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Hum Dekhenge

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Wikipedia article






'Hum Dekhenge' ( - In english 'We shall see') is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmad Faiz. Originally written as 'Va Yabq Vajhu Rabbika (And the countenance of your Lord will outlast all)', it was included in the seventh poetry book of Faiz -- 'Mere Dil Mere Musafir'.

Background



The nazm was composed as a medium of protest against Zia Ul Haq's oppressive regime. It gained a rapid cult-following as a leftist song of resistance and defiance, after a public rendition by Iqbal Bano at Alhamra Arts Council[http://www.dawn.com/news/944800/iqbal-bano-ghazal-personified Iqbal Bano ghazal personified] Dawn (newspaper), published 22 April 2009, Retrieved 21 June 2018 on 13 February 1986, ignoring the ban on Faiz's poetry., Retrieved 21 June 2018

Themes



Faiz employs the metaphor of traditional Islamic imagery to subvert and challenge Zia's fundamentalist interpretation of them; Qayamat, the Day of Reckoning is transformed into the Day of Revolution, wherein Zia's military government will be ousted by the people and democracy will be re-installed.

In popular culture



Media

The song was recreated in Coke Studio Season 11 on 22 July 2018, under the aegis of Zohaib Kazi and Ali Hamza. In the movie The Kashmir Files (2022), it was depicted as being sung by students of Jawaharlal Nehru University to as a song of protest Kumkum Chadha, [http://tehelka.com/the-kashmir-files-pedalling-a-half-truth/ The Kashmir Files: Pedalling a half truth], Tehelka, 1 April 2022.

Protests

The poem gained importance in protests against Pervez Musharraf in the early 2000s.

During the Citizenship Amendment Act protests in India, faculty members of IIT Kanpur took issue with 'Hum Dekhenge' being sung by protesting students in the campus, and alleged it to be "anti-Hindu". The IIT instituted a commission to look into the issue. The student media body rejected the charges as being misinformed and communal, which divorced the poem from its societal context.

Notes and references



Notes



References




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