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Summertime (George Gershwin song)
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Wikipedia article
"'Summertime'" is an aria composed in 1934 by George Gershwin for the 1935 opera 'Porgy and Bess'. The lyrics are by DuBose Heyward, the author of the novel 'Porgy' on which the opera was based, and Ira Gershwin.[http://www.ascap.com/ace/search.cfm?requesttimeout=300&mode=results&searchstr=490161796&search_in=i&search_type=exact&search_det=t,s,w,p,b,v&results_pp=20&start=1 "Summertime" at ASCAP]
The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater".
'Porgy and Bess'
Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing and orchestrating the score of the opera.
The song is sung several times throughout 'Porgy and Bess'. Its lyrics are the first words heard in act 1 of the opera, following the communal "wa-do-wa". It is sung by Clara as a lullaby. The song theme is reprised soon after as counterpoint to the craps game scene, in act 2 in a reprise by Clara, and in act 3 by Bess, singing to Clara's now-orphaned baby after both its parents died in the storm.
The song was recorded for the first time by Abbie Mitchell on July 19, 1935, with George Gershwin playing the piano and conducting the orchestra (on: 'George Gershwin Conducts Excerpts from Porgy & Bess', Mark 56 667).
The 1959 movie version of the musical featured Loulie Jean Norman singing the song. That rendition finished at #52 in AFI's 100 Years...100 Songs survey of top tunes in American cinema.
Analysis
Lyrics
Heyward's inspiration for the lyrics was the southern folk spiritual-lullaby "All My Trials", of which he had Clara sing a snippet in his play 'Porgy'.Edward Jablonski, Lawrence Delbert Stewart, 'The Gershwin Years: George and Ira', Da Capo Press, 1996, , p. 202Jeffrey Paul Melnick, 'A Right to Sing the Blues', Harvard University Press 1999, , pp. 129133 The lyrics have been highly praised by Stephen Sondheim. Writing of the opening line, he saysMusic
Musicologist K. J. McElrath wrote of the song:
Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use of the pentatonic scale (CDEGA) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a "blues". Because of these factors, this tune has been a favorite of jazz performers for decades and can be done in a variety of tempos and styles.
While in his own description, Gershwin did not use any previously composed spirituals in his opera, 'Summertime' is often considered an adaptation of the African American spiritual "Sometimes I Feel Like a Motherless Child", which ended the play version of 'Porgy'., p. 22, p. 281
Other versions
Statistics for the number of recordings of "Summertime" vary by source; while older data is restricted to commercial releases, newer sources may include versions self-published online. 'The Jazz Discography' in 2005 listed 1,161 official releases, ranking the song fourth among jazz standards. Joe Nocera in 2012 said there were "over 25,000" recordings. 'Guinness World Records' lists the website's 2017 figure of 67,591 as the world record total.
Other versions to make the pop charts include those by:
*In September 1936, a recording by Billie Holiday was the first to hit the US pop charts, reaching no. 12.
*Sam Cooke (US no. 81, 1957)
*Al Martino (UK no. 49, 1960)
*The Marcels (US no. 78, 1961)
*Ricky Nelson (US no. 89, 1962)
*The Chris Columbo Quintet (US no. 93, 1963).
*The most commercially successful version was by Billy Stewart, whose scat-laden R&B version reached no. 10 on the 'Billboard' Hot 100, and no. 7 on the R&B chart in 1966; his version reached no. 39 in the UK and no. 13 in Canada.
*Big Brother and the Holding Company's version featuring Janis Joplin on vocals has been highly praised.Paul Friedlander, 'Rock and Roll: A Social History', Westview Press, Boulder, Colorado, 1996. p. 207.Maury Dean, 'Rock and Roll: Gold Rush', Algora, New York, 2003, p. 248.
*In Britain, a version by the Fun Boy Three reached no. 18 on the UK Singles Chart in 1982.
*In 1998, Chaka Khan's contribution on Joe Henderson's 1997 album 'Porgy & Bess' earned a nomination for the 40th Grammy Awards for Best Female R&B Vocal Performance.[https://www.grammy.com/grammys/artists/chaka-khan/12106 "Wins and nominations"], Chaka Khan, Grammy Awards
*In 2005,Fantasia Barrino's version earned a nomination for the Grammy Award for Best Traditional R&B Performance.[https://www.nytimes.com/2005/12/08/arts/the-complete-list-of-grammy-nominations.html "The Complete List of Grammy Nominations"], 8 December 2005, 'The New York Times'
*In 1997, American ska punk band Sublime released the single "Doin' Time", which sampled the Herbie Mann recording of "Summertime". "Doin' Time" peaked at number 87 on the Hot 100 in 1998.[https://smtd.umich.edu/ami/gershwin/?p=8556 " 'Doin' Time': The Coast to Coast Transformation of 'Summertime' "] by Sophia Janevix, smtd.umich.edu, April 15, 2020
See also
* List of 1930s jazz standards
References
'Sources'
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