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Caesar and Cleopatra (film)
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Wikipedia article
'Caesar and Cleopatra' is a 1945 British Technicolor film directed by Gabriel Pascal and starring Vivien Leigh and Claude Rains. Some scenes were directed by Brian Desmond Hurst, who took no formal credit. The picture was adapted from the play 'Caesar and Cleopatra' (1901) by George Bernard Shaw, produced by Independent Producers and Pascal Film Productions and distributed by Eagle-Lion Distributors.
Upon release, 'Caesar and Cleopatra' failed to earn back its colossal budget. John Bryan was nominated for an Oscar for Best Art Direction.[http://awardsdatabase.oscars.org/search/results "946 (19th) Art Direction (Color) Caesar and Cleopatra John Bryan"]
Plot
Aging Julius Caesar takes possession of the Egyptian capital city of Alexandria and tries to resolve a feud between the young princess Cleopatra and her younger brother Ptolemy. Caesar develops a special relationship with Cleopatra and teaches her how to use her royal power.
Cast
* Vivien Leigh as Cleopatra
* Claude Rains as Caesar
* Stewart Granger as Apollodorus
* Flora Robson as Ftatateeta
* Francis L. Sullivan as Pothinus
* Basil Sydney as Rufio
* Cecil Parker as Britannus
* Raymond Lovell as Lucius Septimus
* Anthony Eustrel as Achillas
* Ernest Thesiger as Theodotus
* Anthony Harvey as Ptolemy
* Robert Adams as Nubian Slave
* Olga Edwardes
* Harda Swanhilde as Cleopatra's Lady Attendants
* Michael Rennie as 1st Centurion
* James McKechnie as 2nd Centurion
* Esme Percy as Major Domo
* Stanley Holloway as Belzanor
* Leo Genn as Bel Affris
* Alan Wheatley as Persian
* Anthony Holles as Boatman
* Charles Victor as 1st Porter
* Ronald Shiner as 2nd Porter
* John Bryning as Sentinel
* John Laurie as 1st Auxiliary Sentinel
* Charles Rolfe as 2nd Auxiliary Sentinel
* Felix Aylmer as 1st Nobleman
* Ivor Barnard as 2nd Nobleman
* Valentine Dyall as 1st Guardsman
* Charles Deane as 2nd Guardsman
Production
Filmed in Technicolor with lavish sets, the production was reported to be the most expensive film ever made at the time, costing 1,278,000 (or at value), or US$ million (or US$ at inflation-adjusted value) at contemporary exchange rates. 'Caesar and Cleopatra' held that record until 'Duel in the Sun' was produced in 1946.
Director Gabriel Pascal ordered sand from Egypt in order to achieve the proper cinematic colour. The production ran into delays because of wartime restrictions.[http://www.tcm.com/tcmdb/title/70018/Caesar-And-Cleopatra/home-video-reviews.html "Caesar and Cleopatra" (1945) home video review], 'TCM.com' During the shoot, Vivien Leigh, who was pregnant, tripped and suffered a miscarriage. The incident triggered Leigh's manic depression, leading to her emotional breakdown, and halted production for five weeks.
The film was described as a "box office stinker" at the time and almost ended Pascal's career. It was the first Shaw film made in colour, and the last film version of a Shaw play during his lifetime. After Shaw's death in 1950, Pascal produced 'Androcles and the Lion', another Shaw-derived film, in 1952.
Reception
Box office
According to trade papers, the film was a "notable box office attraction" at British cinemas.Murphy, Robert (2003) [https://books.google.com.au/books?id=xtGIAgAAQBAJ&pg=PA209&q=hungry%20hill%20film%20box%20office 'Realism and Tinsel: Cinema and Society in Britain 1939-48'] p.209 According to 'Kinematograph Weekly', the top British box-office draw for 1946 was 'The Wicked Lady'.The film earned $1,363,371 in the United States, making it one of the more popular British films ever released there.Street, Sarah (2002) 'Transatlantic Crossings: British Feature Films in the USA', Continuum, p.94 However, the film's receipts fell short of initial expectations. 'Variety' estimated that Rank lost $3 million (or $ at value) on the film after marketing, distribution, prints, insurance rights, and wages were taken into account.
See also
* Cultural depictions of Julius Caesar
* Cultural depictions of Cleopatra VII
References
'Notes'
'Bibliography'
* Vermilye, Jerry. (1978) 'The Great British Films', Citadel Press, pp. 97101.
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