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You Were Never Lovelier

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Wikipedia article




'You Were Never Lovelier' is a 1942 American musical romantic comedy film directed by William A. Seiter and starring Fred Astaire and Rita Hayworth. The supporting cast also features Adolphe Menjou, Xavier Cugat and Adele Mara. The music was composed by Jerome Kern and the lyrics by Johnny Mercer. The picture was released by Columbia Pictures and includes the elaborate "Shorty George" song and dance sequence.

The film, a Hollywood remake of the 1941 Argentine romantic comedy 'Los martes, orqudeas' ('On Tuesdays, Orchids'),[https://www.lanacion.com.ar/espectaculos/teatro/el-regreso-de-los-martes-orquideas-pero-sin-mirtha-nid2140123 The return of 'Los martes orqudeas', but without Mirtha] 06-02-2018, 'La Nacin' is set in Buenos Aires.

Plot



Robert "Bob" Davis (Fred Astaire) is a well-known American dancer with a weakness for betting on the horses. After he loses his money gambling in Buenos Aires, he goes looking for a job with Eduardo Acua, the wealthy owner of a nightclub. Acua, however, does not wish to see him. Bob's friend, bandleader Xavier Cugat, invites him to perform at the wedding of Acua's eldest daughter, Julia, Acua insists his daughters must wed in order of age, from oldest to youngest. Maria (Rita Hayworth) is next in line to get married but refuses to, much to the disappointment of her two younger sisters, Cecy and Lita, who both have boyfriends and want to get married as soon as possible.

During Julia's wedding reception, Bob is attracted to Maria, but his advances are rebuffed by Maria, who refuses to talk to him. While talking with Acua, Bob remarks that Maria's personality is like "the inside of a refrigerator". Aware of his younger daughters' plight, Acua works out a plan: sending orchids and anonymous love notes from a secret admirer to Maria to help get her in the mood. One day, when Bob once again tries to see Acua at his office, Acua orders the unseen Bob, mistakenly assuming him to be a bellboy, to deliver the latest note and flower. Maria, who by now is in love and eagerly awaiting the next love letter from her secret admirer, sees Bob dropping off the note and flower and assumes that he is her admirer. When Maria sees Bob at her father's office, she asks her father to introduce them and invite Bob to dinner. At the dinner, after Mrs. Acua almost shoots Bob, so Maria invites Bob to the garden, where they dance (I'm Old Fashioned.) Finding that Maria is truly in love with Bob, Mr. Acua makes a deal with Bob: in exchange for a contract to perform at the club (at some later, unspecified date), Bob will court Maria and repel her with his "obnoxious" personality.

But despite Bob's efforts to disappoint Maria, the two quickly fall in love.

With his plan gone awry, Acua orders Bob to leave Buenos Aires. At the Acua's 25th anniversary, Mr. Acuna plans to compose a farewell love note on his behalf while Cecy and Lita try to separate Bob and Maria, but fail. Mr. Acua's wife sees him writing the note in his office and accuses him of cheating on her with another Maria, her dear friend Maria Castro. While Mr. Acua tries to defend himself, Bob and Maria come into the office, where Bob has to confess that he hasn't been writing the love-letters to Acua's daughter, disappointing Maria, who apologizes to Maria Castro.

Impressed by Bob's behavior, Acua grants him permission to begin dating Maria. After repeated deliveries of flowers fail to impress Maria, Bob asks for Mr. Acua's help, who tells him about Lochinvar, a fictional knight who was Maria's first love interest. Bob imitates him and tries to dance, which impresses Maria who decides to forgive Bob and stay with him.

Cast



and Hayworth in a publicity shot for the film

* Fred Astaire as Bob Davis

* Rita Hayworth as Maria Acua

* Adolphe Menjou as Eduardo Acua

* Isobel Elsom as Maria Castro

* Leslie Brooks as Cecy Acua

* Adele Mara as Lita Acua

* Xavier Cugat as himself

* Gus Schilling as Fernie, Acua's secretary

* Barbara Brown as Mrs. Delfina Acua, Eduardo's wife

* Douglas Leavitt as Juan Castro, Maria's husband

Production



The film was the second of two films starring the duo of Astaire and Hayworth, following the box-office success of the previous years 'You'll Never Get Rich'. The new film avoided the wartime themes of the previous film, while benefiting from lavish production values a consequence of the box-office success of the earlier film. Kern created a standard with "I'm Old Fashioned". Initially, Kern was unhappy about the selection of Cugat and his orchestra; however, when production was complete, he was so pleased with the band's performance that he presented Cugat with a silver baton. Although Hayworth had a fine voice, Harry Cohn insisted on her singing being dubbed throughout by Nan Wynn.

