola assistant engineering
* Serban Ghenea mixing
* John Hanes mix engineering
* Randy Merrill mastering
Charts
Certifications
References
Category:2017 songs
Category:Taylor Swift songs
Category:Songs written by Taylor Swift
Category:Songs written by Max Martin
Category:Songs written by Shellback (record producer)
Category:Song recordings produced by Max Martin
Category:Song recordings produced by Shellback (record producer)
Category:Electropop songs
Category:Gospel songs
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