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La Reine Margot (1994 film)

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Wikipedia article




'La Reine Margot' is a 1994 historical romantic drama film directed by Patrice Chreau, from a screenplay he co-wrote with Danile Thompson, based on the 1845 historical novel of the same name by Alexandre Dumas. The film stars Isabelle Adjani, Daniel Auteuil, Jean-Hugues Anglade, Vincent Perez and Virna Lisi. An abridged version of the film was released as 'Queen Margot' in North America, and in the United Kingdom under its original French title.

It won the Jury Prize and Best Actress Award at the Cannes Film Festival, as well as five Csar Awards. A restored version was shown as part of the Cannes Classics section of the 2013 Cannes Film Festival.

Plot



During the late 16th century, Catholics and Protestant Huguenots are fighting over political control of France, which is ruled by the neurotic, hypochondriac King Charles IX, and his mother, Catherine de' Medici, a scheming power player. Catherine decides to make an overture of goodwill by offering up her daughter Margot in marriage to Henri de Bourbon, a prominent Huguenot and King of Navarre, although she also schemes to bring about the notorious St. Bartholomew's Day Massacre of 1572, when thousands of Protestants are slaughtered. The marriage goes forward but Margot, who does not love Henri, begins a passionate affair with the soldier La Mle, also a Protestant from a well-to-do family. Murders by poisoning follow, as court intrigues multiply and Queen Catherine's villainous plotting to place her son the Duke of Anjou on the throne threatens the lives of La Mle, Margot and Henri of Navarre. A book with pages painted with arsenic is intended for Henri but instead causes the slow, agonizing death of King Charles. Henri escapes to Navarre and sends La Mle to fetch Margot, but Guise apprehends him. La Mle is beheaded in the Bastille before Margot can save him, and King Charles finally dies. Margot escapes carrying La Mle's embalmed head as Anjou is proclaimed King of France as Henry III.

Cast



Production



The film was an international co-production between by several companies based in France, Germany, and Italy, with the additional participation of StudioCanal and the American company Miramax and the support of Eurimages. Among the locations were the Mafra Palace in Portugal, the Saint-Quentin Basilica, Saint-Quentin, Aisne, and the Chteau de Maulnes, Cruzy-le-Chtel in France. The organ piece played during the wedding of Margaret of Valois and Henri de Bourbon was recorded by Pierre Pincemaille on the organ of the Basilica of Saint-Denis.

Soundtrack



The 'La Reine Margot' soundtrack was composed by Sarajevo-born composer Goran Bregovi. Like most of Bregovi's work, the soundtrack's melodies are heavily influenced by the Balkan folk music tradition. Additionally, Bregovi refurbished some of his previous work while as the frontman of Yugoslav rock band Bijelo dugme.

Track listing

# "Elo Hi (Canto Nero)" (feat. Ofra Haza) - based on 'Kada odem, kad me ne bude' (chorus) by Bijelo Dugme

# "Rondinella" (feat. Zdravko oli)

# "La Nuit De La Saint Barthlmy" (feat. Zdravko oli)

# "Le Matin" (feat. Vasilisa)

# "Lullaby"

# "Ruda Neruda" (feat. Zdravko oli)

# "U te sam se zaljubija"

# "La Chasse"

# "Margot"

# "Rencontre"

# "Marguerite De Valois Et Henri De Navarre"

# "Le Mariage"

# "La Nuit" (feat. Dusan Prelevic) - based on 'Ruica' by Bijelo Dugme

# "Elo Hi" (feat. Ofra Haza)

Release



The film opened on 13 May 1994 at the 1994 Cannes Film Festival and also opened nationally in France the same day. The version shown at Cannes and for the French theatrical run had a runtime of 162 minutes.

For the films North American release, the film's American distributor Miramax chose to market the film as a traditional costume drama, with an emphasis on the romance between Margot and La Mle. Fifteen minutes were cut from Chreaus version and a deleted scene of Margot and La Mle wrapped in a red cloak was reinserted. This version was shown in cinemas outside France and later on video. Miramax also changed the image on the poster; the American one features the red cloak scene of the pair of lovers, in contrast to the French poster which shows a shocked Margot in a white dress bespattered with blood. The film grossed over $1.29 million in the U.S. in 1994.

The original full-length version was available for a limited period in the United Kingdom on VHS in a collectors' edition box set in 1995, but all further releases, including the DVD, have used the shorter 145-minute cut. The Region 2 European DVD cover also uses the original poster.

