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Millions Like Us

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Wikipedia article




'Millions Like Us' is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It starred Patricia Roc, Gordon Jackson, Anne Crawford, Eric Portman and Megs Jenkins. It was co-written and co-directed by Sidney Gilliat and Frank Launder. According to the British Film Institute database, this film is the first in an "unofficial trilogy", along with 'Two Thousand Women' (1944) and 'Waterloo Road' (1945).

Plot



The opening credits show huge crowds of workers going into factories. The narrator begins the film with nostalgic views of crowded beaches and remembering what it was like to eat an orange (unavailable in the war).

Celia Crowson (Patricia Roc) and her family go on holiday to the south coast of England in the summer of 1939, staying in the guest house they visit every year. Soon afterwards, the Second World War breaks out and Celia's father (Moore Marriott) joins what was to become the Home Guard. Her more confident sister Phyllis (Joy Shelton) joins the Auxiliary Territorial Service.

Fearing her father's disapproval if she moves away from home, Celia hesitates about joining up but eventually her call-up papers arrive. Hoping to join the WAAF or one of the other services, Celia instead gets posted to a factory making aircraft components, where she meets her co-workers, including her Welsh room-mate Gwen Price (Megs Jenkins) and the vain upper middle class Jennifer Knowles (Anne Crawford). Knowles dislikes the work they have to do at the factory, causing friction with their supervisor Charlie Forbes (Eric Portman) which eventually blossoms into a verbally combative romance.

A nearby RAF bomber station sends some of its men to a staff dance at the factory, during which Celia meets and falls in love with an equally shy young Scottish flight sergeant Fred Blake (Gordon Jackson). Their relationship encounters a crisis when Fred refuses to tell Celia when he is sent out on his first mission, but soon afterwards they meet and make up, with Fred asking Celia to marry him. After the wedding they spend their honeymoon at the same south coast resort as the Crowsons went to in 1939, finding it much changed with minefields and barbed wire defending against the expected German invasion.

Just after returning to the factory, they find furnished rooms nearby to set up house together, but then Fred is killed in a bombing raid over Germany. Celia receives the news while working at the factory and at a mealtime shortly afterwards the band plays 'Waiting at the Church', without realising it had been played at Celia's wedding reception. About to break down, Celia is comforted by her fellow workers, as bombers from Fred's squadron overfly the factory en route to another raid.

Cast



* Patricia Roc as Celia Crowson / Celia Blake

* Gordon Jackson as Fred Blake

* Anne Crawford as Jennifer Knowles

* Eric Portman as Charlie Forbes

* Megs Jenkins as Gwen Price

* Moore Marriott as Jim Crowson

* Terry Randall as Annie Earnshaw

* Joy Shelton as Phyllis Crowson

* Basil Radford as Charters

* Naunton Wayne as Caldicott

* John Boxer as Tom

* Valentine Dunn as Elsie

* Amy Veness as Mrs Blythe

* John Salew as Doctor Gill

* Beatrice Varley as Miss Wells

* Bertha Willmott as the singer

* Irene Handl as landlady

* Amy Dalby as Mrs Bourne

* John Slater as Alec, man at dance hall (uncredited)

Production



The film was produced at Gainsborough Studios. Screenwriters Frank Launder and Sidney Gilliat decided to share direction, both recording their debuts in that capacity, but they afterwards felt that having two directors had often confused the actors. They continued to collaborate on scriptwriting and production but directed individually.

Roger Burford had suggested to the producers that they create a film covering the entire British war effort on the Home Front. The directors decided the task was too big and that the subject needed a fictional story to tie the material together. They focused on women working in an aircraft factory to show the effect of the war on ordinary people from a variety of backgrounds.Brown G. Launder and Gilliat, quoted in Programme book for Made in London Early Evening Films at the Museum of London (Museum of London and The National Film Archive), 24th season, 1992. The directors originally wanted to call the film 'The Mobile Woman'. The dance hall scene involved real serving soldiers, airmen and firemen.

'Beethoven's Fifth Symphony' is used liberally in the soundtrack.

Reception



The film was a hit in the USSR.

References




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