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It's a Fine Day

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Wikipedia article




"'It's a Fine Day'" is a song written by English poet and musician Edward Barton. It was originally recorded in a cappella in 1983 by Jane, and later by Opus III for whom it was a major international hit in 1992.

Original recording by Jane



Barton wrote the lyrics as a poem when living in the Hulme area of Manchester.[http://www.djhistory.com/forum/archive/index.php/t-7551.html ] It was originally sung unaccompanied by, and credited to, 'Jane' that is, Jane Lancaster, Barton's girlfriend.'Mojo magazine', March 2008, p.76 They recorded and released it independently, and it was played by radio DJ John Peel. It was then heard by Iain McNay of Cherry Red Records, who obtained the rights to the record and released it more widely on his label in 1983.[http://homepages.force9.net/king1/Barton/Jane-ItsAFineDayGeraldMix.htm ]

It reached number 5 on the UK Indie Chart, and later appeared, credited to Jane and Barton, on their eponymous mini-album, 'Jane and Barton'.

This version of the song appeared on the 2013 indie-pop compilation album, 'Scared to Get Happy: A Story of Indie-Pop 19801989'.

Jane's unaccompanied vocal version of the song was given a backing track by A Guy Called Gerald in 1992.

Charts



Opus III version



{{Infobox song

| name = It's a Fine Day

| cover = It's_a_Fine_Day (Opus III).jpg

| alt =

| type = single

| artist = Opus III

| album = Mind Fruit

| B-side = Evolution Rush

| released =

| recorded =

| studio = Fluffy Trees

| genre =

| length = 3:36

| label = PWL International

| writer = Edward Barton

| producer = Opus III

| prev_title =

| prev_year =

| next_title = I Talk to the Wind

| next_year = 1992

| misc =

}}

In 1992, "It's a Fine Day" was covered by English electronic music group Opus III, whose lead vocalist was Kirsty Hawkshaw. It was their debut and released as the first single from their album, 'Mind Fruit' (1992). The single reached number five in the United Kingdom, and number-one in Greece and on the US 'Billboard' Hot Dance Club Play chart. In 2010, the song was named the 182nd best track of the 1990s by 'Pitchfork Media'. The two chief differences from Jane's original were that this version was not recorded 'a cappella' but with a full instrumental accompaniment, and that it used only the first verse and chorus of the original song's lyrics.

Critical reception

AllMusic editor MacKenzie Wilson said the song is "melodically enchanting with loopy trance vibes and textured synth waves", noting Kirsty Hawkshaw's "dove-like vocals transcended into freewheeling soundscapes". Larry Flick from 'Billboard' wrote that this "quirky dance act" has made a "near-perfect, radio-friendly ditty", adding that it is "empowered with a potent blend of, ethereal female vocals, a hypnotic hook, and an electro-hip beat." Andy Kastanas from 'The Charlotte Observer' deemed it "a dance-pop tune with "rave" undertones and pretty female vocals that'll make your day better than fine."Kastanas, Andy (June 17, 1992). "Sounds of Progress". p. 20. 'The Charlotte Observer'. Marisa Fox from 'Entertainment Weekly' described it as a "bubble-gummy dance track", addeding that "this self-described ambient-techno group lives up to the genres esoteric side." Tom Ewing of Freaky Trigger called it a "precious lullaby for a sleepless generation." Dave Sholin from the 'Gavin Report' said that lead vocalist Hawkshaw "is the only name we know because the producers who put this British dance sensation together can't legally reveal themselves. Supposedly, Kirsty was singing in her garden while this mysterious group was recording the sounds of birds. A likely story. In any case, it was a fortunate meeting that gave life to this hot track."

