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Corruption (1968 film)
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Wikipedia article
'Corruption' is a 1968 British horror film directed by Robert Hartford-Davis from a screenplay by Derek Ford and Donald Ford, and featuring Peter Cushing, Sue Lloyd, Noel Trevarthen, Kate O'Mara, David Lodge, and Antony Booth.
The film is a loose riff on the plot of the 1960 French horror film 'Eyes Without a Face' and is notable for its atypical contemporary setting (most of Cushing's Gothic horror films were set in the past) and its extreme (for the time) gore and violence.[http://www.fangoria.com/new/exclusive-grindhouse-blu-raydvd-art-peter-cushings-corruption/ Fangoria "Exclusive Grindhouse Blu-ray/DVD art: Peter Cushings CORRUPTION" by Michael Gingold, 17 July 2013]
Plot
Sir John Rowan (Peter Cushing) is a prominent plastic surgeon with a beautiful and youthful fiance named Lynn (Sue Lloyd), who works as a fashion model. At a raucous party, Rowanmuch older than any of the other attendees, and clearly uncomfortable around the countercultural excess of the late 1960sgets into a physical altercation with a sleazy photographer, and during the scuffle, a hot lamp falls on Lynn, severely scarring her face. Rowan pledges to reverse Lynn's disfigurement, experimenting with laser technology to revive her skin and eventually coming up with a cure-all: a Frankensteinian transplant of pituitary glands. Driven by a combination of guilt and love, Rowan goes on a murder spree, killing young women in order to use their pituitary glands to restore his fiances beauty. The procedure is successful, and the couple go on holiday to a seaside cottage, where all is fine for now, but they know that her face will soon start to show signs of deterioration.
In need of more surgery and a new "donor", the couple tries to entice a young girl Terry (Wendy Varnals) whom Rowan contrives to meet at the beach and take back to their cottage. Complications ensue because Rowan does not want to commit another murder and because this girl is not what she seems to be. In fact, she is part of a gang of robbers who break into the house and hold Rowan and Lynn hostage. Soon they discover evidence of the murders and begin to menace the couple. After a short confrontation, everyone is killed when Rowan's surgical laser goes out of control.
The ending of the film is ambiguous. One possible interpretation is that everything from the disfigurement onward was a dream experienced by Rowan either at the party or just prior to the party.
Cast
* Peter Cushing as Sir John Rowan
* Sue Lloyd as Lynn Nolan
* Noel Trevarthen as Steve Harris
* Kate O'Mara as Val Nolan
* David Lodge as Groper
* Antony Booth as Mike Orme
* Wendy Varnals as Terry
* Billy Murray as Rik
* Vanessa Howard as Kate
* Alexandra Dane as Sandy
* Valerie Van Ost as Girl on the train
Production
The film was shot at Isleworth Studios, and on location at Hope Gap Beach in Seaford, East Sussex.
Due to the strong graphic content of the film, different markets around the world received different versions of key scenes, most notably the murder of a prostitute who appears topless in some markets (Scandinavia, South America, and East Asia), but is clothed in the version which played in the U.K. and U.S. The two versions feature different actresses in the role as well as different dialogue.
Cushing later said "It was gratuitously violent, fearfully sick. But it was a good script, which just goes to show how important the presentation is. The company that made the film split up halfway through as certain individuals could not agree on what should and should not appear in the final print. What you saw was the final result of their bickering. Audiences did not get the idea that it was supposed to be based on a dream, which in fact did not justify some of the scenes that were presented. With any film you participate in, the company, if they so wish, can destroy your original interpretation of the role."
Reception
The film was negatively received at the time of its release; Vincent Canby of 'The New York Times' noted that "Peter Cushing...brings a certain seedy grandeur to the role," but dismissed the film as "silly," particularly due to the contemporary setting. A review in 'Variety' called it a "Fair horror picture ... [that] suffers from poor writing, plus often sluggish direction."
The film has been better received in recent years as a cult film, sometimes enjoyed for its camp value.
Brian Orndorf of Blu-ray.com wrote in his 2013 review: "This 1968 film is set during the Swinging London period of gaudy liberation, where colors exploded, hair was uncomfortably cut, and free love was rampant. The image of Cushing, with his gentlemanly manner and impeccable style, is a potent one in the midst of all the youthful madness, with the opening of the effort traveling to a boisterous party where John is cornered by a picky hippie while Lynn's photographer guru goads her into nude shots. 'Corruption' quickly moves away from the freak-out showdown, but its period fashion sense remains, lending the movie a distinct look that's almost as entertaining to study as the murder spree...'Corruption' finds a pitch of cinematic madness and holds there for most of the picture, remaining taut, with a pinch of sleaze for seasoning."[http://www.blu-ray.com/movies/Corruption-Blu-ray/72812/#Review BluRay.com "Corruption" Review by Brian Orndorf, 12 October 2013]
Critic Paul Chambers wrote: "Silly, but entertaining. Thats the best way to describe 'Corruption', the story of a wealthy surgeon during the swinging 1960s who would do anything to keep his young girlfriend happy...'Corruption' is a hoot. It was made in the late 1960s and authentically depicts Londons free love and hip culture that was later lampooned in the Austin Powers comedies. Only this film was intended to be a serious horror flick and the costumes and sets are all that more enjoyable because...well, just because. Peter Cushing is over-the-top crazy in this grindhouse-style goreathon. Its hard to imagine the filmmakers didnt know the end product would be campy. But, that makes little difference to todays audience. I see 'Corruption' as a time capsule, of sorts."[http://www.moviechambers.com/2013/10/28/blu-ray-review-corruption-1968/ Blu-Ray Review "Corruption" by Paul Chambers Movie Chambers 28 October 2013]
Critic John Beifuss wrote: "Probably the imperfect jewel of British director Robert Hartford-Davis's oddball filmography...'Corruption' had been perhaps the rarest of horror superstar Peter Cushing's many, many genre movies until the October appearance of this beautifully remastered and restored edition from Grindhouse Releasing, a company that exceeds even the Criterion Collection in its determination to create the definitive editions of the titles it licenses...A truly wacked-out work of art," .[http://blogs.commercialappeal.com/the_bloodshot_eye/2013/12/dsfds.html "'Corruption,' or Saving Face, the Horror Way" by John Beifuss, The Bloodshot Eye, 28 December 2013]
See also
*List of films featuring home invasions
References
Category:1968 films
Category:British horror films
Category:1968 horror films
Category:Films directed by Robert Hartford-Davis
Category:Columbia Pictures films
Category:1960s English-language films
Category:1960s British films
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