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The Guard (2011 film)
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Wikipedia article
'The Guard' is a 2011 Irish buddy cop crime comedy film written and directed by John Michael McDonagh, starring Brendan Gleeson, Don Cheadle, Mark Strong and Liam Cunningham.
The film received critical acclaim and was a box office success. Both Gleeson and Cheadle received acclaim for their performances, with Gleeson receiving a Golden Globe Award nomination. McDonagh was in turn nominated for a BAFTA Award for his writing achievement. It is the most successful independent Irish film of all time in terms of Irish box-office receipts, overtaking 'The Wind that Shakes the Barley' (2006).
Plot
Sergeant Gerry Boyle is an officer of the Garda Sochna (police) in the Connemara district in the west of Ireland. He is crass and confrontational, regularly indulging in drugs and alcohol even while on duty. He is also shown to have a softer side, showing concern for his ailing mother, Eileen.
Boyle and his new subordinate, Aidan McBride, investigate a murder, with evidence apparently pointing to an occult serial killer. Shortly after, Boyle attends a briefing by an American Federal Bureau of Investigation (FBI) agent Wendell Everett, sent to liaise with the Garda in hunting four Irish drug traffickers led by Francis Sheehy-Skeffington, who is believed to be awaiting a massive seaborne delivery of cocaine from Jamaica. Boyle recognises one of the men in Everett's presentation as the victim of the murder he and McBride had been investigating. McBride pulls over a car driven by Sheehy and his lieutenants Clive Cornell and Liam O'Leary and is shot dead. McBride's wife, Gabriela, reports McBride's disappearance to Boyle, who promises to look into it.
The strait-laced Everett suggests that he and the unorthodox Boyle team up to track down Sheehy and his men. Everett makes the rounds, encountering Irish-speaking residents who pretend not to understand English rather than violate a code of silence towards law enforcement observed by some in the area. Boyle has a sexual encounter with a pair of prostitutes at a hotel in town. On his way back from the hotel, Boyle spots McBride's Garda car at a "suicide hotspot" along the coast but does not believe that McBride killed himself. McBride's wife, Gabriela, an immigrant from Croatia, reports him missing and tells Boyle that McBride is gay and that she married him to obtain an Irish visa as well as to make McBride "look respectable".[http://transcripts.thedealr.net/script.php/the-guard-2011-6Ser The Guard (2011) Script][https://books.google.com/books?id=-nBBAgAAQBAJ&pg=PA24 Leen Engelen, Kris Van Heuckelom. European Cinema after the Wall: Screening East-West Mobility, 2013. P. 24]
Meeting Everett at a local pub, Boyle notices a Closed-circuit television (CCTV) camera and remembers that the original suspect in the murder case claimed to be frequenting it at the time of the killing. Looking over the footage from the time of the murder, they see that the suspect's alibi is valid and Everett also spots Sheehy and Cornell at the pub. Cornell delivers a payoff to the Garda inspectors to keep them off the case but Sheehy believes that Boyle will not be so easily swayed, after he meets with Boyle to half-heartedly attempt blackmail and then to offer a bribe, which is refused. Tipped off by a young boy named Eugene, Boyle discovers a cache of weapons hidden in the bog by the Provisional Irish Republican Army (IRA) and arranges its return. Shortly after having her last wish to hear a live pub band fulfilled, Boyle's mother commits suicide by overdosing on pills.
Meeting at the bar again, Everett tells Boyle that Garda sources indicate Sheehy's shipment will be coming into County Cork and that he is leaving to investigate. Returning home, Boyle is confronted in his living room by O'Leary. Boyle pulls a gun and kills O'Leary, then calls Everett to tell him that the Cork lead is a decoy arranged by corrupt officers. Boyle drives to the local dock where Sheehy's vessel is berthed and Sheehy's men are unloading the cocaine. Everett arrives and is persuaded to give Boyle covering fire as he moves to arrest Sheehy and Cornell. Boyle kills Cornell before leaping onto the boat to deal with Sheehy. Everett's gunfire sets the boat alight. Boyle shoots Sheehy and leaves him for dead in the main cabin as the boat explodes.
The next day, Everett looks out on the water where the boat sank, believing Boyle to be dead. Eugene, standing nearby, mentions that Boyle was a good swimmer, having been placed fourth at the 1988 Summer Olympics, a claim that Everett had dismissed. A young photographer comments that it would be easy enough to look up to verify as true. Everett remembers Boyle's remark that Sheehy's backers would not forget Boyle's actions and that Boyle would have to disappear were he to continue living, and smiles.
