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Summer Days (Bob Dylan song)
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Wikipedia article
"'Summer Days'" is an uptempo twelve-bar blues/rockabilly song written and performed by American singer-songwriter Bob Dylan that appears as the third song on his 2001 album 'Love and Theft'. It was anthologized on the compilation album 'The Best of Bob Dylan' in 2005. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
Composition and recording
In their book 'Bob Dylan All the Songs: The Story Behind Every Track', authors Philippe Margotin and Jean-Michel Guesdon describe the song as the "first time Dylan wrote...in an authentic rockabilly style, reminiscent of guitarist Brian Setzer". They note that he seems to be making fun of himself in the lyrics, "especially when he sings, 'The girls all say, 'You're a worn-out star'" and that his "excellent vocal" on the studio recording is "tinged with humor and lightness - light years away from the dense atmosphere of 'Time Out of Mind'". They also praise the guitar playing as being "absolutely stunning, particularly "Charlie Sexton's excellent solos" and cite Sexton's riff in the introduction as being "close to Big Joe Turner's "Roll 'em, Pete". The song is performed in the key of E-flat major.
Critical reception
Like Guesdon and Margotin, critic Greil Marcus also contrasted "Summer Days" with 'Time Out of Mind', especially with regard to Dylan's vocal performance, in his "Real Life Rock Top 10" column: "Speaking of trying on new clothesfour years ago, Dylans celebrated 'Time Out of Mind' mapped a country of abandoned roads and emptied cities, and nothing like whats happening here could have happened there. 'Waaaal'in this song, 'Well' is always 'Waaaal', 'Yes' is always 'Yaaaaaaassss', pure minstrel diction, as befits an album seemingly named for Eric Lotts 1993 study 'Love and Theft: Blackface Minstrelsy and the American Working Class''Waaaaal, Im standing on a table, Im proposing a toast to the King', the singer shouts from inside a roadhouse where a Western Swing band is running a jitterbug beat as if its twirling a rope".
'Spectrum Culture' included "Summer Days" on a list of "Bob Dylan's 20 Best Songs of the '00s". In an article accompanying the list, critic Kevin Korber writes that it's "both unfortunate and kind of inevitable that Dylan doesnt get much credit for having a sense of humor. His work is so steeped in the mythos of him being the Greatest American Songwriter that its easy to forget that hes a human being" and calls the song "one of the most genuinely fun...on an album that has more than its fair share". Korber also notes that the "lyrics have a cyclical nature, ending where they began as Dylan seems to imply that life will keep going beyond him (or this Court Jester version of him), and the bands looping patterns echo that sentiment".
In his book 'Bob Dylan, Performing Artist: 1986-1990 and Beyond', Paul Williams wrote that he is "thoroughly delighted by all of "'Summer Days' even though I have a low tolerance for Dylan uptempo kitchen-sink jump-shuffle numbers like most live versions of 'Everything Is Broken' and 'Highway 61'. But 'Summer Days' seems to me to break the mold, musically and lyrically and attitudinally fresh in ways that never stop tickling me".
NJ Arts critic Jay Lustig identified it as his favorite track on 'Love and Theft' and referred to it as a "raucous neo-rockabilly song...bursting with musical energy and memorable lyrics".
Cultural references
The lines "She says, You cant repeat the past, I say, You cant? / What do you mean, You cant, of course, you can! are a close paraphrase of a passage from F. Scott Fitzgerald's 1925 novel 'The Great Gatsby'.
The phrase "sucking the blood out of the genius of generosity" comes from a speech that Abraham Lincoln gave to the Washington Temperance Society.
Two lines in the song ("What good are you anyway if you can't stand up to some old businessman?" and "Gonna break in the roof, set fire to the place as a parting gift") are based on passages from Junichi Saga's 'Confessions of a Yakuza'.
Live versions
According to his official website, Dylan played the song 885 times on the Never Ending Tour Between 2001 and 2018. This makes it the most frequently played live song from 'Love and Theft' and Dylan's 13th most frequently played live song ever. The live debut occurred at the Spokane Arena in Spokane, Washington on October 5, 2001 and the last performance (to date) took place at Horncastle Arena in Christchurch, New Zealand on August 28, 2018.
References
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