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The Cool Mikado
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Wikipedia article
'The Cool Mikado' is a British musical film released in 1963, directed by Michael Winner (who makes a short appearance as an airline passenger la Hitchcock near the start of the film), and produced by Harold Baim, with music arranged by Martin Slavin and John Barry. It starred Frankie Howerd as Ko-Ko, Lionel Blair and Stubby Kaye. The script was written by Michael Winner, from an adaptation by Maurice Browning.
Based on the 1885 Gilbert and Sullivan comic opera 'The Mikado', the plot is reset into contemporary Japan as a comic gangster story. The dialogue is largely rewritten, and several of the well-known musical items are omitted. The music that remains is re-orchestrated into styles popular in the early 1960s, including the twist, and the Cha-Cha-Cha.
Filmed entirely on a sound stage, stock footage was used to provide Japanese atmosphere between scenes. This footage looks like one of the many travelogues for which producer Baim is best known, but according to Winner's autobiography this footage was specially shot. Winner credits the film's problems to the fact it was underfunded. No attempt appears to have been made to disguise the stage-bound filming. The colourful sparsely dressed sets, not always tending towards realism, give the film a surreal quality.
This film was Frankie Howerd's first musical, and it led to him starring in 'A Funny Thing Happened on the Way to the Forum' on stage and in several conventional Gilbert and Sullivan productions, including Sir Joseph Porter in 'H.M.S. Pinafore' and the Learned Judge in 'Trial by Jury'. However, Howerd said that "not only was it the worst film ever made, but was the one production in show-business that I'm positively ashamed to have appeared in."McCann, Graham. 'Frankie Howerd: Stand-Up Comic', p. 189, Fourth Estate Ltd (2004)
Music
The following music and styles appear in the film. Except for the Mikados Song, containing some topical lines, lyrics are unchanged. Although heavily re-orchestrated, the melodies were left essentially intact.
* "The Sun and I" – instrumental twist used for the opening credits
* "We are Gentlemen of Japan" – male chorus in a Tijuana brass type setting
* "Bellow of the Blast" – featured instrumental played in the style of a strip tune
* "Three Little Maids" – female trio, set as a Cha-Cha-Cha followed by a featured dance
* "Overture extract" – a twist and used as incidental music
* "The Sun and I" – female solo
* "A Wandering Minstrel" – male solo in a crooner style
* "Lord High Executioner" – chorus with a Tijuana brass backing
* "Finale Act 1" – extract set in a jazzy style and used as a short dance routine
* "The Sun and I" – instrumental twist used as incidental music
* "Heres a Howdy do" – duet sung as a Cha-Cha-Cha
* "A Wandering Minstrel" – instrumental small jazz combo arrangement used as incidental music
* "This Ill Never Do" – duet
* Overture extract" – instrumental quickstep
* "Tit Willow" – instrumental twist, a featured dance routine
* Overture extract" – instrumental in a jazz style
* "The Mikados Song" – male solo, some updated lyrics
* "Bellow of the Blast" – instrumental jitterbug used as incidental music
* "Flowers that bloom in the Spring" – various solos, set as a jitterbug and a featured dance performed in a snow storm
* "We are Gentlemen of Japan" – played on bagpipes
* "Hes Gone and Married Yum Yum" – chorus in a jazzy style.
Synopsis
Hank, the son of American judge Herbert Mikado, refuses to marry Katie Shaw, whom his father wishes him to marry, and so joins the army. He is stationed in Japan where he falls in love with a Tokyo art student, Yum-Yum. However, her fianc, Ko-Ko, an American gangster operating in Japan, is determined to keep Hank and Yum-Yum apart. Hank's father had also sentenced Ko-Ko's brother to prison.
