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The Psychopath

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Wikipedia article




'The Psychopath' is a 1966 British horror film directed by Freddie Francis and written by Robert Bloch in Techniscope. It stars Patrick Wymark and Margaret Johnston and was an Amicus production.

Plot



Police inspector Holloway (Patrick Wymark) investigates a string of murders where the victims have dolls attached to their bodies. The trail soon leads to a disabled German woman named Mrs. Von Sturm (Margaret Johnston), who knows a set of dark secrets that may hold the key to the murders.

Cast



* Patrick Wymark as Inspector Holloway

* Margaret Johnston as Mrs. Von Sturm

* John Standing as Mark Von Sturm

* Alexander Knox as Frank Saville

* Judy Huxtable as Louise Saville

* Don Borisenko as Donald Loftis

* Thorley Walters as Martin Roth

* Robert Crewdson as Victor Ledoux

* Colin Gordon as Dr. Glyn

* Tim Barrett as Morgan

* John Harvey as Reinhardt Klermer

* Harold Lang as Briggs

Production



The film was originally known as 'Schizo'. Shooting started September 1965.Ed. Allan Bryce, 'Amicus: The Studio That Dripped Blood', Stray Cat Publishing, 2000 p 40-42

'The Psychopath' was an attempt to capitalize on the success of Hammer Films' recent series of psychological thrillers, including 'Taste of Fear'.[http://www.tcm.com/tcmdb/title/87329/The-Psychopath/articles.html Nathaniel Thompson, "The Psychopath", 'Turner Classic Movies'] accessed 23 February 2014

Robert Bloch recalls in his autobiography being taken with his wife to the country in England by Ronald Kirkbride, and "the next morning a limo took us to Shepperton Studios, where we lunched after watching Freddy Francis helm a scene for 'The Psychopath'. The scene that morning was one I had indicated as taking place at the bottom of a staircase leading to the upper floor of a house. But everything they actually shot now took place at the top of a staircase which descended to the cellar. What I wrote up they put down. And when I took director Francis aside and questioned him about the change he pointed out that building a set with a stairway was expensive. Shooting from a high angle into the redressed recess beneath a soundstage trapdoor saved money. In other words, I was right back on 'The Couch' with 'The Night Walker'. A low-budget film always operates on the same principle, that is to say, no principle whatsoever except saving a buck, even if it means losing the potential of the picture".

Reception



The film was very popular in Europe, particularly Italy.

Michael Weldon writes of the film as "a good shocker".'The Psychotronic Encyclopedia of Film'. London: Plexus, 1989, p. 569

References




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