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Blackboard Jungle

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Wikipedia article




{{Infobox film

| name = Blackboard Jungle

| image = Blackboard Jungle (1955 poster).jpg

| alt =

| caption = Theatrical release poster

| director = Richard Brooks

| producer = Pandro S. Berman

| writer = Richard Brooks

| based_on =

| starring = Glenn Ford
Anne Francis
Louis Calhern
Margaret Hayes

| music = Max C. Freedman, Jimmy DeKnight (song "Rock Around the Clock") (uncredited), Willis Holman (song "Blackboard Jungle"), Jenny Lou Carson (song "Let Me Go, Lover!"; uncredited)

| cinematography = Russell Harlan

| editing = Ferris Webster

| studio = Metro-Goldwyn-Mayer

| distributor = Loew's Inc.

| released =

| runtime = 101 minutes

| country = United States

| language = English

| budget = $1,168,000.

| gross = $8,144,000

}}

'Blackboard Jungle' is a 1955 American social drama film about teachers in an interracial inner-city school, based on the 1954 novel 'The Blackboard Jungle' by Evan Hunter and adapted for the screen and directed by Richard Brooks. It is remembered for its innovative use of rock and roll in its soundtrack, for casting grown adults as high school teens, and for the unique breakout role of a black cast member, future Oscar winner and star Sidney Poitier, as a rebellious yet musically talented student.

In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Factual background



Hunter's novel was based on his early job as a teacher at Bronx Vocational High School, now known as Alfred E. Smith Career and Technical Education High School in the South Bronx. Hunter, then known as Salvatore Lombino, took the teaching job in 1950 after graduating from Hunter College. He was quickly disillusioned and quit in frustration after two months.

Plot



In the mid-1950s, Richard Dadier is a new teacher at North Manual Trades High School, an inner-city school of diverse ethnic backgrounds. Led by student Gregory Miller, most engage in anti-social behavior. The school principal, Mr. Warneke, denies there are discipline issues, but the school faculty, particularly Mr. Murdock, warn Dadier otherwise. Dadier befriends two other new teachers, Joshua Edwards and Lois Hammond.

Dadier's class includes Miller and Artie West, a rebellious bully and gang leader. The class shows no respect for Dadier. Dadier encourages Miller to lead the class in the right direction. After Dadier subdues a student who attacks Miss Hammond, the class gives Dadier the silent treatment and are even more uncooperative. Dadier and Edwards are mugged by a gang that includes West.

Reluctant to quitting, Dadier seeks advice from his former teacher, Professor Kraal, the principal of an academically superior school with disciplined students. Kraal offers Dadier a job, but he declines. After chastising his class for calling each other racially divisive names, Dadier is himself falsely accused by Mr. Warneke of using racial epithets in the classroom. West encounters Dadier during his gang's robbery of a newspaper truck. West tells Dadier his classroom is on the streets and to leave him alone. Several students, led by West, assault Edwards in his classroom and destroy his music record collection.

Dadier's wife, Anne, who is pregnant, begins receiving anonymous letters and phone calls telling her Dadier and Miss Hammond are having an affair. Dadier discovers Miller can play piano and sing, and wonders why Miller can show such talent but also be so rebellious. Dadier shows his class an animated film about "Jack and the Beanstalk" which sparks discussion about moral choices. Anne goes into premature labor caused by the stress of the phone calls about Dadier's alleged affair. When a neighbor shows Dadier the anonymous letters, he angrily decides to quit. Mr. Murdock encourages him to stay telling Dadier he is making progress and has inspired him too. Anne apologizes for doubting Dadier's loyalty in their marriage and says she was wrong for telling him to quit. Their premature baby boy, though weak, eventually thrives.

When Dadier observes West openly copying from another student, he demands that West bring his paper to the front to have it docked five points. West rebuffs his repeated request, but Dadier is unrelenting. The conflict quickly escalates, and West pulls out a switchblade. Dadier does not back down. Miller stops another of the gang from jumping Dadier from behind. The rest of West's gang fails to assist.

Dadier accuses West of the false allegations made to both Mr. Warneke and Anne. Dadier subdues West, and the other students join in to subdue classmate Belazi, who has picked up the knife to escape. Miller then leads the class in helping Dadier take West and Belazi to the principal's office. In the final scene, Miller and Dadier ask if the other is quitting at the end of the school year. Miller said no, because the two of them had a deal that neither would quit if the other stayed, and Dadier's expression makes clear he has no intention of breaking the agreement.

Cast



* Glenn Ford as Richard Dadier

* Sidney Poitier as Gregory Miller

* Vic Morrow as Artie West

* Anne Francis as Anne Dadier

* Louis Calhern as Jim Murdock

* Margaret Hayes as Lois Hammond

* John Hoyt as Mr. Warneke

* Richard Kiley as Joshua Edwards

* Emile Meyer as Mr. Halloran

* Warner Anderson as Dr. Bradley

* Basil Ruysdael as Professor A. R. Kraal

* Rafael Campos as Pete V. Morales

* Paul Mazursky as Emmanuel Stoker

* Horace McMahon as Detective

* Jameel Farah (Jamie Farr) as Santini

'Cast notes:'

*This was the debut film for Campos, Morrow, and Farah, and one of Poitier's earliest. Farah later changed his name to Jamie Farr, best known for playing Corporal Maxwell Q. Klinger in the 'M*A*S*H' TV series.

