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Lost in Paradise (film)

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Wikipedia article




'Lost in Paradise' is a 2011 Vietnamese drama film directed by V Ngc ng. Its original title is 'Rebellious Hot Boy and the Story of Ci, the Prostitute and the Duck' ('Hot boy ni lon v cu chuyn v thng Ci, c gi im v con vt'), shortened to 'Rebellious Hot Boy' ('Hot boy ni lon') or simply 'Hot Boy'. The film is set in Ho Chi Minh City and has two separate story lines. The first depicts a love triangle between three men, Khi, Lam, and ng, amidst a backdrop of male prostitution. The second concerns a mentally handicapped man, Ci, his friendship with Hnh, a female prostitute, and his attempts to raise a duckling. The film was a strong critical and commercial success in Vietnam. It has been shown at several international festivals, from which it garnered more mixed reviews. In particular its portrayal of homosexuality has been noted as ground breaking within the context of Vietnamese cinema.

Cast and synopsis



V Ngc ng directed and co-wrote 'Lost in Paradise'. Previous collaborator Lng Mnh Hi was the second co-writer and starred in the film as Lam. H Vnh Khoa played the film's second male lead, Khi, while Linh Sn played Lam's antagonist, ng. Well-known singer Phng Thanh played prostitute Hnh, while Hiu Hin played the mentally handicapped Ci.

Other cast members:-

* La Quoc Hung as Long

* Don Nguyen as Dan em cua Danh

Plot



The film is set in Saigon, where Khi arrives from Nha Trang after being disowned by his family on account of his homosexuality. ng befriends him and invites him to share an apartment along with Lam, who isunbeknownst to Khiactually ng's lover. At the apartment, ng and Lam rob him of his money and belongings; ng in turn abandons Lam and flees with the cash. Lam later happens upon an injured Khi sleeping rough. In pity he returns the latter's clothes and identity papers and after a tentative reconciliation the two become friends and ultimately lovers. Lam returns to his life as a prostitute while Khi attempts to work as a bookseller. A returning, manipulative ng dogs the couple which culminates in Lam wounding his antagonist with a stab to the foot. Khi eventually leaves Lam because of the latter's work as a prostitute. An increasingly desperate Lam takes to robbing his clients at knife-point; a gang of men in the employ of one such victim kills Lam at the film's climax.

The film's second plot concerns a mentally handicapped man named Ci and his endeavors to raise a duckling, while intermittently attempting to befriend a prostitute, Hnh. This enrages her pimp who takes to beating both as a deterrent. The initially hostile Hnh warms to Ci as his duckling grows. At the film's close, the pimp's threat to eat Ci's duck prompts Hnh to club her and an enforcer to death.

Release



Under the title 'Lost in Paradise', the film's world premiere was at the Toronto International Film Festival in September 2011, with further showings at the Vancouver International Film Festival, and the Busan International Film Festival. International distribution rights were subsequently acquired by Amsterdam and Hong Kong-based Fortissimo Films, making it the company's first Vietnamese title. The film premiered as 'Rebellious Hot Boy' in Ho Chi Minh City on 12 October 2011, in Hanoi the following day and was released across Vietnam on the 14 October. The film opened the Hong Kong Lesbian and Gay Film Festival in 2011 where it was described as "Vietnam's first gay film" by AFP. It will also be part of the upcoming Vietnam Film Festival.

Reception



AFP called 'Lost in Paradise' "Vietnam's first gay film". The Vancouver International Film Festival explains: "it's the first Vietnamese film to offer a frank account of some aspects of gay life."

VietnamNet noted that Vietnamese films typically denigrate effeminate or transgender people while using them as sources of comedy, while prostitute characters are used for suggestive or provocative purposes; 'Lost in Paradise' places them in the central roles of a love story depicting their predicament. The website noted the themes of alienation and fear amongst homosexuals and the film's humane, intimate and empathetic portrayal. The reviewer felt restless towards the film's end, but praised the ending for releasing the tension and felt the earlier part of the film has a smoother pace. He praised the rich and compelling detail of the main story, as well as the romance and humour of the subplot. VnExpress praised the movie for its positive portrayal of Vietnamese society's elements, its tasteful portrayal of explicit gay sex and overall realism.

In 2010, the film won Thailand's Technicolor Award. The Vancouver International Film Festival's reviewer said the film is "not very sophisticated by international standards" and that the alternative plot "tries the patience". He felt the film's portrayal of gay prostitution was authentic and said the depiction of relationships is quite hard-edged. And the film makes the most of its good-looking cast. Ticket sales at the Toronto International Film Festival outstripped those of other Asian movies, including a sold-out screening. Canada's Press+1 felt the main love story was clichd and somewhat predictable but the emotion "genuine". The writer judged the male leads' acting as middling; he called Hiu Hin's acting superb and argued that the film's secondary plot was its best. The writer felt that a positive, gay-themed film from Vietnam was in itself historically important. He praised the realism of the film but would have preferred better interplay between footage of the two story lines. 'The Georgia Straight' said the film "breaks new ground" in its setting and subject matter. The reviewer also felt the second plot "gets cloying" and called aspects of the gay themes "well-trodden". but said "it does keep things realistic when it comes to the hardships of being gay in the city."

References




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