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Blue Movie
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Wikipedia article
{{Infobox film
| name = Blue Movie
| image = BlueMovie.jpg
| alt =
| caption = Theatrical release poster
| director = Andy Warhol
| producer = Andy Warhol
Paul Morrissey
| writer = Andy Warhol
| starring = Viva
Louis Waldon
| narrator =
| music =
| cinematography = Andy Warhol
| editing =
| studio = Andy Warhol Films
| distributor = Andy Warhol Films
| released =
| runtime = 105 minutes
| country = United States
| language = English
| budget = $3,000
| gross =
| border = yes
}}
'Blue Movie' (also known as 'Fuck') is a 1969 American erotic film written, produced and directed by Andy Warhol. It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn. It helped inaugurate the "porno chic" phenomenon, in which porn was publicly discussed by celebrities (like Johnny Carson and Bob Hope) and taken seriously by film critics (like Roger Ebert), in modern American culture, and later, in many other countries throughout the world. According to Warhol, 'Blue Movie' was a major influence in the making of 'Last Tango in Paris', an internationally controversial erotic drama film starring Marlon Brando and released a few years after 'Blue Movie' was made. Viva and Louis Waldon, playing themselves, starred in 'Blue Movie'.
In 1970, 'Mona', the second adult erotic film that received a wide release, was shown. Afterwards, other adult films, including 'Boys in the Sand', 'Deep Throat', 'Behind the Green Door', and 'The Devil in Miss Jones', were released to continue the Golden Age of Porn, beginning with 'Blue Movie'. In 2016, 'Blue Movie' was shown at the Whitney Museum of American Art in Manhattan.
Synopsis
The film includes dialogue about the Vietnam War, various mundane tasks and unsimulated sex, during a blissful afternoon in a New York City apartment (owned by art critic David Bourdon). The film was presented in the press as, "a film about the Vietnam War and what we can do about it." Warhol added, "the movie is about ... love, not destruction."
Warhol explained that the lack of a plot in 'Blue Movie' was intentional:
According to Viva: "The Warhol films were about sexual disappointment and frustration: the way Andy saw the world, the way the world is, and the way nine-tenths of the population sees it, yet pretends they dont."
Cast
* Louis Waldon as Himself
* Viva as Herself
Production
Andy Warhol described making 'Blue Movie' as follows: "I'd always wanted to do a movie that was pure fucking, nothing else, the way 'Eat' had been just eating and 'Sleep' had been just sleeping. So in October '68 I shot a movie of Viva having sex with Louis Waldon. I called it just 'Fuck'."
The film was supposedly filmed in a single three-hour session, with 30 minutes initially cut for the 140-minute version. The climactic section was shot in a 35-minute take. According to 'Variety', the film has only 10 minutes of actual sex.
The film acquired a blue/green tint when Warhol utilized film stock that was meant for filming with tungsten lights, and the daylight coming through a large apartment window resulted in the film's middle reel turning blue. According to Wheeler Winston Dixon, a filmmaker and scholar who attended the first screening of the film at Warhol's Factory in the spring of 1969:
Release
The film had a benefit screening on June 12, 1969, at the Elgin Theater in New York City. 'Variety' reported that the film was the "first theatrical feature to actually depict intercourse". While it was initially shown at The Factory, 'Blue Movie' was not presented to a wider audience until it opened at the New Andy Warhol Garrick Theater in New York City on July 21, 1969, with a running time of 105 minutes. The film was also screened at the Berkeley Repertory Theatre in California.
On its opening day in New York, the film grossed a house record $3,050, with a total of $16,200 for the week. Warhol received 90% of the gross, which recovered the film's $3,000 cost quickly. Viva, in Paris, finding that 'Blue Movie' was getting a lot of attention, said, "Timothy Leary loved it. Gene Youngblood did too. He said I was better than Vanessa Redgrave and it was the first time a real movie star had made love on the screen. It was a real breakthrough."
Controversy
On July 31, 1969, the staff of the New Andy Warhol Garrick Theatre were arrested, and the film confiscated. The theater manager was eventually fined $250; afterwards, the manager said, "I don't think anyone was harmed by this movie ... I saw other pictures around town and this was a kiddie matinee compared to them." Warhol said, "What's pornography anyway? [...] The muscle magazines are called pornography, but they're really not. They teach you how to have good bodies [...] I think movies should appeal to prurient interests. I mean the way things are going now people are alienated from one another. 'Blue Movie' was 'real'. But it wasn't done as pornographyit was done as an exercise, an experiment. But I really do think movies 'should' arouse you, should get you excited about people, should be prurient. Prurience is part of the machine. It keeps you happy. It keeps you running." [Note in "view all"/"page 327" from the book text, "In a final defence of his methods, which were used in 'Blue Movie' for the last time, Andy told Leticia Kent, [in a 'Vogue' interview] ..."]Aftermath
Afterwards, in 1970, Warhol published 'Blue Movie' in book form, with film dialogue and explicit stills, through Grove Press.When 'Last Tango in Paris', an internationally controversial erotic drama film directed by Bernardo Bertolucci and starring Marlon Brando, was released in 1972, Warhol considered 'Blue Movie' to be its inspiration.
'Mona the Virgin Nymph', an erotic film depicting explicit sex, also received a mainstream theatrical release in the United States in 1970. Shortly thereafter, other adult films, such as 'Boys in the Sand', 'Deep Throat', 'Behind the Green Door', and 'The Devil in Miss Jones', were released, continuing the Golden Age of Porn that began with 'Blue Movie'. In 1973, the phenomenon of porn being publicly discussed by celebrities (like Johnny Carson and Bob Hope) and taken seriously by film critics (like Roger Ebert), a development referred to by Ralph Blumenthal of 'The New York Times' as "porno chic", began for the first time in modern American culture and later throughout the world.
Revival
In 2005, 'Blue Movie' was publicly screened in New York City for the first time in over 30 years. In 2016, the film was shown at the Whitney Museum of American Art in Manhattan.See also
* Andy Warhol filmography
* Art film
* 'Blow Job' (1963) Warhol film
* 'Eat' (1964) Warhol film
* 'Eating Too Fast' (1966) Warhol film
* Erotic art
* Erotic films in the United States
* Erotic photography
* Golden Age of Porn (19691984)
* 'Kiss' (1963) Warhol film
* List of American films of 1969
* Sex in film
* 'Sleep' (1964) Warhol film
* Unsimulated sex
References
Further reading
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* James, James (1989), "Andy Warhol: The Producer as Author", in 'Allegories of Cinema: American Film in the 1960s' pp. 5884. Princeton: Princeton University Press.
* Koch, Stephen (1974; 2002): 'Stargazer. The Life, World and Films of Andy Warhol'. London; updated reprint Marion Boyars, New York 2002, .
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