Critical reception



"As a straight melodrama of juvenile violence this is a vivid and hair-raising film", wrote Bosley Crowther of 'The New York Times' in a positive review. "Except for some incidental romance, involving the teacher and his wife and a little business about the latter having a baby, it is as hard and penetrating as a nail." 'Variety' called it "a film with a melodramatic impact that hits hard at a contemporary problem. The casting, too, is exceptionally good". 'Harrison's Reports' called the film "a stark, powerful melodrama, sordid, tense, and disturbing. The picture no doubt will stir up considerable controversy, but at the same time it probably will prove to be a top box-office grosser". John McCarten of 'The New Yorker' wrote, "While the film has a good many faults (the acting at times is a bit shaky and the conclusion is rather unbelievable), it nevertheless confronts its subject matter head on, and in the circumstances it is an unsettling piece of work."

Not all reviews were positive. Richard L. Coe of 'The Washington Post' slammed the film as "so sensationalized as to negate any laudable purpose its supporters claim", further explaining:

'The Monthly Film Bulletin' delivered a mixed to negative assessment, writing, "Contrived situations and some rather thin characterisation reduce the impact and effectiveness of 'Blackboard Jungle', both as an expos of a current American educational problem and a plea for more strenuous efforts by teachers at similar institutions. Characters such as the flirtatious woman teacher and the pregnant wife are fictitious trimmings which only emphasise the artificiality in the handling of the main theme." The review added, "There are several tense and hard-hitting sequences, and a general atmosphere of strident earnestness, but only in the tiny part of the trade school headmaster, played with considerable force by John Hoyt, is there any real suggestion of complexity or depth."

The song "Rock Around the Clock" was included in the film, making the recording an anthem for rebellious 1950s youth. It was Number 1 on the pop charts for two months and went to Number 3 on the R&B chart. Rotten Tomatoes gives the film a "fresh" rating of 76%. On their best of Sidney Poitier list, it says, "This was the role that put Poitier on the map. The struggles of educators and students are well documented in this violent and controversial film, based on Evan Hunter's seminal novel about inner-city school conditions. Modern audiences might struggle to sympathize with the tactics employed by Poitier's character, Gregory Miller, but the cultural impact his performance had on both society and education are undeniable."

Box office



According to MGM records the film earned $5,292,000 in the US and Canada and $2,852,000 elsewhere.

Awards and honors



In 2010, Turner Classic Movies (TCM) listed the soundtrack of the movie on its list of the Top 15 Most Influential Movie Soundtracks of all time. TCM described the impact and the influence of the movie:

Cultural impact



The film marked the rock and roll revolution by featuring Bill Haley & His Comets' "Rock Around the Clock", initially a B-side, over the film's opening credits (with a lengthy drum solo introduction, unlike the originally released single), as well as in the first scene, in an instrumental version in the middle of the film, and at the close of the movie, establishing that song as an instant hit. The record had been released the previous year, gaining only limited sales. But, popularized by its use in the film, "Rock Around the Clock" reached number one on the 'Billboard' charts and remained there for eight weeks.

In some theaters, when the film was in the first release, the song was not heard at all at the beginning of the film because rock and roll was considered a bad influence. Despite this, other instances of the song were not cut.

This film is also the source of the slang term "Daddy-O". When the teacher, Mr Dadier (Glenn Ford), writes his name on the blackboard early in the film, one of the students throws a baseball and knocks a hole in the blackboard at the end of his name, Dadier becomes Dadi-O and the class erupts in laughter and calls him "Daddy-O".

The music led to a large teenage audience for the film, and their exuberant response to it sometimes overflowed into violence and vandalism at screenings. In this sense, the film has been seen as marking the start of a period of visible teenage rebellion in the latter half of the 20th century. The film was banned in Memphis, Tennessee and Atlanta, Georgia, with the Atlanta Review Board claiming that it was "immoral, obscene, licentious and will adversely affect the peace, health, morals and good order of the city."



The film marked a watershed in the United Kingdom and was originally refused a cinema certificate before being passed with heavy cuts. When shown at a South London Cinema in Elephant and Castle in 1956 the teenage Teddy Boy audience began to riot, tearing up seats and dancing in the aisles. After that, riots took place around the country wherever the film was shown. In 2007, the 'Journal of Criminal Justice and Popular Culture' published an article that analyzed the film's connection to crime theories and juvenile delinquency. Its reception in West Germany and Japan was also a recent focus of study in the 'Journal of Transnational American Studies'.

The influential 1973 Jamaican reggae album Blackboard Jungle Dub by The Upsetters references the film's title.

In March 2005, the 50th anniversary of the release of the film and the subsequent upsurge in popularity of rock and roll, was marked by a series of "Rock Is Fifty" celebrations in Los Angeles and New York City, involving the surviving members of the original Bill Haley & His Comets. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress.

Home media



The film was released on DVD in North America on May 10, 2005, by Warner Home Video.

See also



* List of American films of 1955

* In the 1967 film 'To Sir, with Love' and its 1996 sequel, Sidney Poitier plays a teacher in a difficult school.

References



'Notes'

'Sources'

* Ford, Peter. [http://www.peterford.com/ratc.html "Rock Around the Clock and Me"]


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