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Morning Glory (2010 film)
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Wikipedia article
'Morning Glory' is a 2010 American romantic comedy-drama film directed by Roger Michell and written by Aline Brosh McKenna. Starring Rachel McAdams, Harrison Ford, Diane Keaton, Patrick Wilson and Jeff Goldblum, the film tells the story of an upstart television producer who accepts the challenge of reviving a morning show program with warring co-hosts.
'Morning Glory' was released in theaters on November 10, 2010, by Paramount Pictures. It received mixed reviews from critics and grossed $60 million against a $40 million budget.
Plot
Aspiring news producer Becky Fuller (Rachel McAdams) has dreamed since childhood of working for the 'Today' show, but her dedication to her career is off-putting to potential suitors. She is laid off from her job at 'Good Morning New Jersey', and her mother advises her to give up her dream before it becomes an embarrassment. Becky perseveres, and receives a call from IBS News, which is seeking a producer for its struggling national morning show, 'DayBreak'.
After a discouraging job interview with executive Jerry Barnes (Jeff Goldblum), who dismisses both her and 'DayBreak' as also-rans, Becky is brushed off in the elevator by one of her heroes, veteran television journalist Mike Pomeroy (Harrison Ford). Seemingly against his better judgement, Jerry hires Becky as 'DayBreak's executive producer, and she moves to New York City.
On her first day, Becky realizes she has signed on to a show in turmoil, lacking in direction and money. After meeting acerbic, long-suffering co-host Colleen Peck (Diane Keaton), Becky fires the lecherous co-host Paul McVee (Ty Burrell), to her co-workers delight. She chooses an unwilling Mike as Colleen's new co-host; under contract to IBS, Mike has escaped being utilized while still getting paid. Becky finds a clause in Mike's contract requiring him to accept an official job offer or lose his salary, forcing him to comply.
Becky meets Adam Bennett (Patrick Wilson), a fellow IBS producer who worked with the difficult Mike. They begin dating, and he is initially supportive of her dedication to her job. Contemptuous of morning television, Mike tries to sabotage his 'DayBreak' debut by getting drunk. He refuses to banter, rejects segments he feels are beneath him, and antagonizes Colleen.
Jerry informs Becky that IBS wants to cancel 'DayBreak', blaming her for the ratings further slump. After a heated confrontation with Mike, Becky snaps and decides on a radical approach to save the show. Persuading Jerry to give her the show's remaining six weeks to vastly improve ratings, Becky sends Ernie (Matt Malloy), 'DayBreak's weatherman, on stunts such as riding roller coasters and skydiving. Colleen joins Becky's campaign to rejuvenate the show, appearing in colorful segments that help the show's ratings, but Jerry remains unconvinced. Adam, not realizing what is on the line, teases Becky about how caught up she is in improving the ratings; seeing this as a criticism she has heard from other men, Becky walks out.
With the six-week deadline approaching, Mike shows interest in doing a story on a sauerkraut festival, surprising his colleagues. Becky accompanies him, but realizes he is going to the Governor's summer house instead, and informs him that the show will be cancelled. Undeterred, Mike confronts the Governor on charges of racketeering, breaking the story of his arrest on live television. Mike tells Becky that he was similarly over-committed to his job, at the expense of his family and personal life.
The live arrest increases 'DayBreak' ratings enough to secure another year for the show, and Becky receives a job offer from the Today show. She reconnects with Adam, and lashes out at Mike for his stubbornness. Becky accepts the job interview, with 'DayBreak' on in the background. When Colleen tells Mike that his refusal to adapt has driven Becky away, he walks off air and storms the kitchen. Becky watches in shock as Mike presents a cooking segment, expertly showing viewers how to make a frittata. Becky runs back to the studio, and decides to remain at 'DayBreak'.
Cast
* Rachel McAdams as Becky Fuller, the new executive producer of 'DayBreak', the fourteenth in eleven years, challenged with improving the show's ratings.
* Harrison Ford as Mike Pomeroy, a serious news journalist and anchor who has worked in television for over forty years. He is unhappy at having to co-host a show that does not deal with real news stories.
