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Nayak (1966 film)

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Wikipedia article




'Nayak' (also released under the translated title 'The Hero', and as 'Nayak: The Hero') is a 1966 Indian Bengali-language drama film composed, written, and directed by Satyajit Ray. It was Ray's second entirely original screenplay, after 'Kanchenjungha' (1962). The story revolves around a matinee idol on a 24-hour train journey from Kolkata to Delhi to receive a national award. However, he ends up revealing his mistakes, insecurities and regrets to a young journalist, who realises that behind all his arrogant facade lies a deeply troubled man as his life's story is gradually revealed through seven flashbacks and two dreams.

Plot



The plot of the film has to some extent been inspired by Wild Strawberries of Ingmar Bergman.Archived at [https://ghostarchive.org/varchive/youtube/20211206/LeH-1Kyveyc Ghostarchive] and the [https://web.archive.org/web/20201128201332/https://www.youtube.com/watch?v=LeH-1Kyveyc&gl=US&hl=en Wayback Machine]: A famous actor of Bengali films, Arindam Mukherjee (Uttam Kumar), is invited to the capital, Delhi to receive a prestigious award. He travels by the train. The morning newspaper arrives and carries with it an article on an altercation he had been involved in. In the restaurant car, he meets Aditi Sengupta (Sharmila Tagore), a young journalist who edits a modern women's magazine, 'Adhunika'. Filled with contempt for the likes of him, she secretly plans to interview him because she thinks it would attract more readers. He soon starts to reveal his personality, and also brings to surface the inner insecurities and his consciousness of the limitations of his 'powers'. Aditi initially takes notes, surreptitiously, but later on, out of empathy almost bordering on pity, stops. However, critical of the star, she interrogates him, leading to further introspection on his part. Slowly, his guilt about the way things turned out is very visible.

Arindam also mentions Shankar-da, his mentor, who had never wanted Arindam to join films, being a strong opposer of the medium. He talks about his first day in film, and on the different experiences he faced with other workers in the field and some of the things that happened to them.

Toward the end of the train journey, Arindam is drunk and feels a need to confide his wrongdoings. He asks the conductor to fetch Aditi. He begins to reveal the reason behind the altercation he was a part of, but Aditi stops him, as she has already guessed. It was an affair he'd had with one of his co-actors, Promila. Afraid that he might commit suicide, Aditi makes sure he returns to his cubicle, before going back to her own.

As the star re-lives and examines his life with Aditi, a bond develops between them. Aditi realizes that in spite of his fame and success, Arindam is a lonely man, in need of empathy. Out of respect for him, she chooses to suppress the story and tears up the notes she has written. She lets the hero preserve his public image.

Cast





*Uttam Kumar - Arindam Mukherjee

*Sharmila Tagore - Aditi Sengupta

*Bireswar Sen - Mukunda Lahiri

*Soumen Bose - Shankar

*Nirmal Ghosh - Jyoti

*Premangshu Bose - Biresh

*Jogesh Chatterjee - Aghore Chattopadhyay

*Sumita Sanyal - Promila Chatterjee

*Ranjit Sen - Haren Bose

*Bharati Devi - Manorama (Mr. Bose's wife)

*Lali Chowdhury - Bulbul (Mr. Bose's daughter)

*Kamu Mukherjee - Pritish Sarkar

*Susmita Mukherjee - Molly (Mr. Sarkar's wife)

*Subrata Sensharma - Ajoy

*Jamuna Sinha - Sefalika (Ajoy's wife)

*Satya Banerjee - Swami of WWWW organisation

*Hiralal - Kamal Misra

Soundtrack



Production



Ray wrote the screenplay of the film at Darjeeling in May, where he went during off-season from filming. Even then he had Uttam Kumar in his mind for the lead, but not as an actor, rather a "phenomenon". The film was shot in the latter half of 1965. In a letter by Ray in 1966, he wrote:

Awards



*Special Jury Award, Berlin International Film Festival, 1966

*Critics' Prize (UNICRIT Award), Berlin International Film Festival, 1966

Nominations



*Golden Bear for Best Film, Berlin International Film Festival, 1966

Preservation and restoration



The film is one of four Ray films which were digitally restored and set for a re-release in January 2014.

The Academy Film Archive preserved 'Nayak' in 2004.

References




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