Z213: Exit

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Wikipedia article 'Z213: Exit' is a 2009 novel by Greek author Dimitris Lyacos.Encyclopdia Britannica. Greece, The arts It is the first installment of the Poena Damni trilogy. Despite being first of the trilogy in narrative order, the book was the third to be published of the series. The work develops as a sequence of fragmented diary entriesNicholas Alexander Hayes. Review of Z213: Exit. Your Impossible Voice, February 2017. http://www.yourimpossiblevoice.com/review-z213-exit-poena-damni-dimitris-lyacos/ recording the solitary experiences of an unnamed, Ulysses-like personaPoena Damni Trilogy. Review by Justin Goodman. Cleaver Magazine 2015. http://www.cleavermagazine.com/poena-damni-trilogy-by-dimitris-lyacos-reviewed-by-justin-goodman/ in the course of a train voyage gradually transformed into an inner exploration of the boundaries between self and reality. The voyage is also akin to the experience of a religious quest with a variety of biblical references, mostly from the Old Testament,Shorsha Sullivan, The art of translating. The Writing Disorder Anthology, vol. 2, page 82.https://books.google.gr/books?id=dGOAAwAAQBAJ&pg=PA82&lpg=PA82&dq=dimitris+lyacos+old+testament&source=bl&ots=zd9eq6Swc6&sig=xW-4jisLtrDtwA0-mMNWQxD5lo0&hl=en&sa=X&ved=0ahUKEwitjf3fvJXKAhVMiSwKHQ0XDgAQ6AEIKjAD#v=onepage&q=dimitris%20lyacos%20old%20testament&f=false being embedded into the text which is often fractured and foregoing punctuation. Most critics place Z213: Exit in a postmodern context exploring correlations with such writers as Samuel BeckettMichael O' Sullivan. A philosophy of exits and entrances. Cha Magazine, October 2011, Hong Kong. http://www.asiancha.com/content/view/778/280/ and Cormac McCarthyPoena Damni Trilogy. Review by Justin Goodman. Cleaver Magazine 2015. http://www.cleavermagazine.com/poena-damni-trilogy-by-dimitris-lyacos-reviewed-by-justin-goodmanPhilip Elliott. A review of Z213: Exit by Dimitris Lyacos. Compulsive Reader, August 2017. http://www.compulsivereader.com/2017/08/16/a-review-of-z213-exit-poena-damni-by-dimitris-lyacos/ while others underline its modernist affinitiesFrom the ruins of Europe. Lyacos's debt riddled Greece. Review by Joseph Labernik. Tikes Magazine, 2015.http://www.tikkun.org/nextgen/from-the-ruins-of-europe-lyacoss-debt-riddled-greece and the work's firm foundation on classical and religious texts.With the people from the bridge. Review by Toti O' Brien. Sein und Warden Magazine. http://www.kissthewitch.co.uk/seinundwerden/with_the_people_from_the_bridge.html 'Z213: Exit' is difficult to classify by genre, and is simultaneously a novella, a poem and a journal. In contradistinction to "factual report" works such as If This Is a Man by Primo Levi, the work adopts a mode of oneiric realism whereby horror is forced beneath the surface of consciousness only to emerge again in new and increasingly nightmarish forms. Oblique references to tragedies of recent human history are apparent,A review of Z213: Exit. Mark King. The Literary Nest, Vol. 3, Issue 1, April 2017. although, ample Biblical and mythical motives suggest a far broader project. The book can be read as the first volume of a postmodern epic.The Missing Slate. Review of Z213: Exit by Jacob Silkstone. March 2017. http://themissingslate.com/2017/03/07/z213-exit/ It is considered as one of the most important anti-utopian works of the 21st century.Toby Widdicombe, Andrea Kross. Historical Dictionary of Utopianism, p. xxxi. 2017, Rowman and Littlefield.https://books.google.gr/books?id=LQolDwAAQBAJ&pg=PR31&lpg=PR31&dq=%22Z213:+Exit%22&source=bl&ots=ICwJlpQG4e&sig=ujnqcbehQ_jshx8tQHzcnrhF6HY&hl=en&sa=X&ved=0ahUKEwj-l-vG66jUAhUEbRQKHVFOCAc4MhDoAQgiMAE#v=onepage&q&f=false Synopsis The work recounts, in what reads like a personal journal, in verse form as well as in postmodern poetic prose,Manos Georginis, Verse Wisconsin, Issue 106, 2011 the wanderings of a man who escapes from a guarded building, in a nightmarish version of a post-Armageddon ambient. In the opening sections of the book, the narrator/protagonist flees from what seems like an imprisonment in a building consisting of wards and personnel and from where people are being inexplicably taken away to be thrown into pits.he Adirondack Review. Allison Elliott. A review of Poena Damni Z213: Exit by Dimitris