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The Stud (film)

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Wikipedia article




'The Stud' is a 1978 British drama film directed by Quentin Masters and starring Joan Collins and Oliver Tobias. It is based on the 1969 novel of the same name by Collins' younger sister Jackie Collins.

Joan had asked her sister Jackie for the film rights for free and Jackie agreed whilst contributing to the screenplay. Joan met producer Brent Walker at the Cannes Film festival in 1977. He became excited by the project as it was proposed as a British alternative to 'Saturday Night Fever'. Both Joan Collins' husband, Ron Kass, and Jackie Collins' husband, Oscar Lerhman, also acted as producers on the project.

Plot



Fontaine Khaled (Joan Collins) is the London wife of a wealthy Arab businessman. She spends his money on her nightclub, 'Hobo', and her rather hedonistic partying lifestyle. She hires a handsome manager, Tony (Oliver Tobias), to run her club, but it is understood that his job security is dependent on his satisfying her nymphomaniac demands. Tony loses interest in Fontaine, as she treats him like a plaything, and turns his attention to her young stepdaughter Alexandra Khaled (Emma Jacobs), who uses him to get back at Fontaine after she discovers a video tape of Fontaine and Tony having sex in the Khaleds' private elevator, essentially cheating on her father. Fontaine then dumps Tony and is divorced by her husband for adultery.

Cast



* Joan Collins as Fontaine Khaled

* Oliver Tobias as Tony Blake

* Sue Lloyd as Vanessa Grant

* Walter Gotell as Benjamin Khaled

* Mark Burns as Leonard Grant

* Doug Fisher as Sammy

* Emma Jacobs as Alex Khaled

* Peter Lukas as Ian Thane

* Natalie Ogle as Maddy

* Constantin De Goguel as Lord Newton

* Guy Ward as Peter

* Sarah Lawson as Anne Khaled

* Jeremy Child as Lawyer

* Peter Dennis as Marc

* Chris Jagger as Rock star

* Peter Bourke as Gordon

* Tania Rogers as Janine

* Felicity Buirski as Deborah

* Minah Bird as Molly

* Sharon Fussey as Denise

* Hilda Fenemore as Mrs Blake

* Bernard Stone as Mr Blake

* John Conteh as Himself

* Milo Sperber as Kamara (uncredited)

* Suzanne Danielle as Disco dancer (uncredited)

* Susie Silvey as Girl in shower (uncredited)

Production



Joan Collins said she was drunk during the orgy scene.

Reception



Box Office

Made for $600,000 (US), the film netted over $20,000,000 internationally. The film was one of the most popular movies of 1978 at the British box office.

Legacy

The film helped to revitalise Joan Collins' career and she credits 'The Stud' and its sequel 'The Bitch (1979)' with bringing her to the attention of Aaron Spelling and Esther Shapiro, the producers of 'Dynasty' in 1981. However, Tobias later claimed that his part in the film led to typecasting and ruined his career.

Soundtrack



A successful soundtrack album was released on Ronco Records to tie-in with the film. The album contained twenty tracks, including original material penned by Biddu specifically for the film, as well as a number of major British chart hits which were licensed for use in the film. The majority of the tracks were disco flavoured, although some non-disco tracks were also included. The album rose to number 2 on the UK albums chart, kept off the top spot by the 'Saturday Night Fever' soundtrack album. Tracks featured in the film and on the album included:

* Biddu Orchestra – "The Stud"

* The Real Thing & Biddu – "Let's Go Disco"

* Roxy Music – "Love Is the Drug"

* Linda Lewis – "It's Good"

* Space – "Deliverance"

* Sweet – "Love Is Like Oxygen"

* Smokie – "For a Few Dollars More"

* El Coco – "Cocomotion"

* 10cc – "I'm Not in Love"

* Baccara – "Sorry, I'm a Lady"

* Tina Charles & Biddu – "Fire Down Below"

* Goldie – "Making Up Again"

* Heatwave – "Boogie Nights"

* Hot Chocolate – "Every 1's a Winner"

* K.C. and the Sunshine Band – "That's the Way (I Like It)"

* Manfred Mann's Earth Band – "Blinded by the Light"

* Odyssey – "Native New Yorker"

* Rose Royce – "Car Wash"

* Samantha Sang – "Emotion"

* Leo Sayer – "Moonlighting"

* Michael Zager Band – "Let's All Chant"

* Bill Fredericks – "Almost"

* Cameron – "Close Encounters of the Third Kind"

* Sally Sagoe – "Deep Down"

References



Bibliography



*Simon Sheridan 'Keeping the British End Up: Four Decades of Saucy Cinema', Titan Books (fourth edition, 2011)


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