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Not to Touch the Earth

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Wikipedia article


{{Infobox song

| name = Not to Touch the Earth

| cover = Not to Touch the Earth label.jpg

| caption = Single release in 1980 as B-side of "People Are Strange" from 'Greatest Hits'

| alt =

| type =

| artist = the Doors

| album = Waiting for the Sun

| released = July 3, 1968

| format =

| recorded = FebruaryMay 1968

| studio =

| genre = *Progressive rock

*acid rock

*avant-rock

*art rock

| length = 3:54

| label = Elektra

| writer = The Doors

| producer = Paul A. Rothchild

}}

"'Not to Touch the Earth'" is a 1968 song by the Doors from their third album 'Waiting for the Sun'. It is part of an extended performance piece called "Celebration of the Lizard" that the band played live multiple times. A 17-minute studio recording of the complete piece was attempted during the sessions for 'Waiting for the Sun', and the lyrics were printed in their entirety on the gatefold LP sleeve, but only the musical passage "Not to Touch the Earth" was included on the LP.

The full 1968 studio recording of "Celebration of the Lizard" was released in 2003 on the 'Legacy: The Absolute Best' compilation and the 40th Anniversary Edition CD re-issue of 'Waiting for the Sun'.

Lyrics



In the 2020 book 'Listen to Classic Rock! Exploring a Musical Genre', author Melissa Ursula Dawn Goldsmith compares "Not to Touch the Earth" to "Shaman's Blues" (from the 1969 'The Soft Parade'), since both songs lyrically seem to indicate that "Morrison was fascinated by shamanism". Portion of the lyrics refer to John F. Kennedy's assassination: "dead president's corpse in the driver's car".

The song begins with the line, "Not to touch the earth, not to see the sun", these are subchapters of the 60th chapter of 'The Golden Bough' by James Frazer. The chapter is called "Between Heaven and Earth", with subchapter 1, "Not to Touch the Earth", and subchapter 2, "Not to See the Sun". These subchapters detail taboos against certain people (generally royalty or priests) walking upon the ground or having the sun shine directly upon them. Frazer had noted that these superstitions were recurring throughout many primitive cultures, and appeared to be related to traditions and taboos concerning menarche and the following female initiation rites. Frazer's work had an influence on Morrison, according to the Doors biography 'No One Here Gets Out Alive' (1980).

Musical style



"Not to Touch the Earth" has received many characterizations and definitions by both authors and critics, concerning its musical style. Writing a review for the compilation album 'Perception', critic Stuart Berman characterized it as an acid rock track. Author Melissa Ursula Dawn Goldsmith wrote that the song represents a conventional psychedelic track on 'Waiting for the Sun', but "musically it is real part of the Doors' art and progressive rock effort." The tune has also been classified as avant-rock song, notably by British journalist Mick Wall.

References




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