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Wah-Wah (film)
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Wikipedia article
'Wah-Wah' is a 2005 comedy-drama film written and directed by Richard E. Grant in his directorial debut. Loosely based on his childhood in Swaziland, as depicted in Grant's memoir, 'The Wah-Wah Diaries', it stars Nicholas Hoult, Gabriel Byrne, Emily Watson, Miranda Richardson and Julie Walters.
Filmed and set in Swaziland, the film was first shown at the Cannes Film Market on 13 May 2005 and premiered at the Edinburgh International Film Festival on 17 August 2005. It then toured to various festivals before receiving a limited release in the United States on 5 May 2006, followed by its release in the United Kingdom on 2 June 2006.[https://www.imdb.com/title/tt0419256/releaseinfo IMDb: Release info for 'Wah-Wah'] Linked 27 June 2013
Plot
In this semi-autobiographical tale of his childhood in Swaziland during the last days of the British Empire in Africa in the 1960s, Grant relates the story of Ralph Compton, whose familys disintegration mirrors the end of British rule. After witnessing his mother's adultery with his father's best friend, Ralph must survive not only boarding school but also his beloved father's remarriage to Ruby, a fast-talking American Airlines flight attendant, and his father's gradual descent into alcoholism.
History
Development and pre-production
Grant initially wrote the film loosely based on his own childhood experiences after a screenwriter recommended he write a screenplay after reading his memoirs of his 'Withnail and I' experiences. The first meeting with a producer took place in 1999 and the film took almost seven years from then to complete.[http://www.richardegrant.com/viewtopic.php?t=84 Wah-Wah Interview - "I've had seven birthdays..."] Grant initially had trouble securing actors; Rachel Weisz, Toni Collette, Meg Ryan, Emmanuelle Bart, Ralph Fiennes and Jeremy Irons all turned down roles. Julie Walters was eventually the first actor to be signed. Grant intended for the part of Ralph to be played by two actors but the casting director, Celestia Fox, insisted on one actor. During the casting sessions, Grant noticed the similarity between Zac Fox and Nicholas Hoult and persuaded Celestia Fox to cast them. The part of the father was meant to be younger but, as all the actors asked in that age range passed on the role, an older actor (Gabriel Byrne) was chosen. After the original producer left the project due to a career change, Grant was approached by Marie-Castille Mention-Schaar to produce the project, a decision he later came to regret.Production and aftermath
The film was the first to have been shot in Swaziland. Filming began in July 2004 and took place over seven weeks and post-production took place in England and France.'Wah-Wah' received its premiere at the Edinburgh International Film Festival and received a special Toronto International Film Festival screening in September 2005.[https://www.imdb.com/title/tt0419256/trivia Wah-Wah - IMDb Trivia] Grant also kept a diary of his experiences of the film, later published as a book, ('The Wah-Wah Diaries'), which was met positively by the critics, many of whom were impressed at the honesty of the tale, especially in regard to his frictional relationship with the "inexperienced" producer.[https://www.amazon.co.uk/dp/0330441965 Amazon.co.uk - 'The Wah-Wah Diaries'][https://www.theguardian.com/books/2006/may/06/biography.film The Guardian - Books - Wah-Wah Diaries review][https://web.archive.org/web/20090630201517/http://www.independent.co.uk/arts-entertainment/books/reviews/paperbacks-the-wahwah-diaries-the-making-of-a-filmbr-the-brooklyn-folliesbr-you-dont-have-to-be-famous-to-have-manic-depressionbr-little-facebr-the-year-of-magical-thinking-br-arthur-and-george-416173.html The Independent - Books - Wah-Wah Diaries review] Grant mentioned in subsequent interviews that she was a "control freak out of control" and that he would "never see her again as long as [he] lives".[http://www.richardegrant.com/viewtopic.php?t=84 Richard E Grant - Wah-Wah interview][http://www.richard-e-grant.com/Articles/TheSunHerald-30April2006.html The Sun Herald Interview - Wah-Wah] In a BBC interview, he again mentioned his "disastrous" relationship with Mention-Schaar, relating that he received just five emails in the last two months of pre-production from her, that she rarely turned up on the set, and that she failed to obtain clearance for either the song rights or to film in Swaziland (without the knowledge of Grant, who eventually was forced to meet the King of Swaziland to seek clemency).
Main cast
Critical reception
Critics were split on 'Wah-Wah'. BBC Movies said it was "superbly performed and fluently shot", but lamented its uninteresting subject.[https://www.bbc.co.uk/films/2006/05/16/wah_wah_2006_review.shtml 'BBC' Wah-Wah review] David Hughes of 'Empire magazine' said that the film was "an unforced, engaging and surprisingly incisive account of the disintegration of British rule in Africa".[http://uk.rottentomatoes.com/m/wah_wah/?critic=creamcrop Wah-Wah at 'Rotten Tomatoes'] 'Time Out' noted that "Gabriel Byrne gives a great performance as Ralphs troubled father, Harry, and Miranda Richardson and Emily Watson are enjoyable as Harrys wife and American lover". 'Variety' said that "above all, the film has a wonderful sense of ensemble in the portrayal of its inbred community, and the focus stays tight on the people rather than political events" and 'The Los Angeles Times' said that "Grant opens up his life, not with embarrassment or explanation but with humanity and gratitude. Emotional, melodramatic and sentimental, the film unabashedly wears its heart on its sleeve, and is the better for it." Roger Ebert was less praising, noting that he "admired the movie and was happy to see it but can think of two other films about whites in Africa that do a better job of seeing their roles ('Nowhere in Africa' and 'White Mischief')."[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060615/REVIEWS/60509006 Wah-Wah :: rogerebert.com :: Reviews] , the film holds a 54% approval rating on Rotten Tomatoes, based on 69 reviews with an average rating of 5.91/10. The website's critics consensus reads: "The ensemble cast is strong, but they get overpowered by the muddled stew of melodrama."
Box office
The film received a limited release and only grossed $2.8 million worldwide on a $7 million budget.References
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