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Kkszakll
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Wikipedia article
'Kkszakll' is a 2016 Argentine drama film written and directed by Gastn Solnicki.Diana Sanchez, "[http://www.tiff.net/films/kekszakallu/ Kkszakll]," Toronto International Film Festival, 19 September 2016. It was screened in the Orizzonti section at the 73rd Venice International Film Festival."[https://www.festivalscope.com/all/film/kekszakallu/ Kkszakll - Gastn Solnicki]", 'Festival Scope', accessed 21 August 2016. It is Solnicki's first narrative feature, after his previous documentary films 'Sden' and 'Papirosen'.
The film chronicles the coming-of-age of a group of female teenagers in Argentina, not quite knowing what to do with their future. It is only very loosely inspired by 'Bluebeard's Castle', the Hungarian one-act opera by Bla Bartk and Bla Balzs. Solnicki said that he wanted to attain the "atmosphere and horror" of the original opera, yet with his own characters."[https://www.youtube.com/watch?v=Q2ELbzMzwJQ Se estrena "Kekszakallu", un relato feroz sobre las clases acomodadas]," 'AudiovisualTelam', 5 January 2017.
Plot
The film observes a group of adolescent girlsunnamed to the audienceon the brink of adulthood. They are first seen vacationing in Punta del Este, Uruguay, before returning home to Buenos Aires, Argentina. The main character (Laila Maltz) still lives with her father, and after some hesitation takes up a small-time job in his Styrofoam factory. She is reluctant to engage with the work, however, and spends most of her time in the company of her friends, as well as searching for an appropriate field of study. The friends are also evaluating different educational options, and at one point eat an octopus dinner together. After an ellipsis in the narrative, the film sees Laila abandoning her homestead on a ferry heading for Chuy, Uruguay.
Production
The film is a very loose adaptation of the one-act opera 'Bluebeard's Castle' by the Hungarian composer Bla Bartk, with the 'libretto' adapted by Bla Balzs from the folktale "Bluebeard" by 17th-century French writer Charles Perrault. 'Kkszakll' has few similarities with the narrative of the opera, as Solnicki was not interested in "matching" the characters or "imitating the story", preferring rather to find the "cinematic materials" in the opera. Solnicki commended Bartk's audacity in adapting the structure of Perrault's tale to his own needs, noting that in Bartk's version, Bluebeard is "not the monster but the victim."
Solnicki has also cited as an influence Fritz Lang's 'noir'-adaptation of the folktale 'Secret Beyond the Door...' (1948), which the main character watches in the beginning of the film.
He used a 40 mm lens and direct sound to capture the ambience of the character's existence, maintaining that it was "John Fords favorite lens for shooting a man on a horse".Nicolas Rapold, "[https://www.filmcomment.com/blog/venice-interview-gaston-solnicki/ Venice Interview]," 'Film Comment', 5 October 2016.
Reception
The film was released to critical acclaim at the 73rd Venice International Film Festival. It was in particular praised for its minimalist and elliptical approach to narrative, and comparisons were made to other Argentine directors, such as Lucrecia Martel, Martn Rejtman and Lisandro Alonso.Forrest Cardamenis, "[http://www.bkmag.com/2016/10/03/nyff-2016-kekszakallu/ #NYFF 2016: 'Kkszakll']," 'Brooklyn Magazine', 3 October 2016.
* Jos Teodoro, "[http://cinema-scope.com/fall-festival-highlights/kekszakallu-gaston-solnicki-argentina/ Kkszakll (Gastn Solnicki, Argentina)]," 'Cinema Scope' (69), 2016.
* Jeff Reichert, "[http://reverseshot.org/reviews/entry/2346/kekszakallu Curiouser and Curiouser]," 'Reverse Shot', 21 July 2017.
References
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