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The Crime of Monsieur Lange
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Wikipedia article
'The Crime of Monsieur Lange' (; French: 'Le Crime de Monsieur Lange') is a 1936 film directed by Jean Renoir about a publishing cooperative. Imbued with the spirit of the communist/socialist Popular Front, which would score a major political victory in 1936, the film is an idyllic picture of a socialist France and is both a social commentary and a romance.
Plot
M. Lange is a mild-mannered writer of Western stories for a publishing company. Batala, the salacious owner of the company, flees his creditors. When his train crashes, he takes the opportunity to fake his own death. The abandoned workers, with the help of an eccentric creditor, form a cooperative. They have great success with Lange's stories about the cowboy, Arizona Jim, whose stories parallel the real-life experiences of the cooperative. At the same time, Lange and his neighbor Valentine, an old flame of Batala's, fall in love.
When Batala resurfaces, intending to reclaim the publishing company, Lange shoots and kills him to protect the cooperative. Lange and Valentine flee the country, stopping at an inn near the Belgian frontier where Valentine tells Lange's story to a group of the inn's patrons who had recognized Lange as the murderer on the run and threatened to alert the police. After hearing the story, the men sympathize with Lange and Valentine and allow them to escape across the border to freedom.
Cast
*Ren Lefvre Amde Lange
*Florelle Valentine Cards
*Jules Berry Paul Batala
*Marcel Lvesque The concierge
*Odette Talazac The concierge's wife
*Sylvia Bataille Edith
*Nadia Sibirskaa Estelle
*Henri Guisol The son Meunier
*Maurice Baquet Charles, the concierges' son
*Jacques B. Brunius (as J.B. Brunius) Mr. Baigneur
*Sylvain Itkine Inspector Juliani, Batala's cousin
*Marcel Duhamel Louis, the foreman
*Ren Gnin (as Gnin) A client at the Auberge Inn
*Max Morise Man with the pipe
*Jean Dast The model maker
*Paul Demange Creditor
Production
Renoir considered the film a collaboration with the agitprop theatre company the October Group. It was based on an original idea by Renoir and Jean Castanier titled 'Sur la cour'. Poet and screenwriter Jacques Prvert wrote the script.Wakeman, John. World Film Directors, Volume 1. The H. W. Wilson Company. 1987, p. 929. The shooting lasted 25 daysRenoir. p. 200. from October to November 1935 and took place at Trport and in the Paris studios of Billancourt. It was during the shooting of the film that Paul luard introduced Pablo Picasso to Dora Maar, who served as set photographer for the production.Mary Ann Caws, 'Les Vies de Dora Maar', Paris, Thames & Hudson, 2000, p. 54, .
Legacy
In his autobiography, Renoir claimed that the great success of 'The Crime of Monsieur Lange' in France caused him to become strongly associated with the extreme political left wing. French communists asked him to produce overt propaganda films denouncing fascism, and he readily complied with the communists' demands, stating: "I believed that every honest man owed it to himself to resist Nazism. I am a filmmaker, and this is the only way in which I could play a part in the battle."Renoir, p. 125. Renoir's left-wing propaganda films of the mid-1930s, including 'The Crime of Monsieur Lange', along with his writings for various newspapers, placed him in danger when France entered World War II. Renoir's American friends, particularly the filmmaker Robert Flaherty, urged him to obtain a visa from the American consulate in Nice so that he may flee to the United States. He decided to do so after he claimed that Nazis had requested that he make films sympathetic to their cause.Renoir, p. 182
Roger Leenhardt of 'Espirit' called the film "all the more remarkable in that the work owes its witty style to the harmony of two unshakably original temperaments Prvert contributed his vivacity and mordant humor, and Renoir the resonance of his true romanticism."Wakeman. p. 929. Peter Harcourt said that it was "in a sense the most intelligent film Renoir ever made."Wakeman. p. 930. Franois Truffaut wrote that "'Mr. Lange' is of all Renoir's films, the most spontaneous, the most dense set of miracles and camera, the busiest of truth and pure beauty, a film we would say touched by grace."
See also
*Cinema of France
*List of French language films
References
Sources
Renoir, Jean. 'My Life and My Films', New York: Da Capo Press, 2000.
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