* Diane Keaton as Colleen Peck, the host of 'DayBreak' for the past eleven years, in which time she has gone through several co-hosts and executive producers.
* Patrick Wilson as Adam Bennett, another producer at IBS, who begins dating Becky.
* John Pankow as Lenny Bergman, the long-term senior producer of the show.
* Jeff Goldblum as Jerry Barnes, a network executive, he tasks Becky with turning the show's ratings around.
* Matt Malloy as Ernie Appleby, the 'DayBreak' weatherperson.
* Ty Burrell as Paul McVee, the co-host of the show at the beginning of the film. Becky immediately fires him because of his negative effect on staff morale.
* Patti D'Arbanville as Mrs. Fuller, Becky's mother.
* Adrian Martinez as IBS Lobby Guard
* Curtis "50 Cent" Jackson, Lloyd Banks, and Tony Yayo as themselves.
* Chris Matthews, Morley Safer, Bob Schieffer, Jonathan Bennett, and Elaine Kaufman make cameo appearances.
Production
The premise of the film was partially inspired by Neil Simon's 'The Sunshine Boys', where Harrison Ford's role was akin to Clark while Diane Keaton's role was akin to Lewis and Rachel McAdams' role was akin to Clark's nephew Ben. Screenwriter Aline Brosh McKenna and producer J. J. Abrams "dreamed of having Harrison Ford in the film" from the point of early script development. Shortly after Abrams cast Harrison Ford as Mike Pomeroy, Roger Michell took over as director.
Despite their long careers in Hollywood, Keaton and Ford had never met prior to 'Morning Glory'.[http://www.usaweekend.com/article/20101105/ENTERTAINMENT03/11070332 "The time of their lives"] . 'USA Weekend'. Retrieved November 24, 2010. Harrison Ford explained: "We have been working in the same business, different branches of the business. She was in the intellectual branch and I was in the running, jumping and falling down branch. So, we never had the chance to work together. But it was a real pleasure to finally get that opportunity.". 'Morning Glory' marked Keaton's and McAdams' second film together. They previously co-starred in the 2005 comedy drama 'The Family Stone'. Billed as a starring vehicle for McAdams, she initially felt she was unsuited to the role because "I'm not funny. So I said, 'if you need me to be funny, you might want to look somewhere else'". Roger Michell, the film's director, had a number of dinners with McAdams and persuaded her to join the cast.
Music
The film's theme song is "Strip Me" by Natasha Bedingfield. A song called "Same Changes" by The Weepies was recorded exclusively for the film. David Arnold also composed the film score. No official soundtrack was released, though the following songs were used in the film:
Reception
Box office
The film was originally scheduled for release on July 30, 2010, in the U.S. It was then pushed back to November 12, 2010.Brown, Audrey (April 6, 2010). [http://www.fivesprockets.com/resources/blog/script-bits-mavericks-morning-glory-and-three-musketeers Script Bits - Mavericks, Morning Glory, and The Three Musketeers] . FiveSprockets.com. Retrieved November 24, 2010. Finally, Paramount Pictures shifted the release date to November 10, 2010.(October 21, 2010). [https://www.hollywoodreporter.com/blogs/risky-business/paramount-shifts-morning-glory-release-32060 Paramount Shifts 'Morning Glory' Release Date to Nov. 10]. 'The Hollywood Reporter'. Retrieved November 24, 2010. In its opening five days, 'Morning Glory' earned about $12 million at US box offices, which was considered a poor result for a film with major stars like Keaton and Ford. On its release date, it debuted at number 3 behind 'Due Date' and 'Megamind', though the next day it dropped to fourth place when 'For Colored Girls' beat it to third. It kept on switching from fifth to fourth place several times until November 19, when it dropped to sixth. For the week of November 1924, it stayed at number 6 until finally sliding to tenth place. It stayed in theaters until January 20, 2011.Brooks Barnes. [https://www.nytimes.com/2010/11/15/movies/15arts-MEGAMINDREMA_BRF.html 'Megamind' Remains a Box-Office Hero]. 'The New York Times'. Retrieved November 24, 2010. Ultimately, the film earned more than $31 million in the United States, and over $27 million internationally for a worldwide total of almost $59 million.The press emphasized that it was another box office disappointment for Ford.Thompson, Anne (November 16, 2010). [http://blog.moviefone.com/2010/11/16/career-watch-harrison-ford/#comments Career Watch: Harrison Ford] . 