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The Night of the Devils
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Wikipedia article
{{Infobox film
| name = The Night of the Devils
| image = The Night of the Devils.jpg
| alt =
| caption =
| native_name =
| director = Giorgio Ferroni
| producer =
| screenplay =
| story = Eduardo Manzanos Brochero
| based_on =
| starring =
| music = Giorgio Gaslini
| cinematography = Manuel Berenguer
| editing = Gianmaria Messeri
| production_companies =
| distributor = P.A.C.
| released =
| runtime = 89 minutes
| country =
| language =
| budget =
| gross = 156.686 million
}}
'The Night of the Devils' (, ) is a 1972 film directed by Giorgio Ferroni. It is loosely based on the Aleksey Konstantinovich Tolstoy's novel 'The Family of the Vourdalak'.
Plot
The patriarch of a wealthy family fears that he will show up one day in vampire form. Should this happen, he warns his family not to let him back in his house, no matter how much he begs them.
Cast
Production
'The Night of the Devils' was an Italian and Spanish co-production financed by Eduardo Manzanos Brochero's Copercines and two Italian companies: Filmes and Due Emme. The latter company was founded in 1971 by Roberto Maldera who also had a main role in the film, and Luigi Mariani. 'The Night of the Devils' was shot in five weeks starting in late 1971 to early 1972 near Bracciano Lake. Director Ferroni was 63 when directing the film and nearly deaf and had to shoot the film with the assistance of a hearing aid.
Release
'The Night of the Devils' was distributed theatrically in Italy on 29 April 1972 where it was distributed by P.A.C. It grossed a total of 156,686,000 Italian lire in Italy. It was released in Spain on 25 June 1973.
Reception
In a contemporary review, Nigel Andrews reviewed a dubbed 88 minute version. Andrews stated that despite "the brief surrealist promise of the opening scenes-a close-up of a face crawling with larvae cutting ingeniously to Niccola's head enveloped in the serpentine wires of an encephalograph", 'Night of the Devils' had "all the usual defects of a low-budget horror quickie-careless direction, mechanical performances, some obtrusively unconvincing day-for-night sequences" find that the film "provides little in the way of style to compensate for a story which staggers dully from one bloodthirsty set-piece to another."
References
Footnotes
Sources
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