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Asylum (1972 horror film)

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Wikipedia article




'Asylum' (also known as 'House of Crazies' in subsequent US releases) is a 1972 British anthology horror film made by Amicus Productions. The film was directed by Roy Ward Baker and produced by Milton Subotsky. Robert Bloch wrote the script, adapting four of his own short stories.

Baker had considerable experience as a director of horror films, as he had tackled 'Quatermass and the Pit' and 'Scars of Dracula'. Bloch had written the novel 'Psycho', on which the film directed by Alfred Hitchcock was based.

'Asylum' is a horror anthology film, one of several produced by Amicus during the 1960s and 1970s. Others included 'Dr. Terror's House of Horrors', 'Torture Garden', 'Tales from the Crypt', 'The House That Dripped Blood', 'The Vault of Horror', and 'From Beyond the Grave'.

Shot in April 1972, the film was edited and set for release 15 weeks after the final day of shooting, premiring in July 1972 in the UK. The film had its North American dbut on 17 November 1972.

Plot (including cast list)



Framing Story

Dr. Martin arrives at a secluded asylum "for the incurably insane". He should begin there a new appointment as doctor, but gets first interviewed by the authoritarian warden Lionel Rutherford. Rutherford is in a wheelchair and blames this to an attack by a patient, furthermore declaring his lack of hope for any improvement in their condition.

As part of the interview, Rutherford challenges Martin to identify between the inmates Dr. B. Starr, the former head of the asylum, who underwent a complete mental breakdown. Martin is to interview one by one the few patients. If his deduction is correct, Rutherford will consider him qualified for the post.

On the upper floor, the attendant Max Reynolds admits Martin through the security door to the inmates' solitary confinement cells, and leads him to every patient offering for each a few friendly words of background but no tips.

This story is loosely based on Bloch's short story "A Home Away from Home," first published in 'Alfred Hitchcock's Mystery Magazine' and adapted for television on 'The Alfred Hitchcock Hour'.

* Robert Powell Dr. Martin

* Patrick Magee Dr. Lionel Rutherford

* Geoffrey Bayldon Max Reynolds

"Frozen Fear"



Bonnie recounts the plot to murder Ruth, the wealthy and controlling wife of her lover Walter.

Some moments before being killed, Ruth explains her recent infatuation for voodoo and its knowledge of forces "beyond life and death". When her husband hacks into pieces her body and hides the parts in a new freezer in the cellar, the dismembered limbs do not stop moving and begin to attack Walter, until finally killing him.

Bonnie reaches the house and is horrified upon finding her lover in the freezer, rather than the expected cadaver of Ruth. She too begins to be attacked by the dismembered pieces.

* Barbara Parkins Bonnie

* Sylvia Syms Ruth

* Richard Todd Walter

"The Weird Tailor"

Bruno is found quietly sitting and sewing with empty hands in his room. He explains to be a tailor by trade, and recounts how poverty and impending eviction forced him to accept the unusual request of a Mr. Smith, to produce an elaborate suit of clothing from a mysterious, scintillating fabric that must be sewn only after midnight.

He proceeds as instructed, hoping to settle his rent with the pricey order. When this is completed, he delivers it in person to Mr. Smith. The man however reveals to be penniless, due to having spent all his fortune to buy the book where instructions for the special suit.

In the resulting altercation, Bruno opens another door and discovers the dead body of Mr. Smith's deceased son. Mr. Smith explains that the magic suit will bring it back to life, but he is shot by the horrified tailor in an accident. Fearing both the consequences and the appalling story, Bruno stumbles back home after picking up both the book and his unsold suit. He tells his wife to destroy it, but she instead use it to adorn their store mannequin. The magic powers of the suit appear to animate it.

This story was also earlier adapted as an episode of the Boris Karloff-hosted television series 'Thriller' ("The Weird Tailor", Season 2, Episode 4).

* Barry Morse Bruno

* Peter Cushing Mr. Smith

* Ann Firbank Anna

* John Franklyn-Robbins Stebbins

* Daniel Johns Otto the dummy

"Lucy Comes To Stay"



The ebullient Barbara informs Martin that she was hospitalized earlier too. After her release from that facility, her brother brings her home but immediately shows to have made arrangements for her continuous supervision by a nurse, Miss Higgins. The young woman is ordered in particular to stop taking some pills, and to try and forget a certain friend of hers, Lucy. She does not resist her addiction and after restarting to assume some drug, Barbara begins to see the mischievous Lucy again. She is convinced by her to escape the house, after the nurse is tricked into thinking that her old mother had an accident. Her brother too is said to have been incapacitated with some sleeping pills. It is then revealed instead that he was gruesomely killed by Barbara herself, for whom "Lucy" is a dissociated, second personality.

