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Seven (Taylor Swift song)
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Wikipedia article
{{Infobox song
| name = Seven
| type = song
| artist = Taylor Swift
| album = Folklore
| released =
| recorded = 2020
| studio = Long Pond (New York)
| genre = Folk
| length = 3:29
| label = Republic
| writer =
* Taylor Swift
* Aaron Dessner
| producer = Aaron Dessner
| misc =
}}
"'Seven'" (stylized in all lowercase) is a song recorded by American singer-songwriter Taylor Swift, taken from her eighth studio album, 'Folklore', which was released on July 24, 2020, via Republic Records. Swift co-wrote the song with its producer, Aaron Dessner.
"Seven" is a folk song with nostalgic lyricism blending present and past perspectives, which convey a 30-year-old Swift introspecting on her childhood and recalling the purity of her relationship with an old friend, and the then 7-year-old Swift incapable of understanding the domestic violence her friend experienced but realizing it years later, respectively. The song is led by Swift's upper register over a swirling piano line, complemented by acoustic guitars, drums, and a variety of strings.
The song garnered universal acclaim from music critics, many of whom chose it as a standout on 'Folklore' for dealing with a sensitive topic like child abuse, and lauded its experimental composition and Swift's "lustrous" vocals, in addition to the undertones indicating the subject's queerness. Following the release of 'Folklore', "Seven" debuted at number 35 on the 'Billboard' Hot 100, number 11 on the 'Rolling Stone' Top 100, and number 7 on the US Hot Rock & Alternative Songs, simultaneously with the album's 15 other songs. It also reached the top 30 in Australia, Canada, Malaysia, and Singapore.
Background and release
All tracks of 'Folklore' were conceived by Swift as imageries and visuals from her deep subconscious, a result of her imagination "running wild" while isolating herself during the COVID-19 pandemic. "Seven" was the second song that Swift and her co-writer and producer, Aaron Dessner, wrote for the album, following "Cardigan". Dessner recalled that "Cardigan" and "Seven" laid out the roadmap for writing the rest of the album. He classified the song as "wistful and nostalgic", a contrast to its "hazy" predecessor "Mirrorball" and the following track "August", which he viewed as the most pop song on the record. Describing the writing process as "looking back at childhood and those childhood feelings, recounting memories and memorializing them," he identified the lyric "And just like a folk song, our love will be passed on" as a defining moment of 'Folklore', commemorating friendship and nostalgia.
On July 23, 2020, Swift announced that her eighth studio album, 'Folklore', would come out at midnight and revealed its track listing, where "Seven" placed seventh. In the primer that preceded the release, Swift teased imageries of various tracks, with "Seven" being about "the tree swing in the woods of my childhood. Hushed tones of let's run away" and never doing it." Lyric videos of each song on the album were released to Swift's YouTube channel; "Seven" has since garnered over 10.7 million views as of August 2021. The song was also included in 'Folklore: The Escapism Chapter' and 'Folklore: The Saltbox House Chapter', streaming compilations by Swift released on August 21 and August 27, 2020, respectively.
Composition and lyrics
"Seven" is a nostalgic and "wistful" folk song innocently presenting "the pureness of childhood friendship" being dragged out of a seven-year-old Swift by her inability to comprehend the emotional and physical abuse of her friend from their parents. The song also describes young Swift's naive efforts to help her friend's escape from the abusive household, and run away to India. The song switches between the use of past and present tense. The song hints at her witness of the abuse and her inability to stop it in lyrics such as: "And I've been meaning to tell you / I think your house is haunted / Your dad is always mad and that must be why / "And I think you should come live with me / And we can be pirates".
Several lines also see Swift "pay tribute" to the innocence of her infancy, reminiscing the purity of her relationship with her friend, whom she cannot fully remember. Rebecca Karpen of 'PopMatters' compared the themes of childhood nostalgia and the inevitability of growing up to her songs "Stay Beautiful" and "Mary's Song (Oh My My My)" from her self-titled debut album (2006), "The Best Day" from 'Fearless' (2008)',' "Never Grow Up" from 'Speak Now' (2010), and her 2012 charity single "Ronan". Eric Mason of 'Slate' highlighted the song's summer imagery, comparing it to that of "August" and "Betty". The lyric "Or hide in the closet" also possibly alludes to her friend's queerness.
Musically, the song is set in the key of E major with a tempo of 95 beats per minute. Swift uses her upper register, and her vocals span from E3 to B4. The song is instrumented by flurrying piano in conjunction with acoustic guitar, drums, cello, viola, and violin. Its melody mimics the movement of a pendulum, elongating at its high point before rushing down and rising up again.