Cast
*Frankie Howerd ... Ko-Ko Flintridge
*Stubby Kaye ... Judge Herbert Mikado / Charlie Hotfleisch
*Mike Winters ... Mike
*Bernie Winters ... Bernie
*Tommy Cooper ... Pooh-Bah, Private Detective
*Dennis Price ... Ronald Fortescue
*Peter Barkworth ... Fanshaw
*Jacqueline Jones ... Katie Shaw
*Kevin Scott ... Hank Mikado
*Jill Mai Meredith ... Yum-Yum
*Burt Kwouk ... Art School Teacher
*Lionel Blair ... Nanki
*Pete Murray ... Man #1 in Boudoir
*Ed Bishop ... Man #2 in Boudoir
*Tsai Chin ... Pitti-Sing
*Glen Mason ... Harry
*Dermot Walsh ... Elmer
*Carole Shelley ... Mrs. Smith
*C. Denier Warren ... Mr. Smith
*Yvonne Shima ... Peep-Bo
*Kenji Takaki ... Ho Ho
*The John Barry Seven ... Themselves
Production
In May 1958, 'The New York Times' reported that Don Walker was working on an updated version of 'The Mikado' called 'The Cool Mikado'. Harry Squires was to produce.MELVYN DOUGLAS TO TOUR IN DRAMA:By SAM ZOLOTOW. New York Times 13 May 1958: 25. Walker then became committed to the musical 'First Impressions' meaning 'Cool Mikado' was postponed.'RIVALRY' SELECTS LINCOLN BIRTHDAY: Play About Debates With Douglas to Open Feb. 12 -- 'Foenix' Chooses Cast
By LOUIS CALTA. New York Times 1 Oct 1958: 17.
Producer Harold Baim decided to make a film of 'The Cool Mikado'. He said the 1936 version of the original operetta "didn't make a bean" so was keen to update it. He hired Martin Slavin to redo the music. The director was Michael Winner who said "we have taken what is lasting in 'The Mikado' and firmly junked the rest."ENGLISH SCREEN SCENE: Gilbert and Sullivan in the Groove --Focus on Fonda and Tushingham
By STEPHEN WATTS. New York Times (1923-Current file); New York, N.Y. [New York, N.Y]19 Aug 1962: 99.
The film was shot at Shepperton Studios in July 1962. Bernie Winters says his scenes took three days "and I spent most of that time trying to keep Mike from punching the director."
Bain hoped to follow it with versions of 'The Gondoliers' and 'Pirates of Penzance'.IN THE PICTURE by Outsider: Should Rippon rule the arts?
The Observer 16 Dec 1962: 20.
Winner told the 'Los Angeles Times' in 1970 that the experience prompted him to start initiating his own material, so he hired a writer to write 'The System' which was his breakthrough film.'Rome Won't Forgget Him': Winner: Rome Wont' Forget Him Winner: Rome Won't Forget Him
Palmer, Alix. Los Angeles Times 7 June 1970: p. 1
Reception
'The Monthly Film Bulletin' reviewer called it "thoroughly slapdash."COOL MIKADO, The
Monthly Film Bulletin; London Vol. 30, no. 348, (Jan 1, 1963): 64.
Frankie Howerd told Barry Took in 1992 the film "had the appearance of being made in a wind tunnel. Nobody could make any sense of it and I can say without equivocation that not only was it the worst film ever made but the one production in showbusiness I'm positively ashamed to have appeared in... it was absolutely incomprehensible gibberish."
Howerd added: "That was the worst film Ive ever done. Id say it was one of the worst films ever made. It was shot in a month and I was in it for two weeks. I didnt get much money for it. But I needed the money at that time because I wasnt doing very well. Also, I hadnt done a film for some time. It was a good idea had it been done properly. All sorts of people were in it such as Tommy Cooper, Pete Murray, Mike and Bernie Winters and it should have been much better than it was. But the script was appalling. It made no sense because if youve got no script, youve got nothing because the script is everything."
Andrew Roberts in 'The Independent' in 2013 wrote: "Who else but Winner could have directed a musical containing the rousing number 'Tit Willow Twist', as played by the John Barry Seven and as interpreted by Lionel Blair and His Dancers? To this day, Winner's bold attempt to combine Gilbert and Sullivan with the comic talents of Mike and Bernie Winters stands as a prime example of how British cinema can, occasionally but always memorably, produce films that are the celluloid equivalent of those relatives who are only wheeled out at family weddings, and who are then studiously avoided at the reception."
References
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