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Kate & Leopold

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Wikipedia article




'Kate & Leopold' is a 2001 American romantic-comedy fantasy film that tells a story of a physicist by the name of Stuart (Liev Schreiber), who accidentally pulls his greatgreatgrandfather, Leopold (Hugh Jackman), through a time portal from 19thcentury New York to the present, where Leopold falls in mutual love with Stuart's exgirlfriend, Kate (Meg Ryan).

Plot





On 28 April 1876, Leopold, His Grace the 3rd Duke of Albany, is a stifled dreamer. He has created a design for a primitive elevator, and has built a small model of this device. His strict Uncle Millard has no patience for what he sees as Leopold's frivolous interest in the sciences and new inventions, having brought him to New York City in order to marry a wealthy American heiress, as the Mountbatten family is heavily indebted.

While sketching the Brooklyn Bridge during a public meeting dedicated to the completion of its Manhattan tower, Leopold notices Stuart Besser taking photographs with an anachronistically small camera. Stuart is an amateur physicist (and greatgreatgrandson of Leopold) from 21stcentury New York who has discovered the existence of gravitational time portals. Later, Leopold catches Stuart in the Duke's study, photographing his schematic diagrams. When Stuart attempts to flee, Leopold follows and tries to save him from falling off the unfinished bridge, only to fall with him into the time portal.

Leopold awakens on a Wednesday morning in the year 2001 in Stuart's apartment at 88 White Street, Manhattan. Stuart explains that the portal they have travelled through has closed, but will reopen on the next Monday, until which time Leopold should stay in Stuart's apartment. As Stuart takes his dog out, he is injured by falling into the empty elevator shaft and, after ranting about his scientific discovery in the hospital, is involuntarily committed to a mental institution. According to Stuart's concept, Leopold's unintentional time travel to the 21st century has caused a widespread "occlusion" of elevators, and may cause the disappearance of Stuart himself if Leopold doesn't go back to 1876 on Monday.

Leopold is intrigued by the cynical and ambitious Kate McKay, Stuart's ex-girlfriend who lives downstairs. He says that she produces the impression of a "career woman" and, upon learning that she works in market research, ironically remarks, "Mm. A fine avocation for women, research. Perfect for the feminine mind." (Later on, Kate's boss tells her the same thing, "You skew male. You're like a man. A man who understands womentheir desires, their needs. You understand them but you're not really one of them.") Kate shrugs it off and demands that Leopold take Stuart's dog for a walk. Back at the apartment, he befriends CharlieKate's brother and an aspiring actor, who believes him to be an actor as well, steadfast to his character.

On Thursday morning, Kate becomes impressed by Leopold's eloquent exposition of how important the tastiness of food is to the quality of human life. She takes him to an audition for a TV commercial pitching a fat-free butter, Farmer's Bounty, produced by the English company Jansen Foods, which is being taken over by Kate's company, Camden Research Group. After the successful audition, Kate and Leopold stop by a horse-drawn tourist carriage to hail a taxi, at which moment a thief snatches Kate's briefcase and flees into Central Park. Seeing Kate run after the purse-snatcher, Leopold borrows one of the horses and hurries to help her. Riding together with Kate, he drives the thief into an impasse and forces him to drop the briefcase. Bedazzled by the sight of Leopold riding on a white horse to her rescue, Kate begins to admit that his 19th century dukedom may be "for real".

On Friday, Leopold hires a violinist and invites Kate to a rooftop dinner, which ends with a waltz and the first kiss.

On Saturday, they take a stroll about Lower Manhattan and come across Uncle Millard's home at 1 Hanover Square, where Leopold retrieves a metal box with his boyhood treasures, including his mother's ring, from a secret drawer hidden in his room's wall. In the evening, he tries to propose to Kate, but she falls asleep on his lap.

On Sunday, Leopold acts in a Farmer's Bounty commercial, but walks off the set upon finding the diet margarine disgusting. Leopold chastises Kate about integrity, to which she counters that he lacks connection with reality. Realizing that their time together is nearly over, both spend the evening in subdued contemplation.

On Monday morning, Stuart escapes from the asylum and sends Leopold to his own time, which makes the elevators work again. Charlie notices Kate in a photo taken at Leopold's ball on 28 April 1876, and shows the picture to Stuart, who realizes that Kate's future is in the past. That night, when Kate is about to accept her promotion at the Anglo-American merger meeting held, to her surprise, at 1 Hanover Square, Stuart and Charlie tell her that in order to be with Leopold she has to jump off the Brooklyn Bridge within the next 23 minutes. Kate rejects their suggestion as absurd and goes to give her acceptance speech, during which she sees herself, wearing the same evening dress, in one of Stuart's photos. She abruptly ends the speech, and the three of them rush to the bridge.

Having made it through the portal, Kate appears in 1876 and runs to 1 Hanover Square, where the Anglo-American engagement is to take place. Just when Leopold is about to announce his bride of convenience, Kate storms into the ballroom, and he instead announces her name, styled as "Kate McKay, of the McKays of Massapequa". Among the shocked guests, Kate and Leopold reunite with a kiss and dance a bridal waltz. Thus Kate turns out to be Stuart's greatgreatgrandmother.

Cast



Alternative versions



References suggesting that Kate is Stuart's great-great-grandmother were censored from the film just a few days before the theatrical release, according to director James Mangold, due to "2 critics who were horrified by Liev Schreiber's distant relationship to Leo".[https://thisorthatedition.com/kate-leopold-2001/ 'Kate & Leopold' (2001)] 'This or That Edition', 2017 03 01 The previous four-year-long relationship of Stuart and Kate is classified as illegally incestuous in many jurisdictions, because she is his lineal ancestor (see 'Legality of incest#Table').Greydanus, Steven D. [http://decentfilms.com/reviews/kateandleopold 'Kate and Leopold' (2001)] 'Decent Films'

The director's cut, lasting 123 minutes, was released on DVD (not playable in North America) in 2003 and on Blu-ray (playable in North America) in 2012. The theatrical cut, lasting 118 minutes, exists only on DVD.

Music



The soundtrack to 'Kate & Leopold' was released on December 25, 2001.

Reception



Critical response

On Rotten Tomatoes the film has an approval rating of 51% rating based on reviews from 130 critics, and an average rating of 5.33/10. The site's consensus is: "Though Hugh Jackman charms, 'Kate & Leopold' is bland and predictable, and the time travel scenario lacks logic." On Metacritic the film has a weighted average score of 44 based on 27 reviews, indicating "mixed or average reviews". Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F.

Roger Ebert of the 'Chicago Sun-Times' wrote: "Meg Ryan does this sort of thing about as well as it can possibly be done, and after "Sleepless in Seattle" and "You've Got Mail," here is another ingenious plot that teases us with the possibility that true love will fail, while winking that, of course, it will prevail."

Peter Travers of 'Rolling Stone' called it "comfort food for bruised romantics."

Lael Loewenstein of 'Variety' wrote: "A time-travel romantic comedy whose best elements -- Meg Ryan and Hugh Jackman -- overcome distracting plot holes, loose threads and assorted contrivances to make for a mostly charming and diverting tale."

Accolades

Hugh Jackman was nominated in 2001 for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film won the Golden Globe Award for Best Song for the song "Until...", written and performed by Sting. The same song was also nominated for the Academy Award for Best Original Song, and Sting performed the song during the ceremony.

References




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