Alan Jones from 'Music Week' commented that "it's the nearest thing yet to an ambient rave. Watch it chase Kylie and 2 Unlimited up the chart." Andy Beevers from the magazine's 'RM' Dance Update called it "one of the year's most unusual hits." Wendi Cermak from 'The Network Forty' wrote that "the song came about when the boys behind the group were out in the Hertfordshire woods recording bird noises to sample for a new track and stumbled on classically-trained vocalist Kirsty." She added further that "the group approaches their music committed to a pure English vocal crossed with the backdrop of organic dance rhythm. The overall effect is a powerful ambient concept of style and character which can't be ignored. Like nothing else out there, this track is simultaneously spacey and driving, bordering on the current Euro-Rave movement." Danny Scott from 'Select' noted its "surreal ambient House sounds". Mark Frith from 'Smash Hits' stated that it "has become something of a dance anthem."

Chart performance

"It's a Fine Day" went on to become very successful on the charts in Europe, peaking at number-one in Greece. It made it to the Top 10 also in Finland, Ireland, Italy, Spain (number two) and the United Kingdom. In the latter, the single reached number five in its second week on the UK Singles Chart, on February 23, 1992. It spent two weeks at that position. On the UK Dance Singles Chart, it was even more successful, reaching number three. Additionally, "It's a Fine Day" peaked within the Top 20 in Austria, France, Germany and on the Eurochart Hot 100, where it hit number 16. Outside Europe, it peaked at number eight in Israel and soared to the number-one position on the US 'Billboard' Hot Dance Club Play chart, while reaching number 30 on the 'Billboard' Modern Rock Tracks chart. In Australia, the single reached the Top 60, peaking at number 54.

Music video

The accompanying music video for "It's a Fine Day" was directed by David Betteridge. It first aired in February 1992. The video features Kirsty Hawkshaw with her standout shaved head and bodysuit, performing and dancing against a backdrop of what is supposed to be a fine day.

Track listings



* '7-inch single'

# "It's a Fine Day" (edit) 3:40

# "Evolution Rush" (edit) 4:21

* '12-inch maxi'

# "It's a Fine Day" (club remix) 6:45

# "It's a Fine Day" (club remix) 6:45

* 'CD single'

# "It's a Fine Day" (edit) 3:40

# "It's a Fine Day" 5:30

# "Evolution Rush" 6:11

# "It's a Fine Day" (a cappella version) 3:42

Charts



Weekly charts



Year-end charts



Later versions



The song was also the basis of Orbital's 1993 track, "Halcyon + On + On", on their second eponymous album the "la la la" section of the chorus was backmasked and sampled throughout the song. Interestingly enough, a music video for the song featured Hawkshaw, who was the aforementioned vocalist in the songs sample.

A Cantonese-language version of this single, "Can lalalalali at night only," was recorded by Hong Kong singer Yolinda Yan in 1992.

A further version was released in 1998, credited to Miss Jane. This was produced by Italian producers David Carlotti and Carmine Sorrentino. The remake does feature vocals from the original Jane version. Luise Gard provided the on-stage image for the touring version of Miss Jane, but did not contribute to the recordings. Various remixes of this version were issued, including one by ATB.

Other versions have been recorded by Dallas Superstars and the Barcode Brothers. Norwegian artist Erlend ye also covered the song on his album that was part of the 'DJ-Kicks' series.

Opus III vocalist Kirsty Hawkshaw has remade the song three times: in 2002 with Mike Koglin, in 2008 with Kinky Roland, and in 2019 as Fine Day 2K19.

The American electropop/hip-hop act Far East Movement used the song's background as the basis for their single "I Party" from their 2009 album "Animal."

Animal Collective member Avey Tare sampled the song's vocals on 'Oliver Twist', a song from his 2010 solo album Down There.

The Jane version was used in a 1986 commercial for Kleenex tissue in Japan, which itself has attracted attention as a Japanese urban legend.

British Singer-Songwriter Billie Marten included a cover of the song in the deluxe version of her 2016 album "Writings of Blues and Yellows"

References



Category:1983 songs

Category:1983 singles

Category:1992 debut singles

Category:A cappella songs

Category:Cherrytree Records singles

Category:Music videos directed by David Betteridge

Category:Number-one singles in Greece

Category:Opus III (band) songs

Category:Songs written by Edward Barton (musician)

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