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Friend of the World

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Wikipedia article




{{Infobox film

| name = Friend of the World

| image = Friend of the World.jpg

| alt =

| caption = Official Poster

| director = Brian Patrick Butler

| screenplay = Brian Patrick Butler

| producer =

| starring =

| cinematography = Ray Gallardo

| editing = Brian Patrick Butler

| music = Stefan Krut

| production_companies =

| distributor = Troma Entertainment

| released =

| runtime = 50 minutes

| country = United States

| language = English

| budget =

| gross =

}}

'Friend of the World' is a 2020 American black-and-white dark comedy film written and directed by Brian Patrick Butler in his feature film debut, starring Nick Young and Alexandra Slade. With the tone of an absurdist stage play, it is structured like an episode of 'Black Mirror' or 'The Twilight Zone' and pulls from inspirations such as John Carpenter's 'The Thing' and Chris Marker's 'La Jete'. The surreal experimental film takes place post-apocalypse after a devastating war. A young filmmaker emerges from the destruction in an old bunker and discovers a military general who claims they are the last two people alive. There has been debate about what genres define the film; it has been categorized as a psychedelic film, a surrealist film, and an end of the world film.

Written as a dark comedy body horror film in 2016, the film was produced by Charybdis Pictures. Filming took place at Gray Area Multimedia in San Diego in May, 2017.

As an independent film, 'Friend of the World' premiered August 15, 2020 at the Oceanside International Film Festival and was released on Amazon Prime Video and Tubi by 2022. It was distributed by Troma Entertainment.

The film is critically acclaimed with approval rating from reviews on Rotten Tomatoes. It ranks on Bored Panda's list of '50 Best Horror Comedies That Will Have You Confused Whether To Laugh Or Scream'.

Plot



In the aftermath of a global disaster, a young filmmaker (Diane) is trapped in a war bunker. She encounters an insane war general (Gore) who seems to be her only hope of surviving the apocalypse.

Cast



* Nick Young as Gore

* Alexandra Slade as Diane

* Michael C. Burgess as Berenger

* Kathryn Schott as Eva

* Kevin Smith as Thin man

* Luke Anthony Pensabene as Ferguson

Production



and Kerry Rossall at Oceanside International Film Festival 2017|150px

Development

The script was formulated in 2016. Butler said the film is "about solitude, growth, and the corruption accompanying that growth within the enlightened, sometimes fractured psyches of our mentors."

Pre-production

Pre-production started around August 2016. Diane was originally written as a young man, but scheduling conflicts and delays led to rewrites and ultimately Alexandra Slade was cast in the role. Kerry Rossall contributed to the production by funding the project directly.

Filming

Principal photography began on May 13, 2017 in San Diego County and lasted for ten days. The majority of filming took place at Gray Area Multimedia, a key location Butler had intended to use for the production. Outside scenes were at Sunset Cliffs and the Tierrasanta entrance bridge to Mission Trails Regional Park near Camp Elliott. The cinematography was handled by Ray Gallardo and the special make-up effects by C.J. Martinez.

Post-production

Butler had a rough cut of the film ready within months of wrapping but the final stages were not complete until 2019. Daniel N. Butler managed the visual effects and sound departments. In an interview with 'Voyage LA', upon completing the film, Butler stated:

Music



Corin Totin of 'Sick Flix' mentioned the film has "a background score of an almost unrecognizably discordant version of 'Ode to Joy'." Celia Payne of 'Let's Talk Terror' said "a surprisingly gleeful string arrangement accompanies scenes where humans-turned-monstrosities melt into themselves, shape-shift, and eat rats, bringing the audience into their world of insanity."

Themes



Style

Melissa Hannon at 'Horror Geek Life' said "although it technically falls within the post-apocalyptic category, 'Friend of the World' defies any specific genre." Mark Harris at 'Black Horror Movies' mentioned it mixes horror and sci-fi with heady drama. Several critics pointed out that it is a body horror film. Others conclude that it is a strange avant-garde art film filled with subtext. Lisa Marie Bowman at 'Through the Shattered Lens' said it comes with "a hint of Kubrickian satire" with scenes reminiscent of 'Alien', concluding that surviving the end of the world does not mean you'll have a choice on who remains with you. Joseph Perry at 'Horror Fuel' mentioned it's like 'The Twilight Zone' if Rod Serling and Charles Beaumont ate psychedelic material, or if ideas from 'Dr. Strangelove', 'Night of the Living Dead' and 'Apocalypse Now' were merged. Albert Valentin of 'World Film Geek' claims it is a zombie apocalypse film in the realm of "Romero meets Muschietti meets Cronenberg." Redmond Bacon at 'Tilt Magazine' said it blends the zombie film genre with the existential film drama, acknowledging Butler, as if he had a "'Raging Bull'-like" David Lynch version of '10 Cloverfield Lane'. Sean Parker of 'Horror Obsessive' mentioned it has similarities to 'The Divine Comedy', with political satire and doomsday conspiracies.

