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Somebody to Love (Queen song)

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Wikipedia article




{{Infobox song

| name = Somebody to Love

| cover = Stlove.jpg

| alt =

| caption = UK single picture sleeve

| type = single

| artist = Queen

| album = A Day at the Races

| B-side = *"White Man" (UK)

*"Long Away" (Poland)

| released = 12 November 1976

| recorded = 1976

| studio =

| genre = *Rock

*gospel

| length = 4:56

| label = *EMI (UK)

*Elektra (US)

*Tonpress (Poland)

| writer = Freddie Mercury

| producer = Queen

| prev_title = You're My Best Friend

| prev_year = 1976

| next_title = Tie Your Mother Down

| next_year = 1977

| misc =

}}

"'Somebody to Love'" is a song by the British rock band Queen, written by the lead singer/pianist Freddie Mercury. It debuted on the band's 1976 album 'A Day at the Races' and also appears on their 1981 compilation album 'Greatest Hits'.

The song has similarities to Queen's earlier hit "Bohemian Rhapsody" with its complex harmonies and guitar solos; however instead of mimicking an English choir, the band turned to a gospel choir. It reached No. 2 in the UK and No. 13 on the 'Billboard' Hot 100 in the US. The song demonstrated that "Queen could swing as hard as it could rock, by channeling the spirit of gospel music".

Written by Mercury at the piano, "Somebody to Love" is a soul-searching piece that questions God's role in a life without love. Through voice layering techniques, Queen was able to create the soulful sound of a 100-voice choir from three singers: Mercury, Brian May, and Roger Taylor. John Deacon did not sing backing vocals on the recorded album. Mercury's fascination and admiration for Aretha Franklin was a major influence for the creation of this song.

Queen played "Somebody to Love" live from 1977 to 1985, and a live performance of the song is recorded on the album 'Queen Rock Montreal'. In addition to these live performances, there were collaboration tributes to "Somebody to Love" after Mercury's death in 1991. The song was played live on 20 April 1992 during The Freddie Mercury Tribute Concert, with George Michael on lead vocals.

Since its release in 1976, the song has appeared in several television shows, such as the 'Idol' franchise, 'The X Factor', and 'Glee', as well as films, including 'Happy Feet' and 'Ella Enchanted'. It has also been covered by many artists.

Background



Like "Bohemian Rhapsody", the major hit from Queen's previous album 'A Night at the Opera' (1975), "Somebody to Love" has a complex melody and deep layering of vocal tracks. But while "Bohemian Rhapsody" was based on English choir styles, "Somebody to Love" was based on a gospel choir arrangement. It was the first single from 'A Day at the Races', on which Mercury, May and Taylor multitracked their voices to create the impression of a 100-voice gospel choir. The lyrics, especially combined with the gospel influence, create a song about faith, desperation and soul-searching; the singer questions both the lack of love experienced in his life, and the role and existence of God. This is reinforced by frequent use of word painting. The lyrics also speak to the feelings of desperation and isolation that accompany trying to find love as a queer man in an unaccepting and lonely world (I just gotta get out of this prison cell. Someday Im gonna be free.). Staying true to Queen's guitar-driven style, it was also filled with intricate harmonies and a notable guitar solo by May, and it went to #2 in the UK Singles Chart and #13 on the 'Billboard' Hot 100 in the U.S.Whitburn, Joel (2006). The 'Billboard' Book of Top 40 Hits. Billboard BooksRoberts, David (2006). British Hit Singles & Albums. London: Guinness World Records Limited

Written in the key of A major, the song features dramatic intervalic contrasts, ranging from F2 in the harmonies on the line "Can anybody find me?" to A2 to a C5 in full voice up to an A5 in falsetto in the lead vocals, all sung by Mercury. The band have spoken of sections of the song which were recorded but never made it onto the final mix of the song, some of which have been leaked online.

A promotional video was made combining a staged recording session at Sarm Studios (where the 'A Day at the Races' album was recorded) and film footage of the band's record breaking performance at Hyde Park that September.[https://www.bbc.co.uk/music/sevenages/events/stadium-rock/queen-play-hyde-park/ Queen play Hyde Park] BBC. Retrieved 1 September 2011 Peter Hince, the head of Queen's road crew, recalled to 'Mojo' magazine: "Aesthetically, you had to have all four around the microphone, but John (Deacon) didn't sing on the records. By his own admission, he didn't have the voice. He did sing on-stage but the crew always knew to keep the fader very low."

The song was included on their first 'Greatest Hits', released in 1981.

Reception



'Billboard' stated that the song grabs attention with gimmicks such as changes in volume and tempo and the use of classical music elements. 'Cash Box' said that "sounding like the Harvard Chorale on the opening and backing up Freddie Mercury might be their idea of a logical progression from 'A Night At The Opera" and "theres a grand finale, with handclapping and thundering percussion."