'Moviefone.com'. Retrieved 2010-11-24.Gwin, Scott (November 14, 2010). [https://www.cinemablend.com/new/Weekend-Box-Office-The-Curse-Of-Harrison-Ford-21740.html Weekend Box Office: The Curse Of Harrison Ford]. 'Cinema Blend'. Retrieved 2010-11-24. With the exception of 'Indiana Jones and the Kingdom of the Crystal Skull', Harrison Ford had not had a hit for a decade. Steven Zeitchik wrote in the 'Los Angeles Times': "What's most disappointing about "'Morning Glory'" is that, after a decade without a comedy, Ford's turn in something more spry was supposed to mark a new chapter by getting him back to his crowd-pleasing ways. But the movie's disappointing performance adds one more nail in a coffin that's been enveloping Ford's career, 'Buried'-style, for years." Jeff Bock, a box-office analyst with 'Exhibitor Relations', told 'TheWrap': "When Ford wears that iconic hat, he can still crack the box office bullwhip, but outside of Indy it's become a tougher case."
'BoxOffice.com' editor Phil Contrino said: "I'm not quite ready to write this film off as a disappointment. I think it's going to show healthy staying power in the weeks to come. It's skewing older, so that means the audience it appeals to doesn't feel the need to necessarily rush out during the opening weekend. It's a funny movie with plenty of pep, and I think a lot of moviegoers will still discover it." McAdams was disappointed that the film failed to find a larger audience, remarking that "I only hear these businesspeople: 'Well, no one was sure who it was for.'"
Critical response
On Rotten Tomatoes, the film holds an approval rating of 55% based on 178 reviews, with an average rating of 5.98/10. The website's critical consensus reads, "It's lifted by affable performances from its impeccable cast, and it's often charming but 'Morning Glory' is also inconsistent and derivative." On Metacritic, the film has a weighted average score of 57 out of 100, based on 38 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.
One of the main criticisms about 'Morning Glory' was that the film did not provide any substance about television and the media unlike 'Network' (1976) or 'Broadcast News' (1987). Peter Howell of the 'Toronto Star' wrote: "You'll think of 'Broadcast News' and 'Network' watching it, and possibly lament how the film ducks the tough issues of media accountability and culpability that those films dealt with decades ago. (...) Are they [director Roger Michell and screenwriter Aline Brosh McKenna] trying to say anything meaningful about television and the media? If so, they've failed."[https://www.thestar.com/entertainment/movies/article/888330--all-the-news-that-s-fit-to-wince "All the news that's fit to wince"]. 'Toronto Star'. Retrieved November 24, 2010. Stephen Whitty of 'The Star-Ledger' noted that 'Broadcast News', as opposed to 'Morning Glory', "was also about something the conflict between faked telegenic "moments" and hard-news reality (...) And that's what made it not just a fun film but a classic." He concluded: "It's a good enough movie. But it came this close to being great."
The critics who enjoyed 'Morning Glory' pointed out that the film was funny and entertaining. James Berardinelli of 'ReelViews' wrote: "Despite the conventional manner in which the story is resolved, 'Morning Glory' generates enough entertainment, good will, and genuine laughs to make it hard to dislike [...] It fits into a shrinking category: the old-fashioned, not-too-raunchy, character-based comedy. It's gentle, unforced and, despite its flaws, likeable. It doesn't blaze new trails or astound with its wit but, more likely than not, you'll leave the theater with a smile, and that's certainly worth a recommendation."[http://www.reelviews.net/php_review_template.php?identifier=2209 Morning Glory - Reelviews Movie Reviews]. 'Reelviews.net'. November 10, 2010. Retrieved 2010-11-24. Lou Lumenick of the 'New York Post' said: "This unofficial update on the news-vs.-fluff wars does get in some good shots at the wacky world of morning television.... It includes more than a few clever lines, and boasts a stellar cast."