* Charlotte Rampling Barbara

* Britt Ekland Lucy

* James Villiers George

* Megs Jenkins Miss Higgins

"Mannequins of Horror"

Martin interviews Dr. Byron, who declares his mastery of neurology and other branches of the discipline, and appears to hold Rutherford in contempt. Initially elated by the chance to speak with a new colleague, Byron explains that he has become interested in a new direction of research, which involves the assembly of small toy-dolls said to contain all organs and abilities of a human body, and within which claims to be able to infuse his own vital spirit through sheer will and concentration. Witnessing Martin's disconcert, Byron concludes abruptly his interview and sends him away. With this visit, the new doctor has completed his acquaintance of all patients and he returns downstairs, to deliver his judgment to Rutherford.

This story was later loosely adapted for the 'Monsters' episode "Mannequins of Horror".

* Herbert Lom Dr. Byron

* Sylvia Marriott Asylum head nurse

* Frank Forsyth Asylum gatekeeper

* Tony Wall New houseman

Epilogue

Alone in the room, Byron successfully brings to life the mannequin with his face. The toy evades the room when Max opens the door to bring food, and slowly creeps its way down to Rutherford's office. A few scenes later it is shown to attack and kill him with a scalpel.

This takes place during a fairly violent discussion between Martin and Rutherford, during which the young doctor accuses him of having neglected his patients. Indeed the murder weapon is the lancet that Rutherford was planning to use for lobotomizing Byron.

Horrified, Martin steps over the toy doll. Its destruction however reveals its organic, pulsating content, while Dr. Byron also dies in his room on the spot. Seeking help, Martin runs for the attendant Max, and tries to convince him to call the police. The man however seems unfazed; while the two quarrel, another cadaver his revealed in his room, and he quietly explains not to have had time yet for its disposal. Dr. Starr's true identity is thus finally revealed: it is "Max Reynolds", who had lost his mind and murdered the real Reynolds two days before. He attacks Martin and strangles him to death with his stethoscope, then exploding into a maniacal laugh upon hearing no heartbeat.

In a last scene some following day, another new doctor is shown knocking on the institute's doors and again received by "Max" in his nurse uniform. It appears that another cycle of murder is about to begin.

Sometime later, a new candidate for the job arrives and is met by Dr. Starr, who escorts him into the asylum.

Release



In the UK, 'Asylum' was one of Amicus' more popular films. Despite this, it was the last movie Bloch would write for the studio.Ed. Allan Bryce, 'Amicus: The Studio That Dripped Blood', Stray Cat Publishing, 2000 p 94-101

Critical reception

Allmovie's review of the film is favourable: "'Asylum' is a textbook example of the skill that Amicus Productions showed for producing entertaining horror anthology films."

Accolades



Soundtrack



Though Douglas Gamley is credited as having composed the music for this film, the majority of the score is drawn from public domain pieces by Modest Mussorgsky, in particular 'Night on Bald Mountain' (heard over the opening and closing credits). Selections from his 'Pictures at an Exhibition' are also used: "Gnomus" is heard over both an early display of artworks depicting lunatics and past medical practices to deal with the insane, and during the sequence of Byron's mannequin coming to life and making its way downstairs. The booming crescendo of "The Hut on Hen's Legs" is heard over the sequence where the tailor's dummy is animated and rampages in Bruno's shop.

Home media releases



After years of releases sourced from degraded 35mm and 16mm prints (the 16mm prints were used for television broadcast), the film finally received a deluxe DVD release in 2006, from Dark Sky Films. This DVD includes numerous special features, including an audio commentary by director Baker and cameraman Neil Binney; "Inside the Fear Factory", a featurette about Amicus Productions; cast and crew bios; liner notes; trailers; and a still photo gallery. The film was remastered from a pristine, 35mm print. In 2017, Severin Films rereleased 'Asylum' on video, including many of the extras from the Dark Sky Films DVD. New special features were added as well, including an interview with Fiona Subotsky, the producer's widow, who discusses his life, and the history of Amicus.

References




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