Lyacos.Fall 2010 New York USA. The fugitive leaves the "camp" to get to the nearby train station and starts a journey he records in a "found" bible-like booklet which he turns into his diary. As the journey continues a growing sense of paranoia ensuesDimitris Lyacos' Z213: Exit (Volume 1 of Poena Damni) Reviewed by Aaron Schneider, The Temz Review, Ontario, Canada, Issue 14, Winter 2021 https://www.thetemzreview.com/schneider-lyacos.htmlMarie Schutt. Dimitris Lyacos's Z213: Exit, a world gone mad. Liminoid Magazine, February 2017. http://www.liminoidmagazine.com/blog/2017/2/23/review-dmitri-lyacos-z213exit-a-world-gone-mad and the idea of being pursued becomes an increasingly central preoccupation. There are no pursuers to be identified, however, in the course of the journey and the supposed hunt remains a mystery until the end. The environment seems to allude to a decadent futuristic state of a totalitarian kind. The journey is mapped in an indeterminate way, though oblique references creating a feeling of a time/space vacuum. The narrator seems to be moving ahead while at the same time being engulfed in his own nightmarish fantasies.Z213: Exit by Dimitris Lyacos (Second Edition). Review by Max Goodwin Brown. Writing.ie. October 2017, Ireland. https://www.writing.ie/readers/z213-exit-poena-damni-by-dimitris-lyacos/. Prick of the Spindle Journal, April 2017. Alabama, USA (on hiatus).Decomp Magazine. Spencer Dew, Dimitris Lyacos' Z213: Exit. July 2011. 'Z213: Exit' ends with a description of a sacrifice where the protagonist and a "hungry band feasting" roast a lamb on a spit, cutting and skinning its still bleating body and removing its entrails as if observing a sacred rite.Cha An Asian Literary Journal, Issue 13, February 2011. Michael O' Sullivan. A philosophy of exits and entrances: Dimitris Lyacos' Poena Damni, Z213 ExitPoena Damni, A Review Essay by Toti O'Brien. Ragazine Magazine, May 2019, Los Angeles. https://www.ragazine.cc/poena-damni-poetry-review/ The mood is enhanced by the overriding waste-land setting, which could be (it is never explicit) the result of a war that has left the landscape in ruins. The general impression is reminiscent of a spiritual quest or an eschatological experience.Flucht als Heiligenpassion. Review by Peter Oehle. Fixpoetry, July 2020.https://www.fixpoetry.com/feuilleton/kritik/dimitris-lyacos/poena-damni-lyrik-trilogie Title The title of the book seems to present a case of overdetermination, and a variety of proposals by scholars and reviewers alike have been made, pointing at different directions within the text. There is a general impression that, given the book's content as an escapee's fictional diary, Z213 could indicate inmate unique number, ward or section in a supposed detention center. A number of other interpretations have been suggested as follows: 1) The time of the initial departure of the protagonist from the train station is 21.13. The same passage refers to Ulysses and Moses, two archetypal wanderers.The Adirondack Review. Allison Elliott. A review of Poena Damni Z213: Exit by Dimitris Lyacos.Fall 2010 New York USA. 2) In Matthew 2:13 an angel prompts Mary and Joseph to flee to Egypt in order to avoid Herod's massacre. 3) 1313 namely 13 repeated twice is the year of the Red(reed) sea crossing as well as the year of the revelation on the Mount Sinai.Timeline of Jewish History. http://www.askmoses.com/en/article/679,2107657/Timeline-of-Jewish-History.html 4) In 213 BCE major book burnings take place in China after decision by Emperor Qin Shi Huang. 5) 213 AD is the year of the implementation by Constitutio Antoniniana by which all freemen were given the right to Roman citizenship with the exception of the Dediticii. The book makes specific reference to them and to a state of statelessness. 6) The book makes oblique reference to an unnamed substance which seems to provoke states of hallucination: According to the book's character, the letter Z is the second letter of name of the substance followed by "some numbers".Dimitris Lyacos. Z213: Exit, Shoestring Press 2010, page 87. 