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West End Girls
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Wikipedia article
{{Infobox song
| name = West End Girls [1984 version]
| cover = WestEndGirls.jpg
| alt =
| caption = 12-inch single cover
| type = single
| artist = Pet Shop Boys
| album =
| B-side = Pet Shop Boys
| released = 9 April 1984
| recorded = 1984
| studio = Unique Recording (New York City)
| genre = Synth-pop
| length = 4:45
| label = Bobcat
| writer = * Neil Tennant
* Chris Lowe
| producer = Bobby Orlando
| prev_title =
| prev_year =
| next_title = One More Chance
| next_year = 1984
| misc =
}}
"'West End Girls'" is a song by English synth-pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. The song's lyrics are concerned with class and the pressures of inner-city life which were inspired partly by T. S. Eliot's poem 'The Waste Land'. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo's career.
The first version of the song was produced by Bobby Orlando and was released on Columbia Records' Bobcat Records imprint in April 1984, becoming a club hit in the United States and some European countries. After the duo signed with EMI, the song was re-recorded with producer Stephen Hague for their first studio album, 'Please'. In October 1985, the new version was released, reaching number one in the United Kingdom and the United States in 1986.
In 1987, the song won Best Single at the Brit Awards, and Best International Hit at the Ivor Novello Awards. In 2005, 20 years after its release, the song was awarded Song of The Decade between the years 1985 and 1994 by the British Academy of Composers and Songwriters. A critic's poll in 2020 by 'The Guardian' selected "West End Girls" as the greatest UK number-one single.
The song was performed by the Pet Shop Boys at the 2012 Summer Olympics closing ceremony.
Background
Recording and production
Bobby O versionIn 1983, Neil Tennant met producer Bobby Orlando, while on an assignment in New York interviewing Sting for 'Smash Hits'. After listening to some demos, Orlando offered to produce for the duo.
In 1983 and 1984, the duo recorded twelve songs with Orlando at Unique Studios in New York, "West End Girls", "Opportunities (Let's Make Lots of Money)", "One More Chance", "I Want a Lover", "Thats My Impression", "A Man Could Get Arrested", "I Get Excited", "Two Divided by Zero", "Rent", "It's a Sin", "Pet Shop Boys", and "Later Tonight". Orlando played most of the instruments on "West End Girls", including the jazz riff at the end. Lowe played one chord and the bassline. It included a drum part lifted from Michael Jackson's "Billie Jean", and an arrangement involving what Tennant called "Barry White chords". Orlando was thrilled by the song's production; his idea was to make a rap record in a British accent.
In April 1984, "West End Girls" was released, becoming a club hit in Los Angeles and San Francisco, and a minor dance hit in Belgium and France, but was only available in the United Kingdom as a 12-inch import. In March 1985, after long negotiations, Pet Shop Boys cut their contractual ties with Orlando, and hired manager Tom Watkins, who signed them with EMI.
Stephen Hague version
An entire week had been spent re-recording and rearranging "West End Girls" with producer Stephen Hague at Advision Studios, using Studio Two housed with an Otari 24-track tape machine and an SSL console.
The song, according to engineer David Jacob, was musically "constructed with only four basic rhythmical patterns throughout", with no 'real' instruments production-wise except for one cymbal. The rhythmic foundations were laid down with an Oberheim DMX drum machine. In addition to that, the synthesizer strings that run throughout the song were created using a blend of string sounds from an E-mu Emulator I and an Emulator II.
The bass part is a composite of different sounds from an Emulator II, a Yamaha DX7 and a Roland Jupiter-6, all of which were MIDId together. It had been played by hand to "lend more fluidity to the track", although initially there was a bit of difficulty in keeping the part in time with the drum machine.
The song features a cowbell-like sound, which is in fact a combination of a cowbell and an Emulator II choir sound recorded into a Roland MSQ-700 sequencer, and spun in manually at appropriate places in the song.
The trumpet solo in this version was played by Hague on the Emulator. According to Jacob, "it took about six hours to get the trumpet to sound genuine, purposely playing wrong notes to make it sound more 'jazz'".
For the traffic noise that runs in the beginning, Hague recorded it using a Sony Professional Walkman out on Gosfield Street outside Advision.
In addition to the rap verses and choruses sung by Tennant (each using different microphones - one for verse and another for choruses), singer Helena Springs was brought in to sing background vocals - parts of these were sampled into the Emulator to be used wherever wanted in the track.
They re-released the song in late 1985, topping the charts in both the UK and the US.
Music and lyrics
"West End Girls" is a synth-pop song influenced by hip hop music. The song's socially conscious streak, as well as the propulsive bass line, derives from Grandmaster Flash's protest rap song "The Message". Lowe and Hague created a "snaky, obsessive rhythm punch" for the music, replacing the song's previously sparse beats and minimal keyboard lines.
