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Blue Bayou (film)
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Wikipedia article
{{Infobox film
| name = Blue Bayou
| image = Blue Bayou (film).jpg
| caption = Theatrical release poster
| director = Justin Chon
| producers =
| writers = Justin Chon
| starring =
| editing = Reynolds Barney
| music = Roger Suen
| cinematography =
| studio =
| distributor =
| released =
| runtime = 119 minutes
| country = United States
| language = English
| budget =
| gross = $951,011
}}
'Blue Bayou' is a 2021 American drama film written and directed by Justin Chon. The film stars Chon, Alicia Vikander, Mark O'Brien, Linh Dan Pham, Sydney Kowalske, Vondie Curtis-Hall and Emory Cohen.
'Blue Bayou' had its world premiere at the Cannes Film Festival in July 13, 2021 and was released in the United States on September 17, 2021, by Focus Features.
Plot
Antonio LeBlanc is a Korean-American adoptee and tattoo artist living outside New Orleans with his pregnant wife Kathy, a rehabilitation nurse, and her daughter Jessie. Due to his criminal record, he is unable to find additional employment to support his family, though Kathy offers to resume working to help make ends meet.
After being physically harassed by NOPD officers Ace and Denny, the former being Jessies absent biological father, Antonio is violently arrested. He is placed into ICE custody and faces deportation when it is revealed that his adoptive parents never naturalized him pursuant to Child Citizenship Act of 2000. Antonio and Kathy seek to appeal his deportation with the help of immigration lawyer Barry Boucher, who requests a $5,000 retainer. Barry warns, however, that if his appeal fails, he can never return to America again.
Antonio strikes up a friendship with Parker, a Vietnamese refugee with terminal cancer who came to America with her father when she was a child, and whose mother had died during the journey. After receiving a tattoo of Fleur-de-lis from Antonio, she invites his family to a communal cookout at her home. Still unable to afford Barrys services, Antonio and his friends resort to stealing motorcycles and selling them, with Antonio nearly getting caught. Antonio pays Barry, claiming that the money was an advance from work, which Kathy finds suspicious. Barry tells Antonio that due to his criminal record and a lack of factors that would make his appeal favorable, his best chance is to seek support from his adoptive mother, who is still alive something Antonio had hid from Kathy.
Deeply hurt over this lack of disclosure and even more devastated by his refusal to contact his adoptive mother, due to her refusal to defend themselves against his physically-abusive adoptive father, Kathy leaves with Jessie and moves in with her mother. Having begun to lose hope, Antonio severs his friendship with Parker.
Eventually, Antonio chooses to see his now-widowed mother, who appears apathetic and unwilling to appear for his trial. Antonio is fired by his boss at the tattoo parlor due to unpaid debts. He makes amends with Parker, whose cancer has gotten worse. When she falls unconscious, he takes her to the hospital. Kathy gives birth to her and Antonios daughter, and they reunite.
On the day of Antonios hearing, Kathy, Jessie, Antonios friends, Ace, and Antonios mother, arrive to offer support. Antonio, unbeknownst to them, is abducted by Denny and his friends, who viciously assault him and leave him for dead. Knowing that he's guaranteed to be deported, Antonio attempts to commit suicide by drowning but cannot bring himself to do it. Denny brags to Ace about assaulting Antonio and making him miss his hearing, and Ace, disgusted by Denny, drives him to the hospital where Kathy works. He handcuffs him to the steering wheel telling him he is going to jail. He then goes and fetches Kathy telling her offscreen what Denny has done. She promptly walks to the car and beats him asking him while sobbing if he knows what hes done. She then falls to
the ground outside the car in tears.
After saying his final goodbyes to his friends, Antonio is escorted by ICE to the airport for deportation to South Korea. Intending to go with him, Kathy and Jessie manage to locate Antonio at the airport. Ace also arrives, wanting to say his farewells to Jessie before she leaves. Not wanting to displace his own family and not knowing where he'll be sent, Antonio tells them to stay in America until he is stable elsewhere. Unable to let go of an inconsolable Jessie, Antonio is forcibly separated from her as she cries out for him.
As the film ends, real-life cases of other unnaturalized adoptees who are either facing deportation or have been deported are shown, along with the estimates by the Adoptee Rights Campaign of international adoptees who face similar circumstances.