Cast
Production
Development
Film producers include Chris Clark, Flora Fernandez-Marengo, Ed Guiney and Andrew Lowe, with executive producers Paul Brett, Don Cheadle, Martin McDonagh (brother of John Michael), David Nash, Ralph Kamp, Lenore Zerman and associate producer Elizabeth Eves. Director John Michael McDonagh is known for his screenplay for the 2003 film 'Ned Kelly' and as writer/director of the 2000 film 'The Second Death'. Cinematographer Larry Smith is known for his work on 'Eyes Wide Shut' and production designer John-Paul Kelly for his work on 'Venus'.Filming
Principal filming began on 29 October 2009, in Lettermore County Galway. Filming took place over a six-week period in Connemara, Lettermore, Lettermullan, Spiddal, and Barna with some scenes for filming in Wicklow and Dublin. Companies involved were Reprisal Films and Element Pictures in association with Prescience, Aegis Film Fund, UK Film Council and Crescendo Productions, with the participation of the Irish Film Board.International sales were handled by Metropolis Films and the film was released by Element Pictures Distribution in Ireland, Optimum Releasing in the United Kingdom, Sony Pictures Classics in the United States and Alliance Films in Canada.
Reception
The review aggregation website Rotten Tomatoes reported a 94% approval rating with an average rating of 7.65/10 based on 134 reviews. The website's consensus reads, "A violent, crackerjack comedy with a strong Irish flavor and an eminently likable Brendan Gleeson in the main role." On Metacritic, the film has a score of 78 out of 100, based on reviews from 29 critics, indicating "generally favorable reviews".
In 'The Hollywood Reporter', Todd McCarthy wrote: "Scabrous, profane, violent, verbally adroit and very often hilarious, this twisted and exceptionally accomplished variation on the buddy-cop format is capped by a protean performance by Brendan Gleeson a defiantly iconoclastic West of Ireland policeman."McCarthy, Todd,[https://www.hollywoodreporter.com/review/sundance-review-brendan-gleeson-shines-74469 "Brendan Gleeson Shines in The Guard. Hollywood Reporter review of 27th Sundance Film Festival"], 'HollywoodReporter.com', 21 January 2011 'Vanity Fair's John Lopez wrote: "So far, 'The Guard' has been the most thoroughly enjoyable film experience at Sundance, a nice change of pace from the anomie, alienated angst and melancholy of other films."Lopez, John, [https://www.vanityfair.com/online/oscars/2011/01/sundance-2011-early-morning-surprises.html "Park City Thrills to The Guard. Vanity Fair review of 27th Sundance Film Festival"], 'VanityFair.com', 23 Jan 2011 In 'Screen International', David D'Arcy wrote: "As a director, McDonagh avoids the grand gesture and focuses on his web of odd characters that call to mind the comedies of Preston Sturges."D'Arcy, David,[http://www.screendaily.com/reviews/latest-reviews/the-guard/5022606.article "The Guard. Screen International review of Sundance 2011"], 'ScreenDaily.com', 21 January 2011 Justin Chang of 'Variety' wrote: "The film making crackles with energy, from Chris Gill's crisp editing and Calexico's ever-inventive score to d.p. Larry Smith's dynamic camerawork, alternating between bright, almost candy-coloured interiors and shots of Galway's grey, rugged landscape."
In 'The Times', Wendy Ide wrote: "Without doubt the strongest debut film of the year so far, this sly, witty and provocative Irish black comedy is an exceptionally funny crowd-pleaser and a playful cine-literate exercise, laced with arcane movie references... Gleeson must be thanking whatever guardian angel oversees his career for the brothers McDonagh giving him two of his meatiest roles yet."Ide, Wendy, [http://www.thetimes.co.uk/tto/arts/film/reviews/article3063268.ece "The Guard at the Edinburgh Film Festival"], 'TheTimes.co.uk', 16 June 2011 Georgie Hobbs of 'Little White Lies' wrote: "Unexpectedly hilarious, 'The Guard' is the triumphant directorial debut of 'Ned Kelly' screenwriter (and brother of 'In Bruges' director Martin), John Michael McDonagh... This confident film knows full well how funny it is, daring to provoke with unfettered 'unPCness' a-plenty."
Accolades
References
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