7) The letter Z is related to the root of the word Azazel ( la-aza'zeyl), designating the scapegoat cast in the wilderness in Leviticus 16. Explicit reference to the Leviticus excerpt is made in the book.Dimitris Lyacos. Z213: Exit, Shoestring Press 2010, page 39. Themes Z213: Exit re-contextualizes elements from the greater Greek canon including the escaped hero and the devout wanderer.Review of Z213: Exit. Will Carter, Ezra Journal of Translation, vol. 12, Spring 2017. It revolves around a variety of interconnected themes, with the quest and the scapegoat,Dimitris Lyacos interviewed by Juliana Woodhead. The Writing Disorder. http://writingdisorder.com/dimitris-lyacos/ in both its social and its religious dimension, being predominant preoccupations. Through the escape and gradual alienation of the book's main character fleeing from a structure that is presented as a sort of confinement, an individual is shown to be the putative victim of a persecuting order. This is complicated further by the underlying trauma of a real or imagined social collapse whose details unfold in the course of the narrator's voyage. Exposure outside the limits of a familiar world is also detrimental to the composure of both self and reality which the narrator/author must reestablish. Banishment brings with it the strife to reconstruct a familiar universe, through formation of new and assimilation of, at times, incomprehensible, nightmarish or hallucinatory experiences.Genna Rivieccio, Z213: Exit. The Opiate Magazine, February 2017. https://theopiatemagazine.com/2017/02/12/poena-damni-z213-exit-by-dimitris-lyacos-gets-worthy-translation-from-shorsha-sullivan/ Reinventing a "personal reality", relating to others and seeking a metaphysically firm foundation are major concerns leading to existential angst and a growing sense of paranoia. Simultaneously, there is an effort to reach an absent God who seems to constantly recede away from the protagonist's reach, evoking experiences described by mystics of negative theology, Dante's Inferno and The Book of Job. Style Z213: Exit uses the device of the palimpsest to convey the various layers of its mythical, historical and fictional content. Beginning in medias res,Z213: EXIT by Dimitris Lyacos (Second Edition). Review by C.L. Bledsoe. Free State Review, October 2017, Maryland USA.https://freestater.wordpress.com/2017/10/03/z213-exit-by-dimitris-lyacos-translated-by-shorsha-sullivan/ it builds a sort of unsolvable lore around its narrator/protagonist, alternating poetry and prose in order to represent his inner thoughts and experiences. Poetic tropes combine interchangeably with an almost telegraphic style omitting articles and conjunctions,The Writing Disorder. Shorsha Sullivan, The art of translating. A note on translating Dimitris Lyacos's trilogy. 2012 while using the rhetorics of diary form; mainly colloquial, with violations and distortions of grammar. Free-floating sentencesA Review of the Trilogy by Talia Franks. Word for Sense, July 2020, Boston USA. https://word-for-sense.com/2020/07/10/book-review-poena-damni-trilogy-dimitris-lyacos-translation-shorsha-sullivan/ and lacunae form occasionally a broken unstructured syntax, seemingly tight but leaving enough loopholes through which subconscious fears are expressed. At the same time, there is rhythmic use of language creating a musicality in the midst of despair.g emil reutter, Z213: Exit, North of Oxford. https://northofoxford.wordpress.com/2017/02/03/z213-exit-poena-damni/ It has been noted that Z213: Exit exhibits the deep structure of tragedy - instead of its formal characteristics - and has thus been called a post-tragic work.Ilias Bistolas, Poena Damni - Z213: Exit. Southern Pacific Review, January 2017.http://southernpacificreview.com/2017/01/26/z213-exit/ Religious and visionary images as well as a biblical style of language,A Philosophy of Exits and Entrances: Dimitris Lyacos's Poena Damni, Z213: Exit by Michael O'Sullivan.http://www.asiancha.com/index.php?option=com_content&task=view&id=778&Itemid=280 predominate with the Old Testament (mostly Torah), and various ancient Greek texts being recurrent reference points. Sometimes external sources are amended and seamlessly integrated into the text becoming part of the protagonist's narrative. On the linguistic level the text itself creates a liminal and fragmented landscape thus depicting the fracture of temporal and spatial relations within the universe unraveled in the course of the journey. Ultimately, the text seems to obtain its own independent status, to consider, arrange and re-arrange itself.Fran Mason, Historical Dictionary of postmodern