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Killer of Sheep

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Wikipedia article




'Killer of Sheep' is a 1978 American drama film edited, shot, written, produced, and directed by Charles Burnett. Shot primarily in 1972 and 1973, it was originally submitted by Burnett to the UCLA School of Film in 1977 as his Master of Fine Arts thesis. It features Henry G. Sanders, Kaycee Moore, and Charles Bracy, among others, in acting roles.

The film depicts the culture of urban African-Americans in Los Angeles' Watts district in a style often likened to Italian neorealism. Critic Dana Stevens described its plot as "a collection of brief vignettes which are so loosely connected that it feels at times like you're watching a non-narrative film."[http://www.slate.com/id/2162982?nav=tap3 "Black Sheep: A legendary film from 1977 gets its due."] by Dana Stevens, Slate.com, March 30, 2007 There are no acts, plot arcs or character development, as conventionally defined.

'Killer of Sheep' premiered at the Whitney Museum of American Art in New York on November 14, 1978. It did not receive a general release because Burnett had not secured rights to the music used in its production. The music rights were purchased in 2007 for US $150,000 and the film was restored and transferred from a 16 mm to a 35 mm print. 'Killer of Sheep' received a limited release 30 years after it was completed, with a DVD release in late 2007. The film was restored by the UCLA preservationist Ross Lipman and produced on DVD by Steven Soderbergh and Milestone Films. In 1990, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Plot



Stan works long hours at a slaughterhouse in Watts, Los Angeles. The monotonous slaughter affects his home life with his unnamed wife and his two children, Stan Jr. and Angela. Through a series of confusing episodic eventssome friends try to involve Stan in a criminal plot, a white woman propositions Stan to work in her store, and Stan and his friend Bracy attempt to buy a car enginea mosaic of an austere working-class life emerges in which Stan feels unable to affect the course of his life.

Cast



*Henry G. Sanders as Stan

*Kaycee Moore as Stan's wife

*Charles Bracy as Bracy

*Angela Burnett as Stan's daughter

*Eugene Cherry as Eugene

*Jack Drummond as Stan's son

Production



Directed by Charles Burnett, 'Killer of Sheep' was shot in Watts on a budget of less than US$10,000 ($38,000 in 2016 dollars) over roughly a year's worth of weekends in 1972 and 1973, with additional shooting in 1975. In 1977, Burnett submitted the film as his Master of Fine Arts thesis at the School of Film at the University of California, Los Angeles. Burnett said he also intended to make the film a history of African-American music and filled it with music from a variety of genres and different eras.[http://www.calendarlive.com/printedition/calendar/cl-et-killer6apr06,0,4941969.story 'Killer of Sheep'] by Kenneth Turan, 'Los Angeles Times', April 6, 2007 Burnett also kept a stable job while 'Killer of Sheep' was being shot, spending his time working at an agency reading scripts and synopsis.

Roof jumping scene



One scene contains a low-angle shot of children leaping from rooftop to rooftop. Juliet Clark, a journalist writing for the Berkeley Art Museum and Pacific Film Archive, said the scene shows how children in the film "seem to achieve a mobility that eludes their elders".

In 2009, a still from the scene, showing one of the boys mid-jump, was reproduced in red tint and used as the cover of rapper Mos Def's album 'The Ecstatic'. According to 'Complex' magazine's Dale Eisinger, the "subtle and still-moving" cover has a "hazy, dream-like movement, appearing as a non-narrative, loose collection of vignettes that are tangentially fascinating and incredibly powerful", while reflecting the ideas of cultural justice and global inequality present throughout Mos Def's work.

Critical reception



Though the film won the Critics' Award at the Berlin International Film Festival and was acclaimed at the Toronto International Film Festival, it never saw wide release due to complications in securing the music rights for the 22 songs on the soundtrack, which included such big names as Dinah Washington, Paul Robeson, Louis Armstrong, and Earth, Wind and Fire. It remained in obscurity for nearly 30 years, garnering much critical and academic praise and earning a reputation as a lost classic. The film did not win an award until four years after it came out, after having to wait four years to be released.