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Butler chose to have the film mostly in black-and-white to accentuate the perspective of Gore's world. Alain Elliott at 'Nerdly' said shooting in black and white helped its style and low-budget film constraints. Milana Vujkov at 'Lola on Film' claims it has "a terrifyingly delightful string of corruptive catalysts, explosive apparitions of post-humanity, taken straight out of Burroughs" and that the "unsustainability of the human condition in a genetically modified apocalypse is a mix of home movie and Brechtian theatre play." 'Dennis Schwartz Movie Reviews' said that the fifty minute film is split up into chapters which allows for viewers to ponder at the nonlinear narrative. Jeremie Sabourin at 'Cinema Smack' mentions that some filmmakers will extend a narrative out to ninety minutes even if they dont have enough story to tell. "With 'Friend of the World' though, it sometimes feels like theres ninety minutes of content compacted into its fifty minute runtime." Celia Payne at 'Let's Talk Terror' appreciated its shorter runtime, stating that "it shows the filmmakers know when their story is done and dont try to extend when not necessary." Butler claims he structured the film to be around fifty minutes, like an episode of 'Twilight Zone' or 'Black Mirror'. Butler said:

Connection to reality



Karla Peterson at 'The San Diego Union Tribune' said that Butler did not anticipate his feature-film debut to happen virtually during an actual pandemic, although "the surreal environment is a perfect match for an unsettling film where the source of chaos might just be a contagion." Being made available around a global conflict, during a pandemic and controversial election year, it was received by critics as a prophetic experience.

Character analysis

Jeremie Sabourin at 'Cinema Smack' claims "'Friend of the World' also feels like a natural continuation of our current world due to its characters." Rebecca Cherry at 'Film Carnage' said it makes a good attempt to identify "a more character driven apocalyptic story pulling elements from a modern America." Jim Morazzini of 'Voices From The Balcony' claimed the characters as being "archetypes at opposite ends of American society" and compared the uncertain reality of the film to "'An Occurrence at Owl Creek Bridge' like flight of a mind approaching death." Brian Robertson of 'The Vista Press' said "its characters echo a disturbing truth that is currently plaguing our nation today." Conor McShane at 'Morbidly Beautiful' said its a film that brings up the ideological and racial divides in America.

Protagonist



Diane is a young black woman, who's an artist and millennial filmmaker. She is a grounded, level-headed individual with liberal views. Joel Fisher of 'Battle Royale With Cheese' points out that Diane being a filmmaker is Butler allowing the audience to "smile a little at the director mocking himself."

Antagonist



General Gore is an old, heavily built military officer who seems increasingly unhinged. S Dewhirst of 'Set The Tape' said he is "wild-eyed and larger than life, a big man with a big voice, big gut and big ideals." Critics have compared him to Sterling Hayden's Jack D. Ripper of 'Dr. Strangelove', Powers Boothe's Senator Ethan Roark of 'Sin City', Jack Nicholson's Jack Torrance of 'The Shining', and his voice to Anthony Hopkins and Gerald Mohr.

Influence

In an interview with 'Times of San Diego', Butler stated that 'Friend of the World's style was inspired by the works of Samuel Beckett, Jean-Paul Sartre, John Carpenter and David Cronenberg. He mentioned that political anxieties and absurdist theatre helped inspire him to write. The film is said to draw inspiration from films and television such as 'The Twilight Zone', 'Dr. Strangelove', 'The Thing' and 'La Jete', as well as plays such as 'No Exit' and 'Krapp's Last Tape'. It is a two-hander film with "comic absurdity and social satire" that broadens the "body horror subgenre of science fiction and horror."

Bible verse



When asked if the film's title had any biblical influence, Butler confirmed it did not.

Release



The film was to premiere in early 2020, but the COVID-19 pandemic delayed its release. 'Friend of the World' held a seven day virtual world premiere at the Oceanside International Film Festival on August 15, 2020. In December 2020, a second virtual screening was held at Another Hole in the Head Film Festival. In 2021, it was released on Plex and Amazon Prime Video and screened at San Diego Film Week. In 2022, it released on Tubi and Xumo and was distributed by Troma Entertainment on their streaming app Troma Now.

Reception



Critical response

'Friend of the World' received mostly positive reviews from critics. It has approval rating on film review aggregator Rotten Tomatoes with an average score of based on reviews.