[http://www.nypost.com/p/entertainment/movies/the_latest_weather_forecast_is_partly_sJ5PEKxZRffwIsG7fDIqvO "The latest weather forecast is partly funny"]. 'New York Post'. November 14, 2010. Retrieved 2010-11-24. Andrew O'Hehir of 'Salon' described the film as "a brash, lightweight backstage comedy that looks lovely, doesn't insult its audience and uses its stars, both young and old, to terrific effect."[http://www.salon.com/entertainment/movies/our_picks/?story=/ent/movies/andrew_ohehir/2010/11/09/morning_glory "Morning Glory": Rachel McAdams' star-making new role] . 'Salon'. Retrieved November 24, 2010. Ty Burr of 'The Boston Globe' wrote: "The movie's a pleasant and occasionally hilarious ride, even if there's a bait-and-switch at its core."[https://www.boston.com/ae/movies/articles/2010/11/10/in_morning_glory_fluff_is_the_story Morning Glory]. 'The Boston Globe'. November 10, 2010. Retrieved 2010-11-24. Roger Ebert of the 'Chicago Sun-Times' awarded 'Morning Glory' three-and-a-half stars out of four. He stated: "'Morning Glory' is funny entertainment to begin with, and then Rachel McAdams transforms it. And Harrison Ford transforms himself. (...) This is the kind I like best. It grows from human nature and is about how people do their jobs and live their lives."
Most critics stressed that one of the assets of the film was the performances of its all-star cast. Harrison Ford got strong reviews for his performance in the film. Ebert of the 'Chicago Sun-Times' said: "Ford doesn't venture beyond his usual acting range, but within it he creates a character with a reluctantly human inside." Peter Travers of 'Rolling Stone' called the film "a tart, terrific comedy that gives Harrison Ford his best and funniest role in years." He added: "The iconic Han Solo and Indiana Jones shows real comic chops as Mike Pomeroy." According to Owen Gleiberman of 'Entertainment Weekly', "Ford is still a magnetic hunk of gray-granite movie star, and in Morning Glory, he finds a way to trick up his deadly somber, shifting-quicksand delivery into a shrewd and amusing acting style." Joe Neumaier of the New York 'Daily News' wrote that "Ford is the most casual he's been since 'Working Girl'," while Colin Covert of the Minneapolis 'Star Tribune' stated: "Ford's gravitas and comedic irritability are in perfect balance here." Rex Reed of 'The New York Observer' noted: "All of which gives Harrison Ford a role that fits him like a condom. He gets to be gruff, granite-faced, mean-spirited, rude and pessimistic, never cracking a smile and scowling like a rat just died in the studio's air-conditioning pipes.... The cast is perfect (scowling irascibly like Clifton Webb, Mr. Ford has never been this good)."
Several critics also liked McAdams' performance. Manohla Dargis wrote in 'The New York Times': "Ms. McAdams plays her role exceptionally well: as the young actress on the verge of the big time, who can win the boy, tame the beast, flash her panties and make you smile without making you cringe, she is a natural."Manohla Dargis. [https://movies.nytimes.com/2010/11/10/movies/10morning.html Plenty of Perky, Even This Early]. 'The New York Times'. November 9, 2010. Retrieved November 24, 2010.
Kenneth Turan of the 'Los Angeles Times' stated: "Though the film's advertising gives the impression that McAdams is one among equals, the reality is that this is her show. (...) she's never carried an entire film as completely and as easily as she does here." Roger Ebert of the 'Chicago Sun-Times' compared Rachel McAdams' performance to Amy Adams' Academy Award nominated role in 'Junebug'. Keaton's performance was praised as well. According to 'ReelViews', "Keaton is so good at her part that one can see her sliding effortlessly into an anchor's chair on a real morning show." Critics said that there was good chemistry between Diane Keaton and Harrison Ford. Peter Travers of 'Rolling Stone' stated: "Ford and Keaton are delicious together." For Rex Reed, "Some of the on-camera bitchery between Mr. Ford and Ms. Keaton is laugh-out-loud witty." But it was also noted that Keaton was underused in the film.
Accolades
References
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