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Rien que les heures

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Wikipedia article




'Rien que les heures' (English: 'Nothing But Time' or 'Nothing But the Hours') is a 1926 experimental silent film by Brazilian director Alberto Cavalcanti showing the life of Paris through one day in 45 minutes.

Other noted examples of the city-symphony genre include Charles Sheeler and Paul Strand's 'Manhatta' (1921), Walter Ruttmann's 'Berlin: Symphony of a Metropolis' (1927), Andre Sauvage's 'Etudes sur Paris' (1928), and Dziga Vertov's 'Man With a Movie Camera' (1929).

See also



*List of films made in France 1919-1940

References






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