Tennant started to write the song when he was staying at his cousin's house in Nottingham while watching a gangster film. Just when he was going to sleep he came up with the lines: "Sometimes you're better off dead, there's a gun in your hand and it's pointing at your head". The lyrics were inspired by T.S. Eliot's poem 'The Waste Land', particularly in the use of different narrative voices and arcane references. The song's lyrics are largely concerned with class, inner-city pressure. Tennant later said that some listeners had assumed the song referred to prostitutes, but was actually, "about rough boys getting a bit of posh."
Sound-wise, the 1985 version also features a considerably smoother arrangement than the 1984 version, trading out the collage of disjointed samples (such as glass breaking and Tennant shouting the word "I") in favour of soft synth pads and Hague's Emulator trumpet solo. At the same time, however, the 1985 version starts off like a film noir", opening with ambient traffic sounds not heard in the 1984 version. In the liner notes to the 2001 reissue of 'Please', Tennant noted that this was born out a desire for "filmic" music.
The 1985 single has also been described as dance-pop, disco, and new wave.
Critical reception
"West End Girls" has been generally well received by music critics. Stephen Thomas Erlewine from AllMusic in a review of the album 'Please' called the song "hypnotic", adding that "it's not only a classic dance single, it's a classic pop single". In a review for the group's second studio album 'Actually', Rob Hoerburger from 'Rolling Stone' magazine commented that "West End Girls" was "as catchy as anything on the radio in 1986", praising "its enticing bass line and foreboding synth riffs", but felt that it was almost "nullified by peevish spoken asides and the cryptic posturing of the duo's lyrics". In a review of the live album 'Concrete', Michael Hubbard from musicOMH said that "West End Girls" was one of the songs that "round out a collection that never feels too long or superfluous", adding that it "goes some way to installing Tennant and Lowe as national treasures".
'Cash Box' called it "a sensational pop single." 'Billboard' called it a "cannily haunting song" in which "disco meets sociology, rap and the Al Stewart catalogue."
Nitsuh Abebe from 'Pitchfork', in a review of their compilation album 'PopArt: Pet Shop Boys - The Hits' commented that in the song "we meet Tennant not as a singer, but as a speaker", adding that "he mumbles the verses to us not like a star, but like a stranger in a raincoat, slinking alongside you and pointing out the sights".
In 1987, "West End Girls" won for Best Single at the Brit Awards, and for Best International Hit at the Ivor Novello Awards. In 2005, the British Academy of Composers and Songwriters gave to 'West End Girls' the Ivor Novello Award for Song of The Decade between the years 1985 and 1994.
In 2015, the song was voted by the British public as the nation's 12th favourite 1980s number one in a poll for ITV. In 2020, 'The Guardian' selected "West End Girls" as number one in a critics' poll of the 100 greatest UK number-one singles. It was ranked No. 433 on 'Rolling Stone's "Top 500 Greatest Songs of All Time" in 2021.
Music video
The music video for "West End Girls" was directed by Andy Morahan and Eric Watson, and consists of shots of the duo around London.
At the beginning of the video, noises from the city can be heard, a camera passes Lowe on the street, and focuses on mannequins in a shop window. Then appears a sequence of quick cuts with shots of the city's different sub-cultures; the video freezes and cuts to Tennant and Lowe, who walk through an empty Wentworth Street in Petticoat Lane Market. They stand in front of a red garage door; Tennant is in front dressed with a long coat, white shirt and dark necktie, directly addressing the camera, with Lowe standing behind him with a blank expression. Lowe is filmed in double-exposure and appears almost ghostlike. In other shots, Tennant power-walks imperiously while Lowe casually follows behind. While Tennant delivers the lyrics and chorus directly at the viewer, Lowe appears at times disinterested in the proceedings or preoccupied with other goings-on around them.
Then the video shows various shots at Waterloo Station, as the chorus starts. In slow motion, the camera pans across the WHSmith shop on the station concourse as the duo walk past. It cuts to a brief shot of a No. 42 red double-decker bus, showing the destination as Aldgate, also advertising the stage-show 'Evita', then black and white shots of the Tower Bridge, Westminster and the Westminster Palace Clock Tower from the sky. The duo poses on the South Bank of the River Thames in a pastiche of a postcard image, with the Houses of Parliament as a background.
The camera shows shots of young women, and passes through arcades and cinemas in Leicester Square. The camera now passes South Africa House showing protestors in the Non-Stop Picket, an anti-apartheid vigil. The video cuts to a closeup of Tennant singing the chorus, with a purple neon sign eerily passing across his face. At the end the camera passes again through Leicester Square, where people queue to see 'Fletch' and 'Desperately Seeking Susan'. The video was nominated for Best New Artist in a Video at the 1986 MTV Video Music Awards, but lost to A-ha's "Take On Me".
