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Lunch Hour
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Wikipedia article
'Lunch Hour' is a 1962 film based on a one-act play by John Mortimer. It is about a man and a woman who attempt to have an affair during their lunch hour, but are continually interrupted. Shirley Anne Field described it as perhaps "the most enjoyable film I'd ever done" because the cast and crew all worked so closely together.[http://www.bbc.co.uk/programmes/p00gqv3y Interview with Shirley Ann Field about the movie on 'BBC Radio 4' 15 April 2011] accessed 19 March 2013
Plot
A recently graduated art school designer joins a wallpaper manufacturing company and catches the eye of a married middle manager. They begin a workplace affair during their lunchtime breaks but their attempts to find privacy are continually thwarted.
The man eventually locates a small hotel where he books a room for just one hour, but then feels the need to invent a hugely-complicated tale to tell the hotel manageress about a troubled marriage and a wife travelling down from Scarborough for a heart-to-heart.
The still-suspicious hotel manageress continually interrupts the couple and, as the man slowly tells the story to his would-be lover, she starts to believe the whole fantasy. She sees herself as the stay-at-home wife, ironing the man's shirts and starts to have sympathy with the wife. The couple argue over the woman's imagined life, and as their hour in the hotel is up, the affair between the couple ends and they return separately to their work roles. There, the man appears sullen and unhappy, while the woman smiles quietly to herself as she works.
Cast
*Shirley Anne Field as Girl
*Robert Stephens as Man
*Kay Walsh as Manageress
*Hazel Hughes as Auntie
*Michael Robbins as Harris
*Nigel Davenport as Personnel manager
*Neil Culleton as Little boy
*Sandra Leo as Little girl
*Peter Ashmore as Lecturer
*Vi Stevens as Waitress
Stage play
The play debuted on stage in 1961 as part of a triple bill, alongside 'A Slight Ace' by Harold Pinter and 'The Form' by N.F. Simpson.Things to Come
The Observer 1 Jan 1961: 18.Slight Ache, A
New Statesman; London Vol. 61, (Jan 6, 1961): 152. The cast consisted of Emlyn Williams and Wendy Craig with whom Mortimer had an affair and conceived a son.[https://www.telegraph.co.uk/news/uknews/1471554/Mortimers-joy-at-son-with-Wendy-Craig.html Tim Walker and Richard Eden,"Mortimer's joy at son with Wendy Craig", 'Daily Telegraph', 12 September 2004] accessed 19 March 2013 "It was the Sixties and we were all a lot more excitable then," said Mortimer.More than forty years on, Sir John Mortimer discovers he has a son to actress Wendy Craig: [First Edition]
Bunting, Chris. The Independent; London (UK) [London (UK)]13 Sep 2004: 14. It is thought Mortimer's affair with Craig during the production of his play 'The Wrong Side of the Park' may have inspired the writing of 'Lunch Hour'.Grove 148 The play was well received.Grove p 153
The play was later adapted for TV in 1972 with Joss Ackland and Pauline Collins.[https://www.imdb.com/title/tt0068807/?ref_=nm_flmg_wr_27 Kings cross Lunch Hour] at IMDb
Production
Maggie Smith was considered for the female lead but the role ended up going to Shirley Ann Field who was given 7% of the profits.Grove p 170
Field said "we did it, as you can guess, on a shoestring...and we all worked on a percentage of what the picture will make. The point is, we all felt that it had something important to say about the rootlessness and confusion that face young people in England today since they literally have no place to go and be alone except on lunch hour. We think it's bigger than it sounds in this kind of explanation".VIEW FROM A LOCAL VANTAGE POINT
By A.H. WEILER. New York Times 4 Nov 1962: X9.
The film was shot at Marylebone Studios in London, a church near Baker Street.Grove p 177-178
DVD release
The film was issued on DVD in 2011 via the BFI Flipside release scheme.[http://www.cinemaretro.com/index.php?/archives/5912-DVD-REVIEW-LUNCH-HOUR-RELEASED-BY-THE-BFI.html 'Cinema Retro' 5 July 2011] accessed 19 March 2013
'Sight and Sound' called it "Cosy rather than cutting but with a strong whiff of cultural change...its zesty exploration of empowering female frustration makes it a thought-provoking addition to the lad-centric catalogue of early 1960s British cinema".Lunch Hour
Stables, Kate. Sight and Sound; London Vol. 21, Iss. 6, (Jun 2011): 89.
Notes
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References
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