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Escapement (film)

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Wikipedia article




'Escapement' (aka 'The Electronic Monster' ) is a 1958 British horror science fiction film directed by Montgomery Tully and David Paltenghi (dream sequences) .

Plot



Inquiring into the mysterious death of a Hollywood star, insurance investigator Jeff Keenan uncovers an exclusive psychiatric clinic on the French Riviera. Here, patients who want to escape the stresses of life are hypnotized, then laid out in morgue-like drawers and left to dream for several weeks. It turns out that Dr. Zakon, the clinic's ex-Nazi owner, is using a "dream machine" to alter the sleepers' dreams, and to impose his will on theirs.

Cast



* Rod Cameron as Jeff Keenan

* Mary Murphy as Ruth Vance

* Meredith Edwards as Dr. Philip Maxwell

* Peter Illing as Paul Zakon

* Carl Jaffe as Dr. Hoff (as Carl Jaff)

* Kay Callard as Laura Maxwell

* Carl Duering as Blore

* Roberta Huby as Verna Berteaux

* Felix Felton as Police Commissaire

* Larry Cross as Brad Somers

* Carlo Borelli as Signore Pietro Kallini

* John McCarthy as Claude Denver

* Jacques Cey as Police Doctor

* Armand Guinle as French Farmer (as Armande Guinle)

* Malou Pantera as Clinic Receptionist

* Pat Clavin as Receptionist at Studio

* Alan Gifford as Wayne - Insurance Company Chief

Production



Producer Richard Gordon later said there were major problems with the film's special effects. He also said that he had a dispute with Anglo-Amalgamated, who did not want the movie to get an X certificate in England, whereas Gordon wanted more horror for the US.Tom Weaver, 'The Horror Hits of Richard Gordon', Bear Manor Media 2011 p 19

Critical reception



Leonard Maltin called it a "blah sci-fi programmer" ; while TV Guide noted, "an intriguing feature in that it was among the first to examine the possibilities of psychological manipulation and brainwashing." Moria found that the movie failed to live up to its interesting premise, being overly talky. The Encyclopedia of Science Fiction found the movie was leaning towards a thriller-like plot and had a disinclination to argue too about its often shaky scientific pinning.

References




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