Cast
* Justin Chon as Antonio LeBlanc
* Alicia Vikander as Kathy LeBlanc
* Mark O'Brien as Ace
* Linh Dan Pham as Parker
* Sydney Kowalske as Jessie LeBlanc
* Vondie Curtis-Hall as Barry Boucher
* Emory Cohen as Denny
Production
In October 2019, it was announced Justin Chon, Alicia Vikander, Mark O'Brien, Linh Dan Pham and Emory Cohen had joined the cast of the film, with Chon directing from a screenplay he wrote.
Principal photography began in October 2019, and concluded by December. It was filmed and set in New Orleans, Louisiana.
Chon worked on the movie for four years. He consulted with five adoptees who read drafts; they were consulted throughout the writing process and Chon spent hundreds of hours on the phone with them. When he had an edit, he screened it for some adoptees and then received notes from them and changed the edit through the post-production of the film to make sure that they felt comfortable with it. Chon said, "I couldnt consult with the entire community, but with the people who I was consulting, I was making sure that they felt that it was authentic to them." Chon spoke with adoptees Kristopher Larsen, who was director of Adoptees for Justice, and Anissa Druesedow about their experiences with the deportation process. Larsen conferred with fellow deportees as they passed around the script. Larsen said, "Every deportee we spoke to it didnt matter if they were from Panama, Korea, Venezuela, Vietnam, China they all responded with the same thing: This is my story."
The movie is based on true stories Chon heard from Korean adoptee friends, as well as research that revealed a broader crisis for Asian American adoptees of a certain age. In the U.S., the Child Citizenship Act of 2000 grants citizenship to all children adopted from overseas, but it does not protect anyone who turned 18 before the law was passed.
Chon mentioned in a 'GQ' magazine interview, "A lot of people were adopted in the 70s and 80s. It just doesn't make sense to me. For the case of this movie, you have somebody who is a step further than that: you already have these questions of identity from being adopted. And then, not all adoptions end well. So sometimes parents give up their adopted kids, or they abuse them. Antonio goes through foster care and is abused. So to be also given up by your adoptive parents and be bounced around, and then for your country to finally say, we're also like giving you up. Psychologically, I'm sure it's absolutely devastating. So for a lot of people who get deported, there's a high suicide rate."
Release
In July 2020, Focus Features acquired distribution rights to the film. It was released on September 17, 2021, after being postponed from its originally announced date of June 25, 2021. It is invited at 26th Busan International Film Festival in 'World Cinema' section of the festival program. It will be screened on October 7, 2021.
Reception
Box office
In United States, the film was released in limited theaters alongside 'The Eyes of Tammy Faye'.Critical reception
'Blue Bayou' holds a 75% approval rating on review aggregator Rotten Tomatoes, based on 121 reviews, with a weighted average of 6.6/10. The website's critics consensus reads: "'Blue Bayou' can be indelicate in its attempts to tug the heartstrings, but solid acting and a genuinely affecting story make this drama difficult to ignore." On Metacritic, the film holds a rating of 58 out of 100, based on 28 critics, indicating "mixed or average reviews".Controversy
Members of the international Korean adoptee community have criticized the film and called for its boycott, claiming it appropriated adoptee stories without consent and utilized inappropriate promotions, such as a VIP trip giveaway to the location where the film's traumatic events took place. Focus Features has since removed the VIP trip promotion.
Adam Crapser, a Korean adoptee raised in the United States and who was later subject to a high-profile deportation case, claims the movie is largely based upon his personal life story without his consent. In 2017, Chon reached out to him on Facebook and indicated that he learned of Crapsers story in the media. Chon wrote, "I feel like everyone in the U.S. should know what happened to you because its ridiculous". In an interview with NBC News, Crapser stated, People who have experienced difficult things deserve the dignity to tell their story when and if theyre ready. When that is taken away when personal traumas are forcefully misappropriated for other peoples purposes it is hurtful. I ask Justin and his team to stop using other peoples trauma to support his Hollywood ambitions, and for my friends to speak the truth about this film."
Adoptees for Justice, an international nonprofit advocacy group, issued a statement that they were aware Focus Features and director Justin Chon had approached Crapser during development of the film and have since called for a formal public apology and response from Chon.
Focus Features issued a statement from Adoptee Advocacy, a group that includes members who consulted during the production, that they see strong similarities to many of our histories: abusive families, getting in trouble with law, being deported while leaving behind small children. Adoptee Advocacy called the boycott a "devastating gut punch to us.
In response to the allegations, Chon released a statement saying that as part of his research for the film he had worked with 13 adoptees, and that the film "is not about one person. From the onset, I did not want this film to solely reflect one individual's details".
References
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