Commercial performance
"West End Girls" was first released in April 1984 through writer and producer Bobby Orlando's label. The song was a club hit in the United States, and in some European countries, such as Belgium, where it debuted at number 24 on the VRT Top 30 chart on 28 July 1984, peaking at 17 four weeks later. In Canada, "West End Girls" first entered the 'RPM' singles chart in April 1985, reaching a peak position of 81 in June 1985.
Having signed with EMI, the group released their first major label single "Opportunities (Let's Make Lots of Money)" in mid-1985, but it failed to attract attention. The Pet Shop Boys then decided to re-record "West End Girls", and issue this new version as a single. Producer Stephen Hague helmed the new, re-recorded version of "West End Girls".
The re-recorded version of "West End Girls" was released in the United Kingdom in October 1985, debuting on the UK Singles Chart at number 80, and within eight weeks of its release it had reached the top of the chart. It maintained the number one position for two weeks and received a gold certification by the British Phonographic Industry (BPI) in January 1986. Across Europe, "West End Girls" also topped the singles chart in Norway, as well as peaking in the top three in Belgium, Germany, Ireland, the Netherlands, Sweden, and Switzerland.
In Canada, where the original recording of "West End Girls" had already been a minor hit in 1985, the re-recorded version was issued as a single in early 1986. The re-recorded song entered the chart in March 1986, peaking at number one for one week on 17 May 1986. In the United States, 'West End Girls' debuted on the 'Billboard' Hot 100 at number 71, reaching the number one position on 10 May 1986, and remained on the chart for 20 weeks. The song also peaked at number one on 'Billboard's Hot Dance Music/Club Play chart for two weeks.
"West End Girls" re-entered the charts in February 2021 as Pet Shop Boys received some exposure in early 2021 thanks to the premiere of the Channel 4 series 'It's a Sin', named after the song of the same name, and a popular Allstate Super Bowl ad featuring the song "Opportunities (Let's Make Lots of Money)". Consequently, several singles have re-entered the charts, with "Opportunities" having reached number one in February 2021 on 'Billboard' Dance/Electronic Digital Song Sales chart and spending three consecutive weeks atop the chart. "West End Girls" re-charted with the latter song, re-entering the charts for the week of 27 February 2021 at number nine on the Dance/Electronic Digital Song Sales chart, nearly having switched places in chart rankings with "Opportunities" from their 1986 entries. The song rose to number six on the chart for the week of 12 March 2021.
Track listings
* '7-inch UK (1984 release)'
#"West End Girls" (Nouvelle version) 4:10
#"Pet Shop Boys" 5:10
* '12-inch UK (1984 release)'
#"West End Girls" (extended mix) 7:50
#"Pet Shop Boys" 5:10
* '7-inch Belgium (1984 release)'
#"West End Girls" (Nouvelle version) 4:10
#"Pet Shop Boys" 5:10
* '7-inch Germany (1984 release)'
#"West End Girls" (Nouvelle version edit) 3:21
#"Pet Shop Boys" (Edit) 3:26
* '7-inch Canada (1984 release)'
#"West End Girls" (Original 7 version) 4:14
#"West End Girls" (Original 7 version) 4:14
Note: The titles 'Nouvelle version' and 'original 7 version' do not appear on any releases. They are names created by fans in order to distinguish the different versions.
* '7-inch UK (1985 release) Parlophone / R 6115'
#"West End Girls" 3:55
#"A Man Could Get Arrested" (7 version) 4:50
* '10" limited edition UK (1985 release) Parlophone / 10R 6115'
#"West End Girls" (10" mix) 7:05
#"A Man Could Get Arrested" (Bobby Orlando version) 4:18
* '12-inch UK (1985 release) Parlophone / 12R 6115'
#"West End Girls" (dance mix) 6:31
#"A Man Could Get Arrested" (12 version) 4:09
#"West End Girls" 3:55
* '12-inch The Shep Pettibone Mastermix UK (1985 release) Parlophone / 12RA 6115'
#"West End Girls" (The Shep Pettibone Mastermix) 8:09
#"West End Dub" 9:31
#"A Man Could Get Arrested" (12 version) 4:09
Credits and personnel
1984 Bobby O version
*Neil Tennant vocals*Chris Lowe keyboards, bassline
with:
*Bobby Orlando - keyboards, synthesizers
1985 Stephen Hague version
*Neil Tennant vocals*Chris Lowe synthesizers, E-mu Emulator
with:
*Stephen Hague - synthesizers, Emulator "trumpet" solo
*Helena Springs - background vocal
Charts
Weekly charts
Year-end charts
Certifications
East 17 version
In 1993, English boy band East 17 covered "'West End Girls'" for their debut album, 'Walthamstow' (1993).
Track listings
* '7-inch single':A. "West End Girls" (Faces on Posters Mix)
:B. "West End Girls" (Kicking in Chairs)
Charts
Weekly charts
Year-end charts
Certifications
References
Bibliography
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