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The Innocence (film)

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Wikipedia article




'The Innocence' is a 2019 Spanish drama film directed by Luca Alemany, starring Carmen Arrufat and Laia Marull.

The film was nominated for two Goya Awards.

Cast



* Carmen Arrufat as Lis

* Laia Marull as Soledad

* Sergi Lpez as Catalano

* Joel Bosqued as Nstor

* Estelle Orient as Sara

* Laura Fernndez as Roco

Production



"One of the requirements that I wanted from Lis was that she had big tits," Luca Alemany said in reference to the main character. "Because there is something there, in that 'two days ago I was a girl, and right now I have something that is sexually super attractive'".

Reception



'The Innocence' received positive reviews from film critics. It holds approval rating on review aggregator website Rotten Tomatoes based on reviews, with an average rating of .

Awards



|-

| align = "center" rowspan = "9" | 2019 || rowspan = "9" | 2nd Valencian Audiovisual Awards || colspan = "2" | Best Film || || rowspan = "9" |

|-

| Best Director || Lucia Alemany ||

|-

| Best Actress || Carmen Arrufat ||

|-

| Best Supporting Actress || Laia Marull ||

|-

| Best Supporting Actor || Sergi Lpez ||

|-

| Best Art Direction || Asier Musitu, Bea Toro ||

|-

| Best Costume Design || Giovanna Ribes ||

|-

| Best Editing and Post-Production || Juliana Montas ||

|-

| Best Sound || Carlos Lidn, Dani Zacaras ||

|-

| align = "center" rowspan = "10" | 2020

| rowspan=1 | 7th Feroz Awards

| Best Supporting Actress

| Laia Marull

| ||

|-

| rowspan = "7" | 12th Gaud Awards || colspan = "2" | Best Catalan-language Film || || rowspan = "7" |

|-

| Best Direction || Luca Alemany ||

|-

| Best Screenplay || Luca Alemany, Laia Soler ||

|-

| Best Actress || Carmen Arrufat ||

|-

| Best Supporting Actress || Laia Marull ||

|-

| Best Editing || Juliana Montas ||

|-

| Best Makeup and Hairstyles || Natalia Montoya ||

|-

| rowspan=2 | 34th Goya Awards

| Best New Actress

| Carmen Arrufat

| || rowspan = "2" |

|-

| Best Original Song

| "All en la arena" by Toni M. Mir

|

|}

References




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