Jim Morazzini of 'Voices From The Balcony' gave it a score of 3.5 out of 5 and said "its a strangely surreal piece, with a nonlinear plot accentuated with bizarre visuals and dialogue." Rob Rector of 'Film Threat' scored the film 6 out of 10 and said it "works more like a stage play than a film [...] but it does share a persistent dread and discomfort" comparing it to 'Possum' by Matthew Holness. Melissa Hannon at 'Horror Geek Life' awarded the film 3.7 out of 5 stars, writing "'Friend of the World' is truly an acid trip of a movie." Jeremie Sabourin at 'Cinema Smack' gave it 3.5 out of 5 and felt the tone matched 'Night of the Living Dead' as if done by Terry Gilliam claiming that "its nightmarish and claustrophobic setting will have viewers on edge." Corin Totin of 'Sick Flix' rated the film 4.5 out of 5, comparing it to 'Tetsuo: The Iron Man', declaring "this is a piece of art that is very much of this moment and really taps into the surreal horror that we are experiencing in the world at large right now."

Film critic Daniel M. Kimmel of the 'Boston Online Film Critics Association' said "It makes for a disturbing 50-minute running time that is engaging but will likely leave you wondering what it was all about." Tim Brennan of 'About Boulder' admitted arthouse films can be intimidating to watch, but called it a "strange little art film made with intelligence and wit." Alain Elliott of 'Nerdly' said the dialogue driven performances are good and that "When you think post-apocalyptic zombie movie, this movie and its script isnt what you expect." Lisa Marie Bowman of 'Through the Shattered Lens' claims that "Butler emphasizes the claustrophobic conditions of the bunker, a version of Hell from which there really is no exit." Hugues Porquier from 'Battle Royale With Cheese' called it "interesting writing" and "clean photography." They mentioned a possible reference to Leos Carax's 'Boy Meets Girl' and said it reminded them of 'Videodrome' and 'Existenz', swinging "between realism and surrealism." 'Dennis Schwartz Movie Reviews' "chose to accept it as a strange arty experimental film.[...] Its not a film for everyone." Mark H. Harris of 'Black Horror Movies' said "the articulate script is dialogue-heavy with a philosophical bent" and it "presents some thoughtful takes on identity, individualism and reconciling divergent worldviews." Dante Yurei of '10th Circle' said "the story becomes increasingly bizarre, unfolding like an experimental film, where the director grants himself various licenses to create without worrying about realism." Ken Stone of 'Times of San Diego' mentioned Steven Spielberg's success shooting his first feature film 'Duel' in thirteen days, the same production schedule Butler had. Celia Payne of 'Let's Talk Terror' said "this is a horror comedy with plenty of sci-fi elements and laughs to lighten the mood when we need it most." S Dewhirst of 'Set The Tape' said it has "themes of genetic engineering, world war, propaganda, paranoia and zombies" and that "fans of the off-beat, the weird, and the not-quite-mainstream will likely find plenty to enjoy in this strange, starkly-shot trip through the bunkers and cellars of a ruined world."

Corey Bulloch of 'UK Film Review' claims it has "world-building that leaves more confusion than intrigue" and "constant ambiguity that its hard for the audience to maintain invested interest." Rebecca Cherry at 'Film Carnage' gave it 2 out of 5 and said "Theres the classic theme of survival as with any apocalypse film but the threat isnt sufficient enough to add the right amount of tension or suspense to keep you gripped or invested in the characters fate." Lindsey Ungerman at 'Horror Buzz' said it had "Tarantino vibes", was "attention-grabbing and engaging but loses steam quickly due to story ambiguity and spasmodic dialogue." They rated it 3 out of 10 concluding that the film was "definitely beautiful" but "too chaotic." Marie Asner of 'The Phantom Tollbooth' scored it 1 out of 5 and came to the conclusion that it "would have made a better radio drama than a film."

'Friend of the World' ranks on Bored Panda's '50 Best Horror Comedies That Will Have You Confused Whether To Laugh Or Scream' list.

Accolades



Similar films



* 'Eraserhead' (1977 film)

* 'The Fly' (1986 film)

* 'They Live' (1988 film)

* 'Society' (1989 film)

* 'The Lighthouse' (2019 film)

* 'Possessor' (2020 film)

* 'Don't Look Up' (2021 film)

See also



* 'Who Goes There?' (1938 novella)

* Art horror

* Parasitism

* Plague

* Postmodernist film

* Science fiction comedy

* Social thriller

* Surreal cinema

* Survival film

* Virus

Notes



References




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