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Wikipedia article"'Hellhound on My Trail'" (originally "'Hell Hound on My Trail'") is a blues song recorded by Mississippi Delta bluesman Robert Johnson in 1937. It was inspired by earlier blues songs and blues historian Ted Gioia describes it as one of Johnson's "best known and most admired performancesmany would say it is his greatest". BackgroundPrior to Johnson's song, the phrase "hellhound on my trail" had been used in various blues songs. Sylvester Weaver's "Devil Blues", recorded in 1927 contains: "Hellhounds start to chase me man, I was a running fool, My ankles caught on fire, couldn't keep my puppies cool"Okeh Records OK 8534 and "Funny Paper" Smith in his 1931 "Howling Wolf Blues No. 3" sang: "I take time when I'm prowlin', an' wipe my tracks out with my tail ... Get home and get blue an' start howlin', an' the hellhound on my trail".Vocalion Records Vo 1614 The Biddleville Quintette's 1926 religious recording "Show Pity Lord" opens with a religious testimony declaring that "The hell hound has turned back off my trail".Paramount Records Pm 12424 Blues writers, such as Elijah Wald, see Johnson following Johnny Temple (1935 "The Evil Devil Blues"Vocalion Records Vo 02987) and Joe McCoy (1934 "Evil Devil Woman Blues"Decca Records De7822) in adapting Skip James's 1931 song "Devil Got My Woman".Paramount Records Pm 13088 The emotional intensity, guitar tuning and strained singing style of "Hell Hound on My Trail" are also found in James' performance. In the 1980s, however, another James record "Yola My Blues Away" (1931)Paramount Records PM 133072 became widely available on reissue recordings. "Devil Got My Woman" shares the tuning and vocal styles that Johnson displayed, but the "Hellhound" melody is closer to "Yola" than to "Devil". From the latter, Johnson took the device of repeating the end of lines with an attached musical phrase. Additionally, he used the lyrics of one of the verses from "Come On In My Kitchen". Blues historian Edward Komara concluded "It is probable that Johnny Temple used the "Devil" attachment phrases and lyrics while teaching "Yola" to Johnson". Composition and lyrics"Hell Hound on My Trail" is a solo performance by Johnson with vocal and slide guitar. He used an open E minor guitar tuning with the lower strings providing a droning accompaniment; Charles Shaar Murray describes "the bottleneck ... mak[ing] the treble strings of his guitar moan like wind through dead trees". Gioia notes that the lyrics "[deal] with the familiar blues theme of the rambling musician, but now the trip takes on darker tones, the traveler is 'pursued'". Music historian Samuel Charters believes the first and last verses may be the finest found in the blues. The vision of the hounds of hell coming to catch sinners was prevalent in southern churches at that time and this may have been the image in Johnson's mind: Johnson recorded the song during his last recording session in Dallas, Texas, on Sunday, June 20, 1937. It was the first song he recorded that day and the first single released from that session. Recognition and influenceThe critic Rudi Blesh, in his 1946 book 'Shining Trumpets: a History of Jazz', reviewed Johnson's recording, stating: "With all its strangeness, 'Hell Hound' is not only an authentic blues, but a remarkable variation in which the standard harmony is altered in a personal and creative way to permit the expression of uncanny and weird feelings. Johnson's strident voice sounds possessed like that of a man cast in a spell and his articulation, like speech in possession, is difficult to understand...".[https://archive.org/details/shiningtrumpetsa011141mbp/page/n151/mode/2up?q=%22Robert+Johnson%22 Rudi Blesh, 'Shining Trumpets: a History of Jazz', 1946, p.121] In his 1992 book 'Searching for Robert Johnson', Peter Guralnick described the recording as "Johnson's crowning achievement and one that is almost universally recognised as the apogee of the blues...".Peter Guralnick, 'Searching for Robert Johnson', 1992, ISBN 0-525-24801-3, p.44 In 1983, Robert Johnson's "Hell Hound on My Trail" was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". Writing for the Foundation, Jim O'Neal described it as "among the deepest and darkest of Robert Johnson's legendary blues masterworks." The song is listed as one of NPR's "100 most important American musical works of the 20th century". ReferencesCategory:Blues songs Category:Robert Johnson songs Category:1937 songs Category:Songs written by Robert Johnson Category:Songs about dogs Category:Fictional dogs Category:Vocalion Records singles Category:Okeh Records singles | |
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