Critical reception
Rebecca Karpen of 'PopMatters' described the song as "heartbreaking" and found its narrative "horrifying", with a young Swift failing to understand her friend's abuse, stating that it made her "cry in the middle of 4th Avenue in broad daylight." Jon Caramanica of 'The New York Times' described the song as "intriguing" with the "ethereally lustrous" vocals and experimentation with tone variation. Rob Sheffield's 'Rolling Stone' review approved of Swift's turn from her traditional autobiographical storytelling, instead favoring "let[ting] these characters tell their own stories." Sheffield ranked it as her 19th best song in Swift's catalogue back then (out of 173 in total), praising the "mystery that gets more confusing she (sic) tries to live with it." Katherine Rodgers of 'The Quietus' said that "Swift's reedy voice jostled for dominance over several, fussy layers of intricate melody".
'New Statesman' critic Anna Leszkiewicz defined the song as "a deft elegy to the lost unselfconsciousness of childhood". In a review published in 'The Guardian,' Laura Snapes described the loss of innocence depicted in "Seven" and the self-interrogation it reflects as "devastating." Music journalist Robert Christgau preferred the youth-tinged themes of "Seven" to the more mature songs on the album. Max Heilman of 'Riff Magazine' praised Swift's indie folk approach to the narrative and her vocal dynamic in "Seven". Others praised the lyric "Then you won't have to cry / Or hide in the closet" for its allusions to her friend's queerness. 'Slate' Carl Wilson opined that "writing of child abuse with this lightness of touch is a feat".
Several critics pointed to the song as highlight on 'Folklore'. Roison O'Connor chose it as the "most moving song on the album." While acknowledging Swift's dramatic turn from her previous pop music, Jody Rosen of the 'Los Angeles Times' described "Seven" as a staple nostalgic track, comparing it to her earlier work narrating childhood friendship. Rosen chose it as "possibly the album's prettiest moment" and highlighted the feminist themes in the lyric "Before I learned civility / I used to scream ferociously / Anytime I wanted." In an NPR critics roundtable, Ann Powers chose "Seven" as a standout on 'Folklore', arguing it defined 'Folklore'
Mikael Wood of the 'Los Angeles Times' ranked it as the 5th best song on the album, praising the "narrative experimentation", while Jason Lipshutz of 'Billboard' placed it at 3rd, praising the production, instrumentals, and the imagery "steeped in authenticity". Eric Mason of 'Slate Magazine' ranked it second (behind "Exile"), describing it as "one of 'Folklore's most chilling moments" and praising its maturity compared to her earlier works reflecting childhood friendship and unstable family relationships. Callie Ahlgrim and Courteney Larocca of 'Insider' chose "Seven" as among the seven best tracks on the album and referred to its nostalgic lyrics as "pure whimsical magic," comparing the chorus to "a shot of espresso." Ryan Leas of 'Stereogum' wrote that it "leveled [him] each listen" and ranked it as his 4th favorite song of 2020. On the other hand, Jillian Mapes' review of 'Folklore' published in 'Pitchfork' argued that while the track is not a "wild misstep", it is disposable compared to the rest of the songs on the album.
Commercial performance
Following the release of 'Folklore', "Seven" debuted at number 35 on the 'Billboard' Hot 100 chart alongside the album's 15 other songs and at number 11 on the 'Rolling Stone' Top 100. Additionally, the song debuted at number seven on the 'Billboard' Hot Rock & Alternative Songs chart. The song reached the top 20 in Australia, Malaysia, and Singapore.
Usage in media
"Seven" is played during the closing credits of 2022 coming-of-age drama film 'Summering'.
Credits and personnel
Credits adapted from Tidal and the album booklet.
* Taylor Swift vocals, songwriting
* Aaron Dessner songwriting, production, recording, acoustic guitar, bass, drum programming, percussion, piano, synthesizer
* JT Bates drums, recording
* Bryce Dessner orchestration
* Bryan Devendorf drum programming, recording
* Clarice Jensen cello, recording
* Jonathan Low mixing, recording
* Randy Merrill mastering
* Kyle Resnick engineering, recording
* Yuki Numata Resnick viola, violin
Charts
Weekly charts
Year-end charts
References
Category:2020 songs
Category:Taylor Swift songs
Category:American folk songs
Category:Songs written by Taylor Swift
Category:Songs written by Aaron Dessner
Category:Song recordings produced by Aaron Dessner
Category:Songs about childhood
Category:Songs about children
Category:Songs about child abuse
Category:Songs about nostalgia
Category:Songs about Pennsylvania
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