Live performances



The song was a staple of the 'A Day at the Races' and 'News of the World' tours in 1977–78.[http://www.queenconcerts.com/live/queen/notwna.html Queen live on tour: News Of The World: Setlist] Queen Concerts. Retrieved 2 July 2011[http://www.queenconcerts.com/live/queen/adatrna.html Queen live on tour: Day At The Races (world): Setlist] Queen Concerts. Retrieved 2 July 2011 For the Jazz and Live Killer tours, it was also played consistently.[http://www.queenconcerts.com/live/queen/jazz.html Queen live on tour: Jazz] Queen Concerts. Retrieved 1 September 2011 In The Game Tour, it was only played early in the tour. It was also played for South America Bites The Dust, 'Live at the Bowl' and 'Queen Rock Montreal'.[http://www.allmusic.com/album/r1239496 Queen Rock Montreal] Allmusic. Retrieved 1 September 2011[http://www.queenconcerts.com/live/queen/southam.html Queen live on tour: S. America Bites The Dust] Queen Concerts. Retrieved 1 September 2011 Later in The Works Tour, a shortened version was played as a medley preceding "Killer Queen".[http://www.queenconcerts.com/live/queen/works1984.html Queen live on tour: The Works 1984] Queen Concerts. Retrieved 1 September 2011 A live version from the 1984/85 tour was recorded and filmed on the concert film, 'Final Live in Japan' 1985.[http://www.ultimatequeen.co.uk/videos/finaljapan.htm#somebody Final Concert Live In Japan: Somebody To Love] Ultimate Queen. Retrieved 1 September 2011

When performed live, Mercury would often alter the melodies of the song, but would generally hit the sustained A4 notes throughout the song. The A4 at the peak of the building line "can anybody find " on the studio version was not part of Mercury's original melody, but the other band members felt that it worked better than his. Live, Mercury sang his original take on this line.

This was also one of few tracks where Deacon sang backing vocals when performed live. His voice was clearly heard on bootlegs from the band's performance at Earls Court in June 1977 and at the Houston Summit in December 1977.

Even after Mercury's death in 1991, renditions of "Somebody to Love" have been performed live with the remaining band members, May and Taylor, and a number of different lead singers. At the Freddie Mercury Tribute Concert held at Wembley Stadium, the song was performed by George Michael. Michael's performance of "Somebody to Love" has been hailed as "one of the best performances of the tribute concert". The song was later rereleased in 1993 as the lead track of an EP called 'Five Live' which went to #1 in the UK. This version is also available on 'Greatest Hits III', released in 1999.[http://www.allmusic.com/song/somebody-to-love-t2415720 Queen: Somebody to Love] Allmusic. Retrieved 6 July 2011

The song was performed on the setlists of their Queen + Adam Lambert tours in 2012, 2014-2015 & 2016 featuring Adam Lambert and at the iHeartRadio Festival 2013 as Queen + Fun.

Personnel



*Freddie Mercury - lead and backing vocals, piano

*Brian May - electric guitar, backing vocals

*Roger Taylor - drums, backing vocals

*John Deacon - bass

Charts



Weekly charts



Year-end charts



Certifications



Other versions



George Michael and Queen version

{{Infobox song

| name = Somebody to Love

| cover =

| alt =

| border = yes

| type = single

| artist = George Michael and Queen

| EP = Five Live

| B-side = Dear Friends

| released = 6 May 1993

| recorded = 20 April 1992

| studio =

| venue = Wembley Stadium, London

| genre =

| length = 5:17

| label = Parlophone

| writer = Freddie Mercury

| producer = Queen, George Michael

| prev_title = Too Funky

| prev_year = 1992

| next_title = Killer / Papa Was a Rollin' Stone

| next_year = 1993

| misc =

}}

George Michael performed the song with Queen's remaining members at the Freddie Mercury Tribute Concert in April 1992. The cover reached the No 1 spot in the UK Chart for 3 weeks. It was included as the first track on his 1993 EP 'Five Live', credited to George Michael and Queen with Lisa Stansfield.

Charts



Weekly charts



Year-end charts



Certifications



Troye Sivan version



In November 2018, Australian singer Troye Sivan released a version of the song. The song was released to coincide with the release of the film 'Bohemian Rhapsody'. Universal Music Group released three tracks by different artists channeling their inner Freddie Mercury; this is the third and final installment, following Shawn Mendes' "Under Pressure" and 5 Seconds of Summer's "Killer Queen" released in October 2018. Similarly to the aforementioned tracks, proceeds from the single benefit the Mercury Phoenix Trust.

In a statement, Sivan said "I'm so beyond honored to have been asked to cover 'Somebody to Love' by Queen, a masterful song by the most legendary band."

Reception

Queen's manager Jim Beach said Sivan's version "is both moving and totally original." Luke Schatz of Consequence of Sound said "While Mercurys version soared with choir-like vocals and dramatic instrumentation, Sivan employs a more mellow, minimalist approach. Here, his calming voice is accompanied by little more than bass and keys."

References




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