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A Pigeon Sat on a Branch Reflecting on Existence
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Wikipedia article
'A Pigeon Sat on a Branch Reflecting on Existence' is a 2014 internationally co-produced black comedy-drama film written and directed by Roy Andersson. It is the third installment in his "Living" trilogy, following 'Songs from the Second Floor' (2000) and 'You, the Living' (2007). It premiered at the 71st Venice International Film Festival where it was awarded the Golden Lion for Best Film. It was selected as the Swedish entry for the Best Foreign Language Film at the 88th Academy Awards but it was not nominated.
Its title is a reference to the 1565 painting 'The Hunters in the Snow' by Pieter Bruegel the Elder. The painting depicts a rural wintertime scene, with some birds perched on tree branches. Andersson said he imagined that the birds in the scene are watching the people below, wondering what they are doing. He explained the title of the film as a "different way of saying 'what are we actually doing', that's what the movie is about." At the Venice Film Festival, Andersson said that the film had been inspired by the 1948 Italian film 'Bicycle Thieves' by Vittorio De Sica.
Plot
The slow cinema movie, hyper reality, consists of a series of mostly self-contained tableaux, sometimes connected by recurring themes or characters. The story loosely follows two traveling novelty salesmen, Jonathan and Sam, who live in a desolate flophouse, and their unsuccessful attempts to win customers for their joke articles (vampire teeth, laughing bags and a monster mask). Although there is no main storyline in the traditional sense, all scenes are connected.
Cast
* Holger Andersson as Jonathan
* Nils Westblom as Sam
Reception
'A Pigeon Sat on a Branch Reflecting on Existence' received an 89% "Certified Fresh" rating on Rotten Tomatoes, based on 98 reviews, with an average rating of 7.83/10. The consensus reads: "Expertly assembled and indelibly original, 'A Pigeon Sat on a Branch' concludes writer-director Roy Andersson's Living trilogy in style." Accessed May 6, 2020. The film also received a score of 81 out of 100 on Metacritic, based on 23 reviews, indicating "universal acclaim". Accessed May 6, 2020.
See also
* List of submissions to the 88th Academy Awards for Best Foreign Language Film
* List of Swedish submissions for the Academy Award for Best Foreign Language Film
References
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