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Block Rockin' Beats
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Wikipedia article
{{Infobox song
| name = Block Rockin' Beats
| cover = Blockrockinbeats.jpg
| alt =
| type = single
| artist = the Chemical Brothers
| album = Dig Your Own Hole
| B-side = "Morning Lemon"
| released =
| recorded =
| studio = Orinoco (South London, England)
| genre =
| length =
| label = Freestyle Dust
| writer =
| producer = The Chemical Brothers
| prev_title = Where Do I Begin
| prev_year = 1997
| next_title = Elektrobank
| next_year = 1997
| misc =
}}
"'Block Rockin' Beats'" is a song by British big beat duo the Chemical Brothers. Released in March 1997 as the second single and opening track from their second studio album, 'Dig Your Own Hole' (1997), it topped the UK Singles Chart and peaked at number 40 on the US 'Billboard' Modern Rock Tracks chart. It received a Grammy Award for Best Rock Instrumental Performance.
Two different edits of "Block Rockin' Beats" exist: the version found on 'Dig Your Own Hole' has an intro, while the version released as a single begins with the bass line. The B-side "Morning Lemon" is also available on the second disc of the limited edition 'Singles 9303'.
'Blender' listed the song on number 346 on its ranking of "Greatest Songs Since You Were Born" in 2005. 'LA Weekly' put it at number 14 in their list of "The 20 Best Dance Music Tracks in History" in 2015.
Samples
The drums are sampled from "Changes" by Bernard Purdie. The vocals, "Back with another one of those block rockin' beats" is a sample from American rapper Schoolly D's 1989 song "Gucci Again".
Another reviewer wrote that the track uses (without compensation) the bass line from the track "Coup" by 23 Skidoo.[http://www.emimusicpub.com/worldwide/artist_profile/simon-boswell_profile.html] The opening bass riff resembles the intro from the Pink Floyd song "Let There Be More Light", while the bass sound has been sampled from The Crusaders' song "The Well's Gone Dry".Look for equal entries in WhoSampled's [http://www.whosampled.com/search/?q=block+rockin%27+beats page for 'Block Rockin Beats'] and [http://www.whosampled.com/search/?q=B-Boy+Bouillabaisse the one for 'B-Boy Bouillabaisse,'] for the latter song is using apparently the same sample.
"Morning Lemon" opens with a vocal sample of a man singing "Morning lemon", and ends with a sample of Ice Cube saying "Take that, motherfuckers!" (from his song "What They Hittin' Foe?").
Critical reception
Stephen Thomas Erlewine from AllMusic noted "the slamming cacophony" of the song, "where hip-hop meets hardcore techno, complete with a Schoolly D sample and an elastic bass riff." He added, "Everything is going on at once in "Block Rockin' Beats", and it sets the pace for the rest of the record, where songs and styles blur into a continuous kaleidoscope of sound." Jack Needham from BBC commented, "Not only was the song an undeniable ear worm, but it took the art of sampling to a new level - borrowing its drums from Bernard Purdie and its vocals from US rapper Schoolly D. There have even been suggestions that the track covertly samples Pink Floyd too." Larry Flick from 'Billboard' described it as a "genre-spanning revelation", and stated that "after one spin, you'll be chanting the hook for hours, and the blend of scratchy funk beats and acidic keyboards are sure to get the body moving." A writer for 'Complex' said that "there was something about the combined fury of that Schoolly D vocal sample, that hypnotic bassline and those big drums that turned this one into an anthem for the breakbeat set."
The Daily Vault's Sean McCarthy commented, "Beginning with a funky bass beat, the music explodes with a blast of sonic fury. The music itself is fit for dance halls, but what's striking about the leadoff track is the confidence that Simmons and Rowlands display". David Browne from 'Entertainment Weekly' noted "the burning-down-the-disco break beats". Irish newspaper 'Evening Herald' said tracks like this are based on infectious melodies "that stick in your head for ages."'Evening Herald'. 27 November 1997. p. 26. Retrieved 27 November 2020. Sally Stratton from 'Music & Media' noted its "frenetic pace". British magazine 'Music Week' rated it four out of five, adding that "this chunky techno/hip hop sound clash finds the Chemicals at their most in-your-face". Gerald Martinez from 'New Sunday Times' viewed it as "thunderous". A reviewer from 'People Magazine' said that on the "cacophonous, turbo-charged" track, the duo "borrow heavily from hip hops cut-and-paste production methods". Terri Sutton from 'Salon' described it as "incorrigible", with its "frantic faux guitar interplay, funky bass and underwater detonations." 'Sunday Mirror' commented, "The dance kings follow up the Noel Gallagher flavoured No 1 Setting Sun with an even noisier mess of thumping drums and wailing guitars. No celebrity vocals this time but who needs them.""SINGLES OF THE WEEK". 'Sunday Mirror'. 23 March 1997. p. 33. Retrieved 27 November 2020.
Track listings
Credits and personnel
Credits are lifted from the 'Dig Your Own Hole' album booklet.
'Studios'
* Recorded at Orinoco Studios (South London, England)
* Mastered at The Exchange (London, England)
'Personnel'
* The Chemical Brothers production
** Tom Rowlands writing
** Ed Simons writing
* Schoolly D writing (as Jesse Weaver)
* Steve Dub engineering
* Mike Marsh mastering
Charts and certifications
Weekly charts
Year-end charts
Certifications
References
Category:1997 singles
Category:Grammy Award for Best Rock Instrumental Performance
Category:UK Singles Chart number-one singles
Category:The Chemical Brothers songs
Category:1997 songs
Category:Astralwerks singles
Category:Songs written by Tom Rowlands
Category:Songs written by Ed Simons
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