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Iruttinte Athmavu
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Wikipedia article
'Iruttinte Athmavu' is a 1967 Indian Malayalam-language film directed by P. Bhaskaran and written by M. T. Vasudevan Nair based on his own short story of the same name. It stars Prem Nazir, Sharada, Thikkurissy Sukumaran Nair, P. J. Antony, Ushakumari, Kozhikode Shantha Devi and Baby Rajani in important roles, and features music by M. S. Baburaj, cinematography by E. N. Balakrishnan and editing by G. Venkitaraman and Das.
The film is about a mentally retarded youth born into a matriarchal family who is forced to live as a mad man in chains and who is misunderstood and ill-treated by everyone except his uncle's daughter.
Prem Nazir played the mentally challenged Bhranthan Velayudhan, widely considered to be one of the finest performances of Prem Nazir's career. Nazir himself rated his role of Velayudhan in 'Iruttinte Athmavu' and as the swashbuckling folk hero Thampan in 'Padayottam' as his best. Also, its script is regarded as one of the finest by M. T. Vasudevan Nair. A landmark film in Malayalam cinema, the film provided Malayalam cinema with a new direction; that of the low-budget film. The film has earned a dedicated cult following. It won the National Film Award for Best Film on Other Social Issues. It missed the Best Film and Best Actor (Prem Nazir) award only narrowly. Despite all the acclaim, the film was a box office failure.
The film was part of MT's trilogy of political melodramas the other two being 'Murappennu' (1965) and 'Asuravithu' (1968), both directed by A. Vincent. Major indoor parts of the film were shot in Satya Studios in Madras and outdoor parts from the premises of Bharathapuzha at Shoranur.
Plot
Velayudan's existence posed a problem to all the members of the joint family. Velayudhan is a twenty-one-year-old man, but he has the intelligence of a child. The head of the joint family thinks Velayudan symbolizes the curse which hangs heavy over the house. To his mother, he is the source of constant sorrow. His uncle's daughter is his would-be bride. He is attached to her. She is very kind to him and refuses to treat him as a mad man. Velayudan triggers problems one after the other and every new lapse help only to put fresh chains. He refuses to feel he is mad. In the end, Ammukutty is given away in marriage to an old widower. Velayudhan surrenders himself and yells "Chain me, I am mad!"
Cast
* Prem Nazir as Bhranthan Velayudhan
* Thikkurissy Sukumaran Nair as Madhavan Nair (Karanavar)
* P. J. Antony as Gopalan Nair
* M. S. Nampoothiri as Muthachan (grandfather)
* T. S. Muthaiah as Rajan
* K. Balaji as Chandran
* Sankaradi as Achuthan Nair (house servant)
* Adoor Bhasi as Guru Kunhichathu
* Kaduvakulam Antony as Jyotsyan (astrologist)
* Baby Rajani as Unni
* Sharada as Ammukutty
* Ushakumari/Vennira Aadai Nirmala as Prema
* Kozhikode Shantha Devi as Parukkutty Amma (Velayudhan's mother)[https://web.archive.org/web/20101123131718/http://www.hindu.com/fr/2007/06/08/stories/2007060852680300.htm "Natural actor"]. 'The Hindu'. 6 August 2007. Retrieved 27 December 2010.
* Philomina as Meenakshi Amma
* Padmini as Nani
* Shobha as Malini
* Seleena as Neeli
* Rugmini as Karthi
Soundtrack
The music was composed by M. S. Baburaj and the lyrics were written by P. Bhaskaran. All songs in the film were sung by S. Janaki, which is a landmark.
Writing
The film is scripted by M. T. Vasudevan Nair based on his own a short story with the same name. The screenplay is regarded as one of the finest by the noted writer. One could see a lot of the pre-occupations of the scenarist, who carried the touches of human relationships through all of his subsequent films whether as screenplay writer or director. A part of the screenplay of 'Iruttinte Athmavu' is being taught in school classes while the complete screenplay is being taught at degree level.[http://cbse.nic.in/secondary%20vol%202%20(2010).pdf "Secondary Curriculam Initial Pages final"]. Central Board of Secondary Education. Retrieved 6 May 2011.[http://www.countrytravelmart.com/Finished%20Aquinas/oriental%20languages%20.pdf "The Department of Oriental Languages"]. Aquinas College, Edacochin. Retrieved 6 May 2011.
Legacy
The film is considered one of the best Malayalam films ever made, it is still critically acclaimed even 50 years after its release. The film provided Malayalam cinema with a new direction; that of the low-budget film. In spite of its large number of studio shots and overall theatricality, the film was so culturally rich that many of the episodes would become archetypes for future Malayalam film makers dealing with family drama. The film remains one of the most influential films in Malayalam film history.
References
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