Literature and Theater, Dimitris Lyacos pp. 276-77. Second Edition, Rowman and Littlefield 2016. Publication history and reception The original Greek version (Greek title: Z213: ) was first published in 2009. The English translation by Shorsha Sullivan appeared in 2010 by Shoestring Press, followed by a second revised edition in 2016. The book, in its two editions, is the most widely reviewed work of contemporary Greek literature in translation. Critic Michael O' Sullivan hailed the book as "a wonderfully dark yet enticing description of what might be described as a philosophy of exits and entrances" and as "sitting comfortably among such works as Kafka's "Before the Law" and Beckett's short poem "My way is in the sand flowing". Literature critic and Robinson Jeffers scholar Robert Zaller considered the book as "one of the most important and challenging literary works to come from Greece in the past generation".Eucharist: Dimitris Lyacos's "With the People from the Bridge". Robert Zaller http://criticalflame.org/eucharist-dimitris-lyacoss-with-the-people-of-the-bridge/ The work is regarded as a characteristic exponent of the fragmentation technique in contemporary literaturePaul B. Roth, The Bitter Oleander, Volume 22, No 1, Spring 2016, New York. http://www.bitteroleander.com while at the same time perceived as an inheritor of epic poetry, molding the ancient storytelling tradition to a post-modern idiom.Vince Carducci, Bob Dylan: Nobel Laureate?http://www.publicseminar.org/2016/10/bob-dylan-nobel-laureate/#.WAXcY2UsxvY Z213: EXIT belongs to the canon of postmodern texts published in the new millennium and Lyacos' s Poena Damni trilogy is, arguably, the most significant Greek work in the course of postmodern literature and drama history.Fran Mason, Historical Dictionary of postmodern Literature and Theater, Chronology pp. xxx-xxxi. Second Edition, Rowman and Littlefield 2016. The trilogy, as a whole, is also categorized as an example of the postmodern sublime,Philip Shaw, The Sublime. Chapter: The Sublime is Now, p. 176. Routledge 2017. https://books.google.gr/books?id=XA-9DgAAQBAJ&pg=PT206&lpg=PT206&dq=dimitris+lyacos+postmodern&source=bl&ots=_tMteVbd0Y&sig=18IjAjY8pYa2bDDutlWCO5cZKvs&hl=en&sa=X&ved=0ahUKEwj7teHY68bTAhWCfhoKHaD1BG8Q6AEIWjAJ#v=onepage&q&f=false as well as one of the most important anti-utopian works of the 21st century. Commercially, the book has been one of the best-selling titles of contemporary European poetry in English translation.Garrett Phelps, Grab the Nearest Buoy: On Dimitris Lyacos's Poena Damni.Asymptote Journal, 2019. https://www.asymptotejournal.com/blog/2019/03/27/grab-the-nearest-buoy-on-dimitri-lyacos-poena-damni A new, revised version of Z213: Exit appeared in October 2016 while the full trilogy was published in a Box Set English Edition in 2018. Further reading Dimitris Lyacos' Z213: Exit (Volume 1 of Poena Damni) Reviewed by Aaron Schneider, The Temz Review, Ontario, Canada, Issue 14, Winter 2021. https://www.thetemzreview.com/schneider-lyacos.html * A 6000 words essay by Robert Zaller, analyzing Lyacos's trilogy in the Journal of Poetics Research: http://poeticsresearch.com/article/a-column-of-cloud-and-a-column-of-fire-dimitris-lyacos-poena-damni-by-robert-zaller/ Poena Damni, A Review Essay by Toti O'Brien. Ragazine Magazine, May 2019, Los Angeles. https://www.ragazine.cc/poena-damni-poetry-review. A special feature on Dimitris Lyacos's trilogy on the Bitter Oleander MagazineThe Bitter Oleander, Volume 22, No 1, Spring 2016, New York. http://www.bitteroleander.com including extensive excerpts and an interview with the author: http://www.bitteroleander.com/editor.html John Taylor interviews Dimitris Lyacos. Gulf Coast (magazine), Issue 30.1, Winter/Spring 2018, Houston USA, (pp. 277286)https://gulfcoastmag.org Overview of the Poena Damni trilogy in Cleaver Magazine: http://www.cleavermagazine.com/poena-damni-trilogy-by-dimitris-lyacos-reviewed-by-justin-goodman/ *An excerpt from the book in English translation in Asymptote Journal including the original Greek as well as an audio file of the piece recited by the author. http://www.asymptotejournal.com/poetry/dimitris-lyacos-z213-exit/ References Category:2009 novels Category:Greek novels Category:Postmodern novels Category:Fictional diaries Category:Dystopian novels
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