The film is a reworking of the 1941 Argentine musical 'Los martes, orqudeas' ('On Tuesdays, Orchids') directed by Francisco Mgica.

It follows the usual conventions established by Astaire in his earlier musicals, such as an anti-romantic first meeting between the two leads, a virtuoso dance solo for Astaire, a playful dance duet and a romantic dance duet.

Key songs/dance routines



The film's dance director was Val Raset, the only time he collaborated with Astaire, and his choreographic input into the film is unclear. According to Astaires biography, he worked out all the numbers with Hayworth while rehearsing above a funeral parlour. Although the setting is a Latin one, Kern felt unable to compose in this style, but Astaire was determined to continue his exploration of Latin dance, which he did with the help of special arrangements by Cugat and Murphy, and the inspiration provided by the enthusiastic and talented Hayworth. This became an important counterbalance to Kerns tendency to compose sweet, occasionally saccharine, melodies. Hayworth's performance here establishes her claim as one of Astaires foremost dance partners.

* "Chiu Chiu": Cugats band performs this showpiece samba with music and lyrics by Nicanor Molinare sung and danced by Lina Romay, Miguelito Valds and chorus in front of Astaire.

* "Dearly Beloved": Kern & Mercers ballad became a major hit for Astaire who sings it here and it was nominated for an Academy Award for Best Original Song. Shortly after, Hayworth (singing dubbed by Nan Wynn) reprises the song with a brief but erotic dance, alone in her bedroom.

* "Audition Dance": "One of my best solos" was Astaire's verdict on his first solo routine on the theme of Latin dance, celebrated for its comic inventiveness and dexterity. Astaires number also inspired Jerome Robbins solo Latin dance in the latters first ballet 'Fancy Free', created in 1944.

* "I'm Old Fashioned": A Kern melody, with Mercers lyrics mimed by Hayworth, inspires Astaires second Latin romantic partnered dance, and one of his best known. This dance was chosen by Jerome Robbins as the centerpiece to his ballet of the same name, created by him for the New York City Ballet in 1983, as a tribute to Astaire.

* "The Shorty George": Required more rehearsal time than all other dances together. A synthesis of American Swing or Jive, and virtuoso tap dancing by Astaire and Hayworth, both in top form and exuding a sense of fun in an arrangement by Lyle "Spud" Murphy. The title refers to a popular dance step of the time, attributed to George "Shorty" Snowden, a champion African-American dancer at Harlems Savoy Ballroom and reputed inventor of the Lindy Hop or Jitterbug dance styles. Here, as in the "Pick Yourself Up" and "Bojangles of Harlem" numbers from 'Swing Time', Kern belied his claim that he couldn't write in the Swing style.

* "Wedding in the Spring": Overly sweet and soppy number performed tongue-in-cheek by Cugats band.

* "You Were Never Lovelier": A Kern melody, Mercer lyrics, sung by Astaire to Hayworth, with a celebratory dance reprise at the films end, initiated by an armour-suited Astaire falling off a horse, and shedding his knights armour, only to reveal himself in white tie and tails. According to Astaire, the original dance number that followed the song was cut from the film after the preview as the studio felt it "held up the story".

* "These Orchids": Cugat's band provides an orchestral serenade in rumba style to Hayworth outside her bedroom window with this Kern melody.

Award nominations



The following received Academy Award nominations:

* Leigh Harline: Music (Scoring of a Musical Picture)

* Jerome Kern (music) and Johnny Mercer (lyrics) for Music (Song), for "Dearly Beloved"

* John P. Livadary: Sound Recording

References



Bibliography



* Fred Astaire: 'Steps in Time', 1959, multiple reprints.

* John Mueller: 'Astaire Dancing - The Musical Films of Fred Astaire', Knopf 1985,


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