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Macht weit die Pforten in der Welt

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Wikipedia article




"'" (Make the gates in the world wide) is a Christian hymn with German text by Albert Knapp written for the Basel Mission and first published in 1829. It appeared in 19th-century German hymnals, to be sung with the melody of "". It appeared in the 1938 hymnal 'Kirchenlied' with a new melody by Adolf Lohmann. The song is part of the 2013 German Catholic hymnal 'Gotteslob'.

History



Albert Knapp wrote the text of "" in 1826. Knapp was then a young Protestant pastor in Sulz am Neckar, and wrote this hymn and others in his twenties, in a series of songs for the annual meeting ('Jahresfest') of the Basel Mission. It was first sung at the on 25 May 1826. Knapp was a prolific writer of Christian poetry but reluctant to publish them. His friends published two volumes of his lyrics in Basel in 1829 in a collection entitled 'Christliche Gedichte' ('Christian Poems'), with "" in the second volume. The collection became known in Germany.

The poem appeared also in Johann Peter Lange's hymnal in 1843, in the Jauersches Gesangbuch in Breslau in 1855, in an Oldenburg hymnal and the Schlesisches Gesangbuch both in 1868, among others. In 1938, it became part of the hymnal 'Kirchenlied' with a melody by Adolf Lohmann. It was one of the 'Christkniglieder', proclaiming Christ the King in opposition to the Nazi regime.

The song was included in the German Catholic hymnal 'Gotteslob' of 1975 in regional sections. It appeared in five stanzas in the 2013 edition as GL 360, in the section "Leben in Gott - Jesus Christus" (Life in God). It has been recommended for both Advent and Feast of Christ the King.

Text and theme



The call to open gates in the world is relates to general symbols which are often referred to in the Bible. Knapp wrote seven stanzas, with a focus on opening the gates for the entry of a King.

Melody and musical settings



When the poem was first used as a hymn, it was sung to the melody of "". For the publication in 'Kirchenlied' in 1938, Adolf Lohmann created a melody, which was also used in later hymnals. It was described as "expressive". Bertold Hummel set this melody to a prelude and four-part setting in 1994.

References




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