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Synchronicity II

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Wikipedia article




{{Infobox song

| name = Synchronicity II

| cover = Synchronicity II singlecover.jpg

| alt =

| type = single

| artist = The Police

| album = Synchronicity

| B-side = Once Upon a Daydream

| released =

| recorded =

| studio = *AIR Montserrat, Montserrat Island (basic tracks)

*Le Studio, Morin-Heights, Quebec (overdubs and mixing)

| venue =

| genre =

| length = 5:04

| label = A&M (AM 153)

| writer = Sting

| producer = * The Police

* Hugh Padgham

| chronology = The Police UK

| prev_title = Wrapped Around Your Finger

| prev_year = 1983

| next_title = King of Pain

| next_year = 1984

| misc =



}}

"'Synchronicity II'" is a song by the Police, and the third single from their album 'Synchronicity'. Written by lead singer and bassist Sting, it was released as a single in the UK and the U.S. by A&M Records, reached No. 17 in the UK Singles Chart[http://www.theofficialcharts.com/artist/_/police/ The Police in the UK Charts], The Official Charts. and No. 16 on the 'Billboard' Hot 100 in December 1983.[ "Synchronicity II" in the Billboard Charts], Billboard.com. It features the non-album track "Once Upon a Daydream" on the b-side. The song was described by 'People Weekly' as "aggressive" and "steely.""Synchronicity." 'People Weekly' v20.(25 July 1983): pp14(1).

Background



The song, which refers to Carl Jung's theory of synchronicity, nominally tells the story of a father whose home, work life, and environment are dispiriting and depressing. In an early stretch of words we find "Grandmother screaming at the wall", as well as "mother chants her litany of boredom and frustration, but we know all her suicides are fake". Later, we hear about humiliation by his boss ("and every single meeting with his so-called superior/is a humiliating kick in the crotch"), all the while he "knows that something somewhere has to break". Meanwhile, something monstrous is emerging from a "dark Scottish lake/loch", a reference to the Loch Ness Monstera parallel to the father's own inner anguish.

Interpretations of the lyric vary widely.[http://www.songfacts.com/detail.php?id=1685 Interpretations] of the content of "Synchronicity II" on www.songfacts.com[http://www.songmeanings.net/lyric.php?lid=5936 Interpretations] of the content of "Synchronicity II" on www.songmeanings.net Writing in 'Entertainment Weekly' about a 1996 Sting tour, Chris Willman said:

Sting explained the theme of the song to 'Time' magazine:

"Synchronicity II" also may have taken inspiration from the poem "The Second Coming" by William Butler Yeats. The theme of "The Second Coming" is similar to that of "Synchronicity II"a civilisation beginning to collapse, and the rise of something new, something perhaps savage, to take its place.

In "Synchronicity II" guitarist Andy Summers "forgoes the pretty clean sounds for post-apocalyptic squeals and crashing power chords", writes Matt Blackett in 'Guitar Player' magazine."The 50 greatest tones of all time." (Critical Essay). Matt Blackett. 'Guitar Player' 38.10 (Oct 2004): p44(17). Summers recalls how the feedback was created: "So I was in the studio with the Strat and two Marshalls full up, waiting for them to run the track. I put the headphones on and started messing around with the feedback, really giving it one... six minutes of screeching with my life passing before me on the guitar!"

According to Summers, there was originally going to be a link between this song and counterpart "Synchronicity I":

The flip side, "Once Upon A Daydream", was a composition cowritten by Andy Summers and Sting. As Sting remembers, "It's a set of chords Andy came up with and I wrote some lyrics to them by the swimming pool in Monserrat. It's very dark but that was 'The Ghost in the Machine' period. Very intense".Message in a Box: The Complete Police Recordings, booklet, A&M, 1993

Reception



'Cash Box' said the song "jumps with a contemporary rock drive" and praised Sting's vocal performance and Summers' and Copeland's "powerful" instrumental performances.

Music video



The music video for "Synchronicity II" was directed by Godley & Creme, filmed at a sound stage on the outskirts of London. In it the band are seen performing on top of giant piles of guitars, drums, junk, car parts, wires, with debris and papers flying about, punctuated by footage of Loch Ness for each chorus. The band members stood apart from each other on separate towers made of scaffolding, wearing dystopian outfits. A misty and stormy appearance was created with air blowers and dry ice. During the filming, Copeland's tower caught fire and the crew started to leave the building. Creme told the director of photography to keep the cameras rolling despite the danger.

Track listing



Charts



In popular culture



"Synchronicity II" is covered and appears as a playable track on the PlayStation 2 game 'Guitar Hero Encore: Rocks the 80s'. The master track of the song also appears in 'Rock Band Track Pack Volume 1' for PlayStation 2 and Wii, then the downloadable content for the music video game series 'Rock Band' and Rocksmith.

Personnel



*Sting bass, vocals

*Andy Summers guitar, keyboards

*Stewart Copeland drums

Covers



* The hard rock band Queensrche has covered this song in their 'Take Cover' album.

References



Category:The Police songs

Category:1983 singles

Category:Music videos directed by Godley and Creme

Category:Songs written by Sting (musician)

Category:Song recordings produced by Hugh Padgham

Category:Loch Ness Monster

Category:1983 songs

Category:A&M Records singles

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