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Another Day in Paradise (film)
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Wikipedia article
{{Infobox film
| name = Another Day in Paradise
| image = Another day in paradise.jpg
| caption = Theatrical release poster
| director = Larry Clark
| producer = Larry Clark
James Woods
Stephen Chin
Scott Shiffman
| writer = Stephen Chin
Christopher B. Landon
| based_on =
| starring =
| cinematography = Eric Alan Edwards
| editing = Luis Colina
| distributor = Trimark Pictures
| released =
| runtime = 101 minutes
| country = United States
| language = English
| budget = $4.5 million
| gross = $1 million
}}
'Another Day in Paradise' is a 1998 American crime drama film directed by Larry Clark and starring James Woods, Melanie Griffith, Vincent Kartheiser, and Natasha Gregson Wagner. Set in the 1970s, its plot follows a teenage drug addict who, along with his girlfriend, are taken in by a middle-aged couple. The pair persuade the teenagers to help them commit a series of increasingly complicated and dangerous drug robberies. Based on the 1997 novel of the same name by Eddie Little, 'Another Day in Paradise' is Clark's second feature film; it won the Grand Prix award at the 1999' Festival du Film Policier de Cognac.'
After originally earning the rare NC-17 rating, the American theatrical release was edited for the purpose of obtaining an R, reducing the running time from 105 to 101 minutes. Clark's original cut ran over 140 minutes.
Plot
In the 1970s Midwest, teenaged Bobbie, a methamphetamine addict, attempts to rob several vending machines at a local college, but is confronted by a night guard who brutally attacks and beats him. The fight ends with Bobbie stabbing the guard to death. A severely injured Bobbie returns to the flophouse of his older girlfriend, Rosie, who contacts Mel, a streetwise middle-aged thief and part-time drug dealer, for help. Mel gives Bobbie heroin to ease his pain.
After Bobbie heals, Mel and his heroin-addicted girlfriend Sid take Bobbie and Rosie under their wing. The two commit several drug heists, including one at a small clinic which accrues them a significant amount of money. While on the run, Rosie discovers she is pregnant. The news elates Sid, who Mel later reveals cannot conceive a child.
In a dusty small town, Mel and Bobbie begin to sell off the stolen narcotics out of a rundown motel. A group of armed rednecks attempt to steal their stash, Mel and Bobbie are shot during the altercation, but Bobbie and Sid manage to kill the four men and take their money. The group flee to the home of the Reverend, a preacher and illegal arms dealer from whom Mel acquires his guns. The Reverend allows them to stay at his home, but only in exchange for half of their haul.
After Mel and Bobbie recover, the group continue their illegal exploits, uniting with Jewels, a flamboyant gay criminal with whom Mel has worked in the past. Mel, Bobbie, and Sid agree to commit a robbery with Jewels, but Rosie is reluctant, shaken by Mel and Bobbie's near-death incident. The night before the planned robbery, Rosie commits suicide by overdosing on heroin in their motel. A devastated Bobbie keeps Rosie's death a secret, and goes along with Mel and Sid in the morning to the home of the wealthy couple Jewels has planned for them to rob.
When they arrive, they discover Jewels already inside, beating the male occupant after having tied up his wife. The robbery quickly goes awry, and Bobbie shoots Jewels through the throat, killing him. Mel, angered that Bobbie has killed their cohort, proceeds to murder the homeowners to prevent being identified to police. Bobbie, Mel, and Sid flee with $80,000, but Mel is infuriated by Bobbie's actions.
During the car ride, Bobbie reveals that Rosie is dead and her body is back at the motel, which causes Sid to have a breakdown, as she has developed a maternal relationship with both Rosie and Bobbie. While stopping for gasoline, Mel insists they murder Bobbie to conceal their crime, which Sid reluctantly agrees to when Mel threatens her life as well. Bobbie goes to use the restroom, and Sid follows, tearfully warning him that Mel plans to murder him. She gives him a stack of money and pleads for him to go. The two embrace, and Bobbie flees through a cornfield. When Mel realizes Bobbie has escaped, he fires off shots in Bobbie's direction, but is unable to strike him. Mel punches Sid in the face as punishment for her betrayal, then drives off as Bobbie continues to run.
Cast
* James Woods as Mel
* Melanie Griffith as Sid
* Vincent Kartheiser as Bobbie
* Natasha Gregson Wagner as Rosie
* James Otis as Reverend
* Branden Williams as Danny
* Brent Briscoe as Clem
* Peter Sarsgaard as Ty
* Lou Diamond Phillips as "Jewels"
* Kim Flowers as Bonnie Johnson
* Paul Hipp as Richard Johnson
* Karen Sheperd as Big Man's Wife
Production
Principal photography began in November 1997 and wrapped in January 1998. According to those involved with the film, the production was troubled and fraught with potential disaster. "Given the outrageous circumstances, its amazing that the movie happened at all," said co-producer/co-writer Stephen Chin. Star and co-producer James Woods described the shoot as a nightmare and director Larry Clark as a "rude pig." The night of the films world premiere in Venice, Clark physically attacked Chin.
A major bone of contention for Woods was Clarks friendship with the films other star, Vincent Kartheiser, which Woods said reflected the mentor-protg friendship between Woods and Kartheisers characters in the film. Kartheisers manager Mike Cutler insists there was no such bond.
When Clarks cut of the film was shown to potential distributors, it was more than 140 minutes long and included a graphic sex scene between Kartheiser and Gregson Wagner which would have brought an NC-17 rating. Clark and Kartheiser wanted to shoot an even kinkier version of one sex scene, but Gregson Wagner refused. "I knew if Larry really believed in the idea, he wouldn't have come with Vincent and he wouldn't have waited until the day of to discuss it with me," said the actress. Producers eventually wrested the film away from Clark and re-cut it in California.
The re-edited version was accepted by the Venice and Toronto festivals and received strong reviews. Trimark Pictures stepped forward and made an offer for the film. Though Clark agreed to the changes, he maligned Woods in interviews, further alienating the actor. "We killed ourselves to allow him to make the film his way and hes saying I ruined his picture," Woods said. "He was passed out drunk in the editing room and, as the producer, I could have had him thrown out. But I promised I wouldnt interfere. He got his final cut."
Music
The film's soundtrack includes mainly 60s and 70s soul music, including tracks by Otis Redding, Clarence Carter, Allen Toussaint, and songs by other artists such as The Tornadoes and Bob Dylan.
Release
'Another Day in Paradise' premiered in Los Angeles on December 30, 1998. The film opened the following month in New York City, on January 22, 1999.
Critical response
'Another Day in Paradise' received mixed reviews. Philip French of 'The Guardian' praised the film, writing that "Woods and Griffith are electrifying as the couple at the end of their tether.... 'Another Day in Paradise' has a shocking honesty that Larry Clark's previous feature film, the notorious 'Kids', quite lacks. It's never judgmental or glibly sociological. The shoddy glamour of their fugitive lives is something Mel and Sid think they have chosen rather than been driven into. In this respect, the film resembles 'Bonnie and Clyde', but as far as charm and romance go in the crime film, Clark's movie would be at the opposite end of the spectrum from Arthur Penn's."Janet Maslin of 'The New York Times' wrote of the film: "Clark's main gift is for living furiously with his characters in the moment, as Eric Edwards' hand-held camera work swerves and pivots and the soundtrack pulsates with a bluesy, smoldering score featuring Clarence Carter. His second, more benign film delivers what his first promised: bad times with a wicked way of looking good."
On Rotten Tomatoes it has an approval rating of 58% based on 50 reviews. It was the last film that film critics Roger Ebert and Gene Siskel gave their famous two thumbs up to.
References
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