'Killer of Sheep' holds a 97% "fresh" rating on Rotten Tomatoes; the consensus states: "By turns funny, sad, and profound, 'Killer of Sheep' offers a sympathetic and humane glimpse into inner-city life." Retrieved February 11, 2014 Critics and scholars have likened the film to the work of Italian neorealist directors, particularly Vittorio De Sica and Roberto Rossellini, for its documentary aesthetic and use of mostly non-professional, on-location actors. Burnett has also been compared to Yasujir Ozu for his strong sense of composition, Stanley Kubrick for his sharp ear for juxtaposing popular music with images, John Cassavetes for his knack for coaxing natural performances from amateur actors, and Robert Altman for his interest in the minutiae of human interaction. Burnett's self-professed influences are Jean Renoir, Basil Wright, and Federico Fellini, all of whom exemplify the tender, humane and compassionate qualities for which Burnett has been praised, qualities intensely present in 'Killer of Sheep'. Critic Andrew O'Hehir, noting the strong influences of Jean Renoir, Roberto Rossellini, and Satyajit Ray, said, "It's hard to overemphasize how strange and ambitious and completely out of context it was for a black urban filmmaker with no money and no reputation to make that kind of movie in 1977."[http://www.salon.com/ent/movies/review/2007/03/30/killer/index.html "Killer of Sheep"] by Andrew O'Hehir, Salon.com, March 30, 2007

In 2008, 'Empire' magazine ranked the film No. 398 of 'The 500 Greatest Movies of All Time'.[https://web.archive.org/web/20120119034539/https://www.empireonline.com/500/21.asp 'Empire's' The 500 Greatest Movies of All Time.] 'Empire' via Internet Archive. Retrieved August 5, 2010. The National Society of Film Critics chose 'Killer of Sheep' as one of its 100 Essential Films. In 1990, the Library of Congress selected it for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant." In 2015 the BBC named the film the 26th greatest American movie ever made.[http://www.bbc.com/culture/story/20150720-the-100-greatest-american-films "The 100 Greatest American Films"], bbc.com, July 20, 2015

Lists

The film appeared on several critics' top ten lists of the best films of 2007.

*1st Ed Gonzalez, 'Slant Magazine'

*2nd Philip Martin, 'Arkansas Democrat-Gazette'

*3rd Glenn Kenny, 'Premiere'

*3rd Michael Sragow, 'The Baltimore Sun'

*3rd Nick Schager, 'Slant Magazine'

*3rd Richard Corliss, 'TIME' magazine

*5th Dana Stevens, 'Slate'

*10th Ella Taylor, 'LA Weekly'

Distribution



Having previously only existed on worn 16mm prints, the film was restored and enlarged to 35mm by the UCLA Film and Television Archive and Milestone Films, thanks in part to a donation from filmmaker Steven Soderbergh. The soundtrack, which had not been licensed, was also paid for at a cost of over US$150 000.

On March 30, 2007, it opened in select theaters in the United States and Canada and on November 13, 2007, it was released on DVD as part of a deluxe box set with a director's cut of Burnett's sophomore feature 'My Brother's Wedding' and three Burnett shorts: 'Several Friends' (a 1969 aesthetic precursor to 'Killer of Sheep'), '[https://www.cinema.ucla.edu/la-rebellion/films/horse The Horse]' (an "allegory of the South", in Burnett's words), and 'When It Rains' (praised as one of the greatest short films of all time by critic Jonathan Rosenbaum).

On Martin Luther King Jr. Day, January 21, 2008, Turner Classic Movies presented the world broadcast premiere of the film as part of a night-long marathon of Burnett's work. Burnett was interviewed before and after the film by TCM's primetime host Robert Osborne.

See also



*L.A. Rebellion

*'Undun'

*'To Sleep with Anger'

References




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