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Lamento Borincano

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Wikipedia article




'"Lamento Borincano"' ('Puerto Rican Lament') is Rafael Hernndez Marn's acclaimed composition in Puerto Rico's patriotic tradition. It takes its name from the free musical form Lament (Latin, 'lmentor'), and from Borinquen, an indigenous name for the island. Hernndez released the song in 1929 to illustrate the economic precariousness that had engulfed the Puerto Rican farmer since the late-1920s' Puerto Rico. It became an instantaneous hit in Puerto Rico and its popularity soon followed in many Latin American countries. Renowned international artists have sung it and featured it in their repertoire.

In 2018, the original 1930 recording of the song by Canario y Su Grupo was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant."

History



Hernandez composed the song while he lived in New York City, in Spanish Harlem. That same year, he also wrote his masterpiece, "Preciosa". In 1947, Hernndez returned to Puerto Rico to become an orchestra director at the government-owned WIPR Radio.[http://www.musicofpuertorico.com/index.php/artists/rafael_hernandez/ Hernandez Marin, Rafael][http://www.enciclopediapr.org/ing/article.cfm?ref=10031702&highlight=%2Blamento%20%2Bborincano 'Rafael Hernndez Marn.'] Encyclopedia Puerto Rico. 6 February 2014. "Lamento Borincano" was interpreted by dozens of artists and became an important part of Puerto Rican culture.

In 1929, 17-year-old Davilita met Rafael Hernndez by chance. Davilita got along quite well with Hernndez Marn and was able to see the unfinished version of Hernandez's "Lamento Borincano". Davilita asked Hernandez if he could record the song, but Hernandez thought that Davilita was too young and declined his request. The song was to be recorded by bandleader Manuel "Canario" Jimnez and his band. A musician named Ramon Quiroz became ill on the day of the recording, so Davilita ended up as lead vocals, with Fausto Delgado on backup.[http://www.musicofpuertorico.com/index.php/artists/davilita/ music of Puerto Rico]

Theme



The song reflects the economic situation of the poor farmers in the Puerto Rico of the 1920s leading to the Great Depression. The song starts with a cheerful and optimistic tone, presenting the . The (diminutive of 'jbaro') is a self-subsistence farmer and descendant of the intermixing of Tano and Spaniards during the 16th century, who is the iconic reflection of the Puerto Rican people of the day. The was a farmer-salesman who would also grow enough crops to sell in the town in order to purchase clothing and other goods for his family. The song speaks of the walking with his donkey loaded with fruits and vegetables from his plot of land and heading to town to sell his load, but, disappointed to see the poverty prevalent even in town and unable to sell his load, the returns home with his load unsold. The song thus ends with a sad, melancholic tone. The song does not name Puerto Rico by its modern name, instead using its former pre-Columbian name, 'Borinquen'.[https://web.archive.org/web/20120813084540/http://orgs.bloomu.edu/gasi/2011%20pdfs/Reimer.pdf 'Preciosa: The People, History, and Music of Puerto Rico.'] Mark U. Reimer. Christopher Newport University. Proceedings of the May 2010 Conference of the Global Awareness Society International in San Juan, Puerto Rico. Page 11. May 2010. Retrieved 7 February 2014.

Chorus



The chorus reads,

Though Rafael Hernndez names the Puerto Rican poet Jos Gautier Bentez, some artists who have recorded the song have replaced his name with the word 'Gotier' in place of 'Gautier'.

Recordings



Following is a partial listing of recordings of the song by different artists.

* Marco Antonio Muiz. Los Grandes Exitos de Marco Antonio Muiz (RCA International, 1983)

* Gilberto Monroig. Grandes Compositores, Rafael Hernandez: Volumen 3 (Polygram Records, 1994)

* Javier Sols. Personalidad: 20 Exitos (Sony Discos, 2002)

* Alfonso Ortiz Tirado. Original version of the song that became an immediate hit

* Paco de Luca (duet with Ramn de Algeciras). En Hispanoamrica

* Chavela Vargas

* Franck Pourcel. Instrumental

* Banda Los Escamilla. Album: La Consentida (2004)

* Conjunto Primavera

* Caetano Veloso

* Ginamaria Hidalgo

* Chelito de Castro (with Juan Carlos Coronel)

* Alfredo Kraus

* Plcido Domingo

* scar Chvez

* Pedro Infante

* Roberto Torres

* Toa la Negra

* Vctor Jara ('Canto libre', 1970)

* Daniel Santos

* Estela Raval y Los 5 Latinos

* Radio Pirata Version Rock

* Marc Anthony ('Vali la Pena', 2004)

* Los Indios Tabajaras Instrumental

* Leo Marini

* Facundo Cabral

* Pedro Vargas

* La Lupe (with Tito Puente)

* Los Panchos

* Jos Feliciano (with Luis Fonsi) ('Jos Feliciano y Amigos', 2006)

* Enrique Cardenas Instrumental

* Marc Anthony, Ednita Nazario, Gilberto Santa Rosa and Ruth Fernndez in the Banco Popular de Puerto Rico special, "Romance del Cumbanchero".

* Edith Mrquez

* Ainhoa Arteta

* Cuco Snchez

* Carlo Buti

* Luciano Tajoli

* William Cepeda Version Bomba

* Las Acevedo, a Tribute to Chavela Vargas [https://web.archive.org/web/20140207020432/http://lachamana.chavelavargasoficial.com/ 'La Chamana.']

* Trio Los Andinos with Carmin Vega in "Los Andinos: Homenaje a Rafael Hernandez, con Carmin Vega". (2003, Disco Hit Productions)

References




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