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The Rainbow Jacket

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Wikipedia article




'The Rainbow Jacket' is a 1954 British drama film directed by Basil Dearden, and featuring Robert Morley, Kay Walsh, Bill Owen, Honor Blackman and Sid James. It was made at Ealing Studios produced by Michael Balcon and Michael Relph and shot in Technicolor. The film's sets were designed by the art director Thomas N. Morahan. Location shooting took place in London and at a variety of racecourse towns including Newmarket and Epsom. The film was released by General Film Distributors as a part of a long-term arrangement with Ealing.

Premise



A champion jockey, having forfeited his own career by taking a bribe, takes a young rider under his wing.

At a racetrack meeting banned former jockey Sam is checking the perimeter for illicit means of entry and a cheeky young boy, Georgie, shows him how to get in. Georgie show a penchant for horse riding and is befriended by Sam who encourages him to train as a jockey.

He is placed in the stables of Lord Logan at Newmarket. He shows much promise and Sam bets 100 on him to win. Georgie is impressive but a photo finish shows he comes second. On his second race his mother steals 50 from her employer's safe and bets it on him to win. He comes first but a stewards inquiry wrongly disqualifies him and his mother loses the money.

On the third race and for his mothers sake, Sam persuades Georgie to take a fall to throw the race but when Sam visits in first aid area their connection is exposed. Sam faces another ban but Georgies staunch defense of his character to the stewards eventually leads to Sam having his license renewed.

But in the final classic of the season, the St Leger, the two are neck and neck and Sam clearly whips Georgies horse to urge it on and to win. He does this because he has realized that Georgie threw the previous race to avoid implicating Sam.

Sams actions of course mean he is finally banned from racing and after a final piece of illicit betting he retires to live with Georgies widowed mother and all us right with the racing world.

Cast



* Fella Edmonds as Georgie Crain

* Kay Walsh as Barbara Crain

* Bill Owen as Sam

* Edward Underdown as Geoffrey Tyler

* Robert Morley as Lord Logan

* Honor Blackman as Mrs Tyler

* Charles Victor as Mr Voss

* Wilfrid Hyde-White as Lord Stoneleigh

* Ronald Ward as Bernie Rudd

* Howard Marion-Crawford as Travers

* Sid James as Harry

* Michael Trubshawe as Gresham

* Sam Kydd as Bruce

* Colin Kemball as Archie Stevens

* Michael Ripper as Benny Loder

* Frederick Piper as Lukey

* Herbert C. Walton as Adams

* George Thorpe as Ross

* Eliot Makeham as Valet

* Brian Roper as Ron Saunders

* Bernard Lee as Racketeer

* Gordon Richards cameo as a jockey

Reception



The film premiered at the Odeon Leicester Square in London on 27 May 1954,[http://find.galegroup.com/ttda/infomark.do?&source=gale&prodId=TTDA&userGroupName=kenlib&tabID=T003&docPage=article&searchType=&docId=CS33772219&type=multipage&contentSet=LTO&version=1.0 The Times, 27 May 1954, page 2: 'Classified - Picture Theatres - Odeon Leic. Sq. - The Rainbow Jacket'] Linked 2015-07-06 and the reviewer for 'The Times' wrote that, "It is, then, an entertaining film, a film in love with racing and yet not quite so devotedly so as to refrain from suggesting that in the running of the St. Leger there can be some very queer goings-on indeed."[http://find.galegroup.com/ttda/infomark.do?&source=gale&prodId=TTDA&userGroupName=kenlib&tabID=T003&docPage=article&searchType=BasicSearchForm&docId=CS68506299&type=multipage&contentSet=LTO&version=1.0 The Times, 27 May 1954, page 4: 'Odeon Ceinama - "The Rainbow Jacket"'] Linked 2015-07-06

Sixty years after the premiere, 'TV Guide' felt that "a trite outcome mars this fairly entertaining film, which features real-life British racing figures Raymond Glendenning and Gordon Richards" while 'Time Out' noted that the film was "the first collaboration between Dearden and TEB Clarke after The Blue Lamp...Despite its intriguing subject, the film offers little but the cosy, sentimental view of life that is typical of late Ealing films."

References






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