Reception



The film grossed 12.7 million French Francs ($2.2 million) in its first five days in France. The following week it was the number one film in France after expanding from 248 to 428 screens. The film had a total of 2,002,915 admissions in France, for a gross of $12.26 million. In Italy, the film grossed over $2 million. In the United States and Canada, the film grossed $2,017,346 in a limited theatrical release. It had admissions of 260,000 in Germany with a gross of $1.33 million and 530,800 admissions in Argentina.[https://www.imdb.com/title/tt0110963/business "Box office / business for 'La Reine Margot' (1994)"], IMDb.com It was the highest-grossing non-English language film in the UK during 1995 with a gross of 635,711 ($980,000). In Australia it grossed $890,000. Worldwide, it has grossed over $20 million.

Year-end lists

* Top 10 (listed alphabetically, not ranked)  Mike Clark, 'USA Today'

Accolades



{| class="wikitable"

|- style="text-align:center;"

! colspan="4" style="background:#B0C4DE;" | List of Accolades

|- style="text-align:center;"

! style="background:#ccc;"| Award / Film Festival

! style="background:#ccc;"| Category

! style="background:#ccc;"| Recipient(s)

! style="background:#ccc;"| Result

|- style="border-top:2px solid gray;"

|-

|rowspan="1"| 67th Academy Awards

|Best Costume Design

|Moidele Bickel

|

|-

|rowspan="1"| 52nd Golden Globe Awards

|Best Foreign Language Film

|France

|

|-

|rowspan="1"| 50th Silver Ribbon Awards

|Best Supporting Actress

|Virna Lisi

|

|-

|rowspan="1"|49th British Academy Film Awards

|Best Film Not in the English Language

|Patrice Cherau & Pierre Grunstein

|

|-

|rowspan="3"|47th Cannes Film Festival

|Palme d'Or

|rowspan="2"|Patrice Cherau

|

|-

|Jury Prize

|

|-

|Best Actress

|rowspan="2"|Virna Lisi

|

|-

|rowspan="2"|40th David di Donatello Awards

|Best Supporting Actress

|

|-

|Best Costumes

|Moidele Bickel

|

|-

|rowspan="12"|20th Csar Awards

|Best Film

|rowspan="2"|Patrice Chreau

|

|-

|Best Director

|

|-

|Best Actress

|Isabelle Adjani

|

|-

|Best Supporting Actor

|Jean-Hugues Anglade

|

|-

|rowspan="2"|Best Actress in a Supporting Role

|Dominique Blanc

|

|-

|Virna Lisi

|

|-

|Best Adapted Screenplay

|Patrice Chreau & Danile Thompson

|

|-

|Best Cinematography

|Philippe Rousselot

|

|-

|Best Costume Design

|Moidele Bickel

|

|-

|Best Editing

|Franois Gdigier & Hlne Viard

|

|-

|Best Music Written for a Film

|Goran Bregovic

|

|-

|Best Production Design

|Richard Peduzzi & Olivier Radot

|

|-

|}

Re-release



For the film's 20th anniversary, Path restored Patrice Chreaus original 162-minute cut to 4k definition, and this version was given a limited theatrical release by the Cohen Media Group in 2014. This version received more critical praise than the 1994 Miramax cut, which critics said was confusing and did not give enough time for American audiences to digest various characters and plot lines.

Peter Sobzcynski, writing for RogerEbert.com, said the film is a "go-for-broke, blood-and-thunder saga that is as powerful and provocative today as it was when it was first releasedeven more so now that it has been returned to its full length", and the fact that it is one of the most expensive French films ever made shows onscreen. Scott Tobias of 'The Dissolve' praised Isabelle Adjani for portraying Margot "as a figure of prismatic emotional and moral complexity, at times aggressive and seemingly reckless in pursuing her romantic and sexual interests, and at others cunning and shrewd in playing the middle of two sides locked in conflict." He noted her "uninhibited performance figures into Chreaus approach to history, which couldnt be further from the decorous reserve and pageantry of other such costume epics." Sobzcynski also commended the film for putting its female characters at the forefront of the plot. J. Hoberman of 'The New York Times' wrote Virna Lisi "gives a harrowing performance as the poisonous Queen Mother." Robert Abele of the 'Los Angeles Times' wrote, "Chreaus and screenwriter Danile Thompsons lively adaptation of Alexandre Dumas novel remains a model of heaving, combustible history, in which period lavishness and performance energy arent mutually exclusive. Splendidly acted and tautly executed."

The restoration was released on Blu-ray on August 26, 2014, with a new commentary track by the New York Film Festival's director emeritus Richard Pea.

See also



* French Wars of Religion

* 'La Reine Margot (1954 film)', an